Chapter 122: I have one more bed in my hotel room
Shinsuke Ito wears a telescope around his neck, which is actually called an optical viewfinder, which is an observation tool that can adjust the frame and lens, and can assist the director in observing the composition of the film.
After Shinsuke Ito got out of the car, he ran directly behind the camera and stared at the camera's viewfinder, presumably looking at the effect of the shot.
Before the invention of the camera with an electronic viewfinder, and before the advent of the IVS system, the intelligent video surveillance system, the director could not watch the live footage and film playback on the spot.
The imaginary scene of the director sitting behind a monitor and shouting action to shoot the movie does not exist in this era.
In the film era, it was a hassle for the director to direct a film because he didn't know what the content was going to look like.
If there is a conditional photography field, the printing factory is nearby, and you can print it out to watch the mao film after shooting on the same day.
And without the conditions of the filming location, it is often necessary to wait until the film is finished to see the shooting effect.
Many of the habits in film shooting, such as arranging positions in advance and rehearsing, are the habits left over from the film period.
Some directors are accustomed to taking charge of the camera in the movie, also in order to be able to see the composition of the picture for the first time.
For example, Shinsuke Ito, who was born as a photographer, often pushed the photographer aside and took the camera himself, so that he could determine the composition and effect as soon as possible.
As soon as Hideki Hanyu approached, he saw Shinsuke Ito snatch the photographer's position, and directed the crew to start a new shooting.
The content of this shooting is that Masao is sitting on the bus home, with vulgar countrymen sitting next to him, and the dirty environment makes Zhengnan, a child who grew up in Tokyo, very disliked.
Sakai Masato, who is just nine years old after the New Year, handles that kind of boredom and disdain very well, and the unique jerkiness of amateurs dilutes the over-exertion of neon movies, making the picture look quite real.
Even in the performance, the feeling looks more relaxed than the Konno Misako next to him, and there is no slightly exaggerated performance style like an adult at all.
"Okay, that's over."
Shinsuke Ito shouted and moved his head from behind the camera.
He also happened to see Hideki Hanyu standing next to him at some point, and when he came up, he gave him a warm hug and joked.
"Welcome to President Hanyu."
"Ito-san has worked hard."
Shinsuke Ito in front of him, his hair is messy as if he hasn't cleaned up for a long time, his expression is excited but with an obvious sense of exhaustion, and the clothes on his body are also worn haphazardly, and he looks like he grabbed two pieces casually in the morning.
"The crew has not been able to enter the state before, and the amateur actors also need to adapt, so they are a little busy."
"Why don't you see Shimazu producers?" Hideki Hanyu asked.
"Shimadzu producers have gone to the printing factory of the photography studio to line up, and there are a lot of crews filming at Ofune Photography recently, and it is simply impossible to develop the wool film without queuing."
"It seems that Ito-san and Shimazu producers have worked well together."
"Yes, it's almost March, and our production cycle is still very tight, so I plan to make rough cuts while shooting, so that I can grasp the shooting effect at any time and facilitate post-production."
For shooting, Shinsuke Ito still has a lot of ideas and attaches great importance to it.
After all, he sat in the coveted position of film supervisor, and also directed the hit "Love, Go Home", which is about to sell more than one million, full of enthusiasm and pressure.
"Ito-san can continue filming, no need to greet me."
"Is Hanyu-san going back to Tokyo tonight?"
"I'm not going back, when Ito-san finishes filming, I want to see the wool film I shot before."
"Okay, after watching it, we just had a drink together in the evening, and I know that there is a good tavern nearby."
Speaking of this, Shinsuke Ito suddenly said with a strange expression, "If it's okay next, it's better for Hanyu-san not to run around in the photography office." ”
Hearing this brainless advice, Hideki Hanyu was about to ask why, but Shinsuke Ito had already run behind the camera and continued to direct the shooting.
Seeing that Shinsuke Ito didn't say anything, the other crew members were busy working, and Hideki Hanyu was not easy to disturb, so he simply went to the actor's rest area to find someone to chat.
"Granny Keiko, how does it feel to make a movie?" The first one to find was Keiko's mother-in-law whom he personally invited.
"I did what Inspector Ito asked me to do, and I didn't have to speak, so it was much easier than chatting with the guests at the guesthouse."
"Granny Keiko is amazing."
"It's all taught by Overseer Ito."
"Why don't you see Keiko's mother-in-law's family?"
Hideki Hanyu remembers that Keiko's mother-in-law had come to Tokyo with her family.
"They take their children to play outside, and I have so many people here to take care of them, I don't need them to accompany me."
Making a movie sounds mysterious, but it's not fun at all, and actors often have to wait all the time when they don't have a scene.
And no matter how interesting the plot is, once it is constantly repeated, it will become very boring.
Therefore, as long as a hobby becomes a career, the hobby will soon become a pain.
Just as he was chatting with Keiko's mother-in-law, a young couple suddenly walked into the rest area, along with two little boys.
"Hanyu-sensei, I didn't expect to see you here again."
The young wife was very happy to see Hideki Hanyu and greeted her warmly.
"Good afternoon, did you take the children to play with Sakai-san?"
The young couple with children in front of them is none other than Masato Sakai's parents and two younger brothers.
"Yes, I heard that Injiro's story was filmed on the side, and I want to see Mr. Atsumikiyo."
"Did you see that?"
"No, the crew is filming, don't let us get close."
Sakai Masato's mother finished speaking with some disappointment, and looked at her husband beside her angrily, "But Masato's father is very happy." ”
"Is something wrong?" Hideki Hanyu asked curiously.
"Masato's father met his favorite actress and got her autograph."
When Sakai Masato's mother said this, her expression was obviously a little jealous.
It is estimated that Masato Sakai's father was too enthusiastic in the face of the actress.
"yes, I'm curious who it is." Hanyu Hideki thought it was funny and asked curiously.
"Of course it'......"
Halfway through Sakai Masato's mother's words, she suddenly seemed to remember something, and looked at Hideki Hanyu with some embarrassment.
"What's wrong?" Hideki Hanyu is a little strange.
"The actress my husband met was actually Yuko Tanaka."
Sakai Masato's mother remembered the previous scandal between Hanyu Hideki and Yuko Tanaka, and said with some embarrassment.
"Well, in fact, all the news is nonsense from the media, and I really want to have something to do with Miss Tanaka, so it's impossible that there hasn't been any other news coming out until now."
When Masato Sakai's parents heard this, they suddenly felt that Hideki Hanyu's explanation made sense.
If there is really a relationship, how can it be that after the two had an affair, there was no news again.
But Masato Sakai's father, who had not spoken, seemed to remember something, and looked at Hideki Hanyu cautiously and said.
"Actually, I saw Miss Yuko Tanaka yesterday, but she was with another female star at the time."
"Who?"
Hanyu Hideki thought to himself that this big boat photo studio was really lively, and female stars could be seen everywhere.
"It's Hanyu-san's ex-girlfriend, Miss Keiko Matsusaka, and I heard that she also made movies here, and it seems to be an adaptation of the Kamata March that won the Naoki Award at the beginning of the year."
As soon as Masato Sakai's father said this, Hideki Hanyu suddenly felt a little big.
No wonder Shinsuke Ito asked him not to run around, and the subject of the scandal and his ex-girlfriend got together in a photo studio to shoot a movie.
If they bump into each other, even if he is thick-skinned, he will feel embarrassed.
In addition, he is making a cameo appearance in "Love, Go Home" in the car, and Misako Konno, who has been "plotting against him", is also lively enough.
didn't talk to Masato Sakai's parents for a few words, and the scene on the car on Shinsuke Ito's side was filmed.
The actors who didn't have a scene all ran here to drink water and rest, and Hideki Hanyu saw a little girl running straight to him.
The little girl greeted him with a look of delight in her eyes and a hint of expectation.
"Brother Hanyu, are you coming to see me?"
The little girl is none other than Rie Miyazawa.
Although she didn't have a role in the past, she was pulled into the car by Shinsuke Ito to act as a passer-by background.
Hideki Hanyu was discovered by the little girl as soon as she arrived on the set, and she was looking forward to saying hello to Hideki Hanyu after the filming ended.
"Rie-chan is filming so hard, of course I have to care about it."
Hideki Hanyu dotingly touched Rie Miyazawa's head.
After Rie Miyazawa lived in Asako Hirohashi's house for a while, her skin became a little whiter and her personality became lively.
The poor little girl who was in front of her mother at first was no longer visible.
I heard Asako Hirohashi say that now Rie Miyazawa is playing around with Saori-chan in her house all day long, like a wild child.
Such Rie Miyazawa also made Hanyu Hideki very pleased.
Regardless of whether the other party will eventually choose to enter the entertainment world, as long as it is their own choice, rather than the fate of being forced as before, it is enough.
"Brother Hanyu is so nice."
Rie Miyazawa took the initiative to rub her head on Hideki Hanyu's hand, and the intimate look was like a little female cat Nako Lulu inviting Hideki Hanyu to pet.
And at this moment, the black and thin Sakai Masato also came back and took the initiative to come to Hideki Hanyu and say hello politely.
"Good afternoon, Hanyu-sensei."
"Good afternoon, Yaren, why did you get a tan again while filming."
It's not the first time I've seen Masato Sakai, and he's met with each other when the camera was launched before.
It's a pity that the current Sakai Masato is still a little kid, and he can't see the shadow of Uncle Masato in the future.
"It's okay for a boy to get a tan, I'm going to get him into the field club when the new school year starts." Sakai Masato's father interjected.
"Wild Ball Department? Masato used to like baseball? ”
"I don't like it, this kid only likes to hide in the room and read, and he didn't care about participating in the drama club before, and he doesn't like to communicate with others, it's really sad."
"Children still need to communicate more with their peers......"
Seeing that Hideki Hanyu and Masato Sakai's parents were chatting, Rie Miyazawa's little face next to him suddenly bulged into a bun unhappily.
Hum!
Obviously, Hanyu's brother was talking to her, but as soon as the annoying black boy came over, Hanyu's brother ignored her.
Fortunately, the filming transition ended soon, and the crew shouted to all the actors, and Rie Miyazawa could only reluctantly say goodbye to Hideki Hanyu.
It seems that more important content is going to be filmed this time, so in addition to the two young actors, Keiko's mother-in-law was also called, and the place where the actors rested immediately became empty.
Seeing that the filming would not end for a while, Hideki Hanyu was about to find a chair to rest, but heard someone calling him from behind.
"Hanyu-sensei."
When I looked back, I saw that it was Misako Konno, who had just come out of the dressing room at the scene.
The makeup on the other party's face has been removed, and even the clothes that were filmed just now have been changed.
At this time, he was wearing a light-colored plaid dress and a white folio knit sweater.
The other party's long hair and shawl stood not far away, slim, looking at him with a shy smile.
"Is Miss Konno's scene finished?"
Hearing this, Misako Konno swayed her waist and walked in front of Hideki Hanyu.
"Yes, today's scene is filmed, why did Mr. Hanyu suddenly come to the crew?"
"Of course, I heard that Miss Konno participated in the shooting, so I came to visit."
The Hanyu scumbag is talking nonsense, his face does not change, and his heart does not beat.
Konno Misako's pretty face was pleasantly surprised, and she covered her mouth as if she couldn't believe it and asked, "Really?" ”
"Of course it's true."
Hanyu Hideki's sincere little eyes, who can tell that he only knew that Misako Konno was there when he arrived on the set.
"Then I've finished filming today's scene, and I just have time."
As he spoke, he stretched out his slender fingers and pointed around, "Hanyu-sensei should be the first time here, do you need me to show Hanyu-sensei around?" ”
"That's not necessary, in fact, I came here once before when I turned on the phone." Hideki Hanyu hurriedly refused.
What are you kidding, what if you go out and run into Yuko Tanaka and her ex-girlfriend.
Could it be said that it is such a coincidence, how about everyone just get together at a table to play mahjong?
"Then let's go to dinner together, it's not too early, and Hanyu-sensei shouldn't have to go back to Tokyo."
Konno Misako still didn't give up and asked in a coquettish voice.
"I'm very sorry, but Ito-san has made an appointment to watch the previous film together after filming."
Hideki Hanyu was once again tactfully decisive.
Although the beauty is good, he cares more about the filming of the movie.
Misako Konno still didn't give up when she heard this, and asked expectantly, "Is that so, then can I accompany Hanyu-sensei to watch it?" ”
"As long as Konno-sama isn't bored, let's go together." The beauty asked again and again, and Hideki Hanyu couldn't refuse.
"As long as you're with Hanyu-sensei, you won't get bored." Konno Misako said with affection in her eyes.
Hey!
Hanyu Hideki feels that this girl is afraid that she wants to eat people.
……
In the small screening room of Shochiku Pictures Ofune Photography Studio, the wool film that was shot and printed before "Love, Home" is being played.
Although the hair film is not long, it has been roughly cut by Shinsuke Ito, and a little plot can be seen intermittently.
Of course, as the author of the original book, Hideki Hanyu didn't come to see the plot, he mainly wanted to see the finished film style.
For the time being, this neon version of "Love, Homecoming", shot from Shinsuke Ito, a director of a traditional photography studio, obviously has the characteristics of neon films.
There are more long shots and panoramic shots than the original, the lens language is plain and simple, there are more still pictures in the picture composition, and the literary color is stronger than the original.
However, the delicate presentation of the family story is still very good.
Coupled with amateur actors, there is a kind of simplicity and naturalness that professional actors do not have.
Overall, Shinsuke Ito still tried his best to follow Hideki Hanyu's script to complete the production, but with a small personal touch.
Judging from what has been completed so far, Shinsuke Ito is not as talented as those genius supervisors who are amazing and brilliant as soon as they debut, but his ability is definitely above the level, and if he is trained, he can grow in the future.
Just as Hideki Hanyu was concentrating on watching a movie, he suddenly felt his arm being knocked off, and turned his head to find Shinsuke Ito winking at him.
"What's the situation?"
Shinsuke Ito's expression was exaggerated, and his eyes gestured to Hideki Hanyu's right.
To the right of Hideki Hanyu, Misako Konno sat quietly, carefully watching the picture on the screen, and did not notice Shinsuke Ito's movements.
Hanyu Hideki shook his head slightly, his eyebrows moving, and he gestured that he couldn't figure out what this woman was thinking.
Shinsuke Ito pointed at Misako Konno covertly, then gestured to a drinking pose, pointed at himself again, and then spread his hands.
What this guy means is that when you drink for a while, you will have a woman with you, and I will be alone.
The guessed Hanyu Hideki glanced at him angrily, too lazy to guess a dumb riddle with this guy, and whispered directly, "This is a movie office, and Ito-san can't find a female companion yet." ”
"Then you see first, I'll go find someone." Shinsuke Ito whispered, turned around and left.
Seeing Shinsuke Ito leave suddenly, Misako Konno asked curiously, "Why did Superintendent Ito leave?" ”
Hideki Hanyu explained, "He went to find a friend and came back right away. ”
Sure enough, just when Hideki Hanyu finished watching the wool films he had filmed these days, Shinsuke Ito finally came back.
The guy put the film away and whispered to Hideki Hanyu, "That's it." ”
Hideki Hanyu asked, "What about people?" ”
"Let's go to the izakaya first to help locate the child."
After putting away the film, Shinsuke Ito rushed towards the izakaya with Hideki Hanyu, and Misako Konno naturally followed.
When the three of them arrived at the izakaya that Ito Shinsuke was talking about, they heard someone calling Shinsuke Ito as soon as they entered the door.
Hanyu looked up and saw a round-faced beauty waving at them.
After the few people walked over there and sat down, Shinsuke Ito immediately introduced them to each other.
Only then did Hideki Hanyu know that this round-faced beauty is called Chika Takami, who made her idol debut in 1978.
In "Kamata March", which was being filmed at the photography studio, the other party played a supporting actress, and I don't know what means Shinsuke Ito used to invite the other party out.
Several people said hello, Takami Zhijia looked at Hanyu Hideki curiously, and then curiously looked at Konno Misako, and the fire of gossip burned in his heart.
Keiko Matsusaka, who is in the same crew as her, is Hideki Hanyu's ex-girlfriend, and Yuko Tanaka, who is filming "The Story of Injiro", has just had an affair with Hideki Hanyu.
Hideki Hanyu came out to drink at night, and took Misako Konno, the only female star in the crew of "Love, Home".
Ofune Photography has a total of three films in the film, and the three main actresses are all related to Hanyu Hideki, so it's no wonder that the media said that this writer is a romantic talent.
But looking at Hanyu Hideki's elegant and handsome appearance, extraordinary manners, amiable and polite attitude, his personality is not at all as old-fashioned and macho as a neon man.
Coupled with the status of a well-known writer who is young and golden.
Takami asked herself, how would she react if such a man came to pursue her?
It's hard to refuse.
No, it's not hard to refuse, I guess as long as the other party asks, they will agree immediately.
Thinking about it, it's not just her, and how many women can refuse Hideki Hanyu's pursuit.
And such a man may not need to pursue a woman at all, it is all women who are pursuing each other.
It's no wonder that Keiko Matsusaka, who was in the same crew, never said anything bad about the other party even if she broke up, and recently she rejected the pursuit of supervision Shinji Fukasaku in the crew.
After all, with such an ex-boyfriend as a comparison, even the famous superintendent Shinji Fukasaku is too inferior.
A few people pushed glasses and changed lamps, chatted and chatted, and the atmosphere at the wine table was hot.
Hideki Hanyu has all kinds of interesting facts at his fingertips, and Shinsuke Ito skillfully cooperates from the side, making the two girls laugh constantly.
Hanyu Hideki then discovered that Shinsuke Ito turned out to be a good wingman.
It seems that if you ask a beautiful woman to come out in the future, you can consider bringing Shinsuke Ito to accompany you.
By the time a few people chatted about the stall, it was already midnight.
Out of the izakaya, ace wingman Shinsuke Ito shot again.
"I'm really sorry, Hanyu-san came too suddenly, I forgot to help book an apartment for the studio, it's hard to find a hotel so late, what should I do?"
Misako Konno next to her heard this, and she leaned into Hideki Hanyu and whispered in her ear.
"If Hanyu-sensei doesn't have a place to stay, I have an extra bed in my hotel room."
(End of chapter)