Regarding the fact that "Pokemon" is not comic, many book lovers have different opinions, so let's focus on explaining it.

The reason for not doing comics is not that the protagonist wants to monopolize the Pokémon IP, but that he doesn't want to hand over the dominance.

The rules of neon copyright are like this, the comics you draw, it does not mean that the copyright of the peripheral derivatives is yours, and if you cooperate with the publisher to serialize, you have to hand over the "agency right".

Once this right is handed over, the authorization of peripheral derivatives is equivalent to handing over to the publishing house, and all peripheral copyrights not only do not belong to the original author, but even the resulting benefits will be accounted for by the publishing house.

The original author not only has no say in the production of derivatives, but also does not have more than 3% of the benefits.

The follow-up development of Pokémon is one of the main story lines of this book, so please be patient.

In the current timeline, the technical conditions for developing Pokémon have not yet appeared.

Why the protagonist chose Shogakukan as the publishing house can also be regarded as a foreshadowing of Pokémon.

I dare to write, I must have checked a lot of information, and there will be no naïve idea that everyone says, thinking that one person can operate an IP on fire.

The success of Pokémon is certainly promoted by forces led by Nintendo, and it is certain that it is good enough.

As for sparing copyright, it is possible to develop something similar in China, but it is very difficult in Neon.

Even if large companies want to follow suit, it is not so easy.

Otherwise, you see that after Pokémon became popular, there were so many follow-up works, including the well-known "Digimon", which was promoted by Bandai and Toei together, and it was not still hitting the streets.

"Through the Tokyo Bubble Era" opens a single chapter to explain that it is being played by hand, please wait a moment,

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