Let's put it this way.

In 1981, Hideki Hanyu made his debut as an award-winning writer in picture books, attracting attention with his handsome appearance, and was called "Metaverse Idol Writer" by the way.

Aside from "Pokémon", which did not make a splash, and then "Magical Snack Shop", Hanyu Hideki proved his talent in the field of children's literature, and the initial transformation was successful.

And immediately following the serial explosion of "Love, Go Home", the single book was a big hit, which made him completely explode, and according to the words of later generations, it was out of the circle.

After entering 1982, apart from the normal release of picture books, Hideki Hanyu did not produce any new literary works.

But "Saint Seiya", which began to be serialized in April and became popular in May, proved Hideki Hanyu's crossover talent again.

"Saint Seiya", which was created by him, is now a phenomenal manga work in the neon comic industry.

The sales of "Weekly Shonen Sunday", which serialized this manga, soared like a rocket, breaking the highest sales in history every week.

The latest issue of "Weekly Junior Sunday" has officially exceeded 3 million sales in a single week.

With such achievements, Hideki Hanyu has been able to add the label of manga artist to himself after being a writer, advertising producer, and composer.

And the most important thing is that the comic created by Hideki Hanyu has a high commercial value, which is completely incomparable to his previous literary works.

Cool battle scenes, gorgeous holy clothes design, and hot-blooded youth story style are all extremely important business elements.

Compared to those romance manga or funny manga, "Saint Seiya" has extremely high commercial development value.

In Neon, it's a well-known fact that successful comics are a gold mine that can be mined endlessly.

And Hideki Hanyu's "Saint Seiya", even if it is placed in a crowd of "gold mines", it is definitely the most dazzling one.

Games, figures, toys, cards, TV animation, theatrical animation, product image endorsement authorization and other peripheral development, "Saint Seiya" can cover all genres.

The recent battle between Bandai and Sony over the licensing of Saint Seiya merchandise is no longer news.

Bandai and Toei, Sony and Toho, are all ready to package and win all the peripheral licenses of "Saint Seiya".

Therefore, Asako Hirohashi and Shota Yoshioka instinctively felt that comics like "Saint Seiya" had nothing to do with cloud screening.

And because of the cooperation between Hanyu Hideki and Shogakukan, Hitotsubashi Publishing Group, and Shueisha, a confidentiality agreement was signed.

They also don't know that Hideki Hanyu actually has a lot of rights in the peripheral copyright of "Saint Seiya".

So after the initial excitement, Asako Hirohashi and Shota Yoshioka were a little unsure if Hideki Hanyu would be able to do it.

"Are Hanyu-san sure you can license the animation of Saint Seiya to the clouds?"

Asako Hirohashi is a little unconvinced, but in fact, this is not to blame Asako Hirohashi.

After all, although cartoonists are important, they don't actually have much say in peripheral licensing, which is something that is clear in the industry.

"yes, we don't even have a proper animation department right now." Shota Yoshioka also voiced his doubts.

When Hanyu Hideki heard this, he showed a confident expression.

"I'll solve the authorization or something, as for the animation production department, when the TV animation of the magic dim sum shop is released, we will withdraw the people we sent to study and immediately build the animation on the cloud."

Hearing Hideki Hanyu's words, Asako Hirohashi said worriedly, "Will it be too late?" ”

"No, the manga story has just begun, and I won't let the plot of the TV anime exceed the plot of the manga."

Saying that, he emphasized, "As for the construction of animation on the cloud, the market environment is not good now, and some small workshops let us buy, so let's let go and don't be afraid to spend money." ”

"I see." Asako Hirohashi nodded.

"Asako-san, the magical dim sum shop will be released in June, as long as the results are good, the theatrical version will definitely be produced, and counting the TV animation of Saint Seiya, we still have a lot of work, so we must hurry up the construction work."

"I see, Hanyu-san rest assured."

"Then please leave it to Asako-san."

After the final explanation, the matter about the animation on the cloud is finished, and the next thing is to rely on Asako Hirohashi.

For Asako Hirohashi's ability, Hideki Hanyu is still very relieved.

If it had been in the past, maybe he would still have thought about doing it himself, to see if he could meet any future cattle in the process.

But as his career became more and more successful, and his business became more and more, he found that it was really inefficient to do so except to satisfy his own bad tastes.

He's a big boss, and he's done everything himself, and that's no longer possible.

Just leave what you want to do to the people below, all he wants is the result, and the transition will affect the efficiency.

Even if you have any ideas, you only need to communicate with Asako Hirohashi and others.

As for who did it, it doesn't matter to him whether there are any celebrities involved in this matter.

Just like the cloud screening, for more than a year, there are not many stars who have filmed advertising cooperation.

Except for the original three Seiko Matsuda and Genki Girl, it was personally selected by him.

Which star is used in the later advertisement, he will not ask at all.

Basically, it's Shinosuke Ito or the script writers group who discuss and decide, or the brand and advertiser suggest, and see which firm has a better relationship.

Kashiwahara Yoshie, Nahoko Kawai, Matsumoto Idai, Junko Mimoto, Yakushimaru Hiroko, these well-known female idols, have all collaborated on cloud screening.

It's hard for Hideki Hanyu to get to know them.

Those stars who originally seemed dazzling are now getting bigger and bigger with his status.

If it weren't for his artists, it would be very difficult to get in touch with him.

As Yukio Tanaka said, unconsciously, he has begun to change.

To put it bluntly, he used to chase girls and dare to say that it was based on his own charm.

Now which female artist is going to chase, I don't know what the other party likes about him if he succeeds.

Resources, or money?

Of course, it's just as possible to be hungry for his body.

It's just hard to judge.

……

[This movie is like this plain into your heart, and then inadvertently let tears moisten your eyes. ——Film Critic: Yukichi Shinada, "Film Shunbao".

[An amateur with no acting experience, but presents a stunning work of art, "Love Home" is worth watching. ——"Cinematic Literature and Art"

[After making October 1981 cry, the movie version of "Love, Homecoming" will make 1982 continue to cry.] ——"Asahi Shimbun"

[The sincerity of the newcomer's supervision, the absolutely unmissable movie masterpiece "Love, Home". - "Daily Entertainment"

……

Just when Asako Hirohashi and others were still worried about the success of "Love, Home", the day after the movie was released, the professional reputation of "Love, Home" ushered in a big explosion.

Except for a few critics who think that Shinsuke Ito may be an advertising director, and his presentation of films is too commercialized and lacks humanistic thinking.

Most film critics and film and television reports have all affirmed "Love, Homecoming".

In particular, several famous supervisors who participated in the premiere of the film gave high praise in interviews.

Yoji Yamada said that this is a movie that will make people want to go home and visit their loved ones after watching it.

Shiro Moriya even praised it, saying that there has not been a movie for many years, which made him cry on the spot in the studio, but "Love, Go Home" did it.

In addition to praising the film itself, a large number of media have focused on Hideki Hanyu.

From the original book to the movie script, from the soundtrack to the theme song, Hideki Hanyu's creative talent has once again astounded people.

In addition to the fact that the director of this film is Shinsuke Ito, it can be said that it is the work of Hideki Hanyu.

There have been media exaggerations that there is something that Hanyu Hideki can't do.

And with the outbreak of professional word-of-mouth, coupled with the support of fans of the original book, and the fans attracted by the theme song "Future".

On the first day of its release, the box office of "Love, Go Home" handed over a box office answer sheet that shocked the industry.

After the preliminary statistics of Shochiku Pictures, "Love, Go Home" exploded at the box office of 84 million yen in a single day in all neon, and directly won the first place in the single-day box office.

Based on the average ticket price of 1,009 yen for the newly released neon movie, more than 80,000 people entered the movie theater on the day of its release.

Since "Love, Home" is released on Sunday, the first-day box office is equal to the first-week box office.

Relying on the single-day box office of 84 million yen, "Love, Go Home" won the single-day box office championship and also won the second place in the single-week box office in one fell swoop.

In front of "Love, Homecoming" is "Mobile Suit Gundam Theatrical Version III.: Meet in the Universe", which has been in theaters for almost two months.

However, the box office of this theatrical version of the animation in the first week of its release was only 3 million higher than that of "Love, Go Home", which can be called a narrow victory.

And other popular movies, such as "God is Crazy", "Doraemon: Nobita's Great Demon Realm", "Monster Little Prince: Demon Sword", "Ninja Hartley: Ninja Painted Diary Volume" and other works, are all pressed under "Love, Go Home".

And as "Love, Come Home" enters its second week of release, the weekday box office trend is terrifying.

On Monday, 41 million yen.

On Tuesday, 39 million yen.

On Wednesday, 33 million yen.

On Thursday, 37 million yen.

On Friday, the box office rose to 45 million yen.

Since most companies are still on a single holiday, it is only after Saturday that the standard weekend time is reached.

On Saturday, the box office of "Love, Go Home" skyrocketed, and the neon exploded 120 million yen on the same day.

By Sunday, the box office had slipped slightly, but it was still strong at 100 million, winning 100 million and 4 million at the box office.

In the second week of its release, "Love, Come Home" grossed 419 million yen in a single week.

kicked "Mobile Suit Gundam The Movie III.: Meet in the Universe" from the top of the charts, and even beat other popular films.

Coupled with the box office in the first week, "Love, Go Home" was released for two weeks, and the total box office successfully exceeded the 500 million yen mark, with more than 500,000 moviegoers.

Before its release, some people expected that the movie would do well at the box office, but no one expected that the box office explosion of this movie would be so exaggerated.

It's not a Hollywood blockbuster, it's not an action movie in Xiangjiang, it's a local movie with a warm vein, but it broke out at the box office with such a horror.

Countless book fans, movie fans, and fans walked into the studio, and then they were moved to a mess and walked out again with red eyes.

Then they continued to recommend to the people around them what a touching movie it was, and then led others to continue into the studio.

Good reputation, coupled with excellent quality, touching family affection, and unlimited viewing conditions for all ages, make many people willing to bring their children or elders to watch this movie together.

This also makes "Love, Go Home" still stable after the initial box office explosion.

In the third week of its release, the box office of "Love, Go Home" fell by only 16%, and the box office collected another 350 million, winning the box office championship again.

After entering June, the box office of "Love, Homecoming" was released for the fourth week, and instead of falling, the single-week box office rose against the trend, reaching 370 million yen, winning the third weekly box office championship.

At this moment, everyone in the industry realized that this is a small-budget family film, and it is completely a terrifying shark that has rushed into the film market.

The rising box office has also attracted many media reports, which has led more people to enter the studio, and then come out crying together.

For a time, the sales of paper towels in the studio skyrocketed.

And the wreak havoc of "Love, Homecoming" at the neon local box office did not end there.

In the fifth week of its release, the box office of "Love, Go Home" still did not fall by 300 million in a single week, and it collected 320 million, winning the box office championship for the fourth time.

In the sixth week of its release, the box office of "Love, Go Home" finally fell below 300 million yen in a single week, but it still won 280 million yen, winning the single-week championship for the fifth time.

In the seventh week of its release and the last week of June, "Love, Come Home" stabilized at 230 million yen at the box office, winning the sixth single-week box office title and the first monthly box office title.

When the time came to July, the release of the American inspirational movie "Rocky 3" finally ended the road to the championship of "Love, Home".

Affected by "Rocky 3", the box office of "Love, Come Home" fell sharply in a single week, and only won 80 million yen in the eighth week of release.

But even so, "Love, Go Home" still ranks third on the box office list, and the second place is the movie "Doton Horikawa" by Hanyu Hideki's ex-girlfriend Keiko Matsuzaka.

"Love, Home", which finally ended the road to the championship, has dominated the neon film market for six weeks.

At this time, the total box office of "Love, Homecoming" also officially exceeded 2.1 billion yen, and the number of moviegoers exceeded 2 million.

But even if it loses the box office champion and is hit by Hollywood movies, the box office trend of "Love, Go Home" is still optimistic about the industry.

has a good reputation, and it is destined that "Love, Go Home" will have a stable long-term screening period.

According to the forecast of the distribution department of Shochiku Pictures, the total box office of "Love, Homecoming" will exceed 3.5 billion yen at the lowest.

Four billion yen is not impossible, but the screening period needs to be extended to more than half a year.

It can be said that with the movie "Love, Go Home", Yunying Film became famous in the film industry.

It proves that in addition to producing commercials, cloud screening also has the ability to produce blockbuster movies.

The attraction of cloud screening for those artists in the circle has also been strengthened again.

This film also helped the cloud film to directly get rid of its dependence on advertising business.

Because even according to the minimum box office forecast of 3.5 billion, after deducting the production cost and the distribution to the production committee of Shogakukan and Shochiku Pictures, the profit in hand will exceed 550 million.

This is far more than last year's advertising for more than half a year.

And the popularity of the movie "Love, Home" has brought more income to the cloud screening, not only at the box office.

First of all, the peripheral income, merchandise sales and film image licensing alone will bring at least 200 million yen in profits to the cloud screening.

Then there's the revenue from film music.

Produced by YM Records, a label of Cloud Music, the theme song "Future" sung by Akina Nakamori.

The album sold 97,000 copies in the first week of sales, directly ranking second on the weekly sales chart of public trust charts.

And in the second week, with the help of the impact of the box office explosion of the movie, record sales also skyrocketed to 310,000 copies.

originally ranked at the top of the list, "Harajuku キッス" sung by Toshihiko Tahara was easily crushed by "Future".

Who would have thought that Akina Nakamori, whose debut song was about to hit the street, ended up helping to sing a movie theme song, but it suddenly became popular like a tsunami.

That week, whether it was Neon TV's "THE TOP 10" or TBS TV's "THE BEST TEN", Akina Nakamori was firmly in first place with "Future".

The music "Night HIT", which only appeared with the help of Hong Kong Haoyi, can now appear in the finale of the opening singing session.

While the song "Future" made Akina Nakamori's popularity skyrocket, even the debut song "Slow Motion" also led to a surge in sales.

As a result, in the third week, Akina Nakamori was on the public list. In addition to "Future" continuing to dominate the list with 210,000 sales, "Slow Motion" also reached fifth place.

Two singles in a week hit the top five at the same time, and Akina Nakamori, a girl idol who has just come out, once overwhelmed her predecessor Seiko Matsuda.

At this time, everyone has a feeling that they don't know about Akina Nakamori, but Akina Nakamori is so inexplicably popular.

And after Akina Nakamori became popular, not to mention the relevant photos on the cloud art side began to sell well.

The total sales forecast for the single album of "Future" alone must exceed one million copies.

At the price of 1,000 yen per single, a million copies is a billion sales.

Cloud Music removes up to 9% of distributors, record stores, and Hanyu Hideki's producers, songwriters, and 41% of its own share.

Excluding the production cost of the single, this single alone can bring in more than 400 million yen.

In addition to the singles, Cloud Music's "Love, Home" movie soundtrack album released immediately afterward, also sold very well.

More than 90,000 copies were sold at the beginning of the first week, and the total sales are expected to be around 500,000 units.

An album sells for an average of 3,000 yen, which is another 1.5 billion yen in total sales.

After removing the distributor and Hideki Hanyu's producer and songwriters, Cloud Music will definitely get more than 500 million yen as well as the single.

Excluding the benefits brought by Akina Nakamori's popularity, the total profit brought by the movie "Love, Go Home" to the cloud screening is basically more than 2 billion yen.

According to the proportion of shareholdings, how much can Hanyu Hideki share, more than 1.3 billion.

Of course, it is impossible to have so much money, after all, it is impossible to use all the box office revenue as dividends after removing the operating costs of the film released on the cloud and the tax paid by the enterprise.

However, for Hideki Hanyu, he can get more than just the dividends of the pictures in the clouds.

He will also earn a minimum of 220 million yen on the "Future" single and "Love, Homecoming" movie soundtrack, through his role as a producer and songwriter.

In a place like Neon that values copyright, that's how songwriters can make money.

Of course, this is also because he is also a producer, otherwise he would not have so much money.

It can be said that it is because of Hideki Hanyu's film and television production from the beginning and the comprehensive layout of the record that the cloud film has gained so much income.

Otherwise, if you only make movies, you will basically become a worker of Shochiku Pictures.

After all, from the cost of theaters to distribution, Shochiku Pictures took at least more than seventy percent of box office sales.

Of course, as the original author of "Love, Home", Hideki Hanyu can not only make money from movies and selling records.

After the movie exploded at the box office, the original book of "Love, Go Home" also sold like crazy.

After half a year, "Love, Homecoming" once again returned to the top of the major book sales charts.

Originally, the Shogakukan side thought that the book would sell well because of the movie, so they asked Hideki Hanyu to print 200,000 copies beforehand.

But the elementary school hall never expected that the movie would be so exaggerated.

Naturally, the Shogakukan did not expect that the book sales would be even more exaggerated than last year's.

The 200,000 copies of the fourth reprint and the remaining inventory of the previous one were sold out without even holding on to the movie for a month after its release.

Eri Kitahara could only contact Hideki Hanyu urgently, and 500,000 copies were printed for the fifth time.

As a result, the fifth 500,000 Ben failed to resist.

Subsequently, Hideki Hanyu signed a contract of 500,000 copies for the sixth time.

The first printing and six reprints directly made the printing and circulation of "Love, Homecoming" exceed 2.3 million copies.

In the face of such sales, Hideki Hanyu can only say that it is no wonder that neon writers like to make their books into movies, and it is too effective for the increase in sales of original books.

In fact, his 2.3 million copies are nothing.

The Gate of Youth, starring ex-girlfriend Keiko Matsuzaka, belongs to the Long River of Youth series by Hiroyuki Goki.

This series of Hiroyuki Gogi, with the continuous stimulation of movie remakes, has already sold more than 15 million copies.

However, they are a series of multiple parts, and they have also released various versions, so they have sold so much.

If you take out a single book for comparison, it is actually not as good as "Love, Go Home".

Besides, if others can issue various versions to make money, he can do the same.

The box office of the movie "Love, Home" is hot, and the Elementary School Museum is already suggesting that after the movie is released, the limited version of the "Love, Home" movie will be released directly.

When the time comes, add some movie stills, character posters, shooting anecdotes and the like to the book, and the price will be doubled, and it will not be a problem to sell hundreds of thousands of copies.

For things that can make money, Hanyu Hideki certainly won't object.

However, this kind of practice of collecting money, the 15% royalty is definitely not good, and the specific amount needs to be further discussed.

Anyway, as long as he can make money, even if his request is excessive, Shogakukan will eventually agree.

Of course, whether it's a "Love, Home" movie, record, or book, they all have a long sales period.

During this period, whether it is a cloud painting or Hanyu Hideki, it is impossible to focus only on this one thing.

So let's move back in time to May, eight days after the release of Love, Home.

At the headquarters of the film on the clouds, Shinsuke Ito hummed a little song happily and walked into Asako Hirohashi's office.

The box office of the first day and the second week has been released, and the box office of "Love, Homecoming" has exceeded 500 million at this time.

It can be said that the box office, professional word-of-mouth, and fan word-of-mouth are flying together.

As a film director, Shinsuke Ito's debut work was a huge success, and he has recently received more attention than he has done in the past dozen or so explosive commercials combined.

Once this guy became famous, it was inevitable that the spring breeze would be a little proud.

Entering the office, Shinsuke Ito found that in addition to Asako Hirohashi, Shota Yoshioka was also inside, and greeted and asked.

"Yoshioka-san, too, are you coming early in the morning to report to work?"

"I have some ideas about the debut of the Genki girl, so I'm here to talk to Asako-san, Ito-san came just in time and was about to find you."

Shota Yoshioka replied.

Since Shota Yoshioka went to work at the office, Asako Hirohashi has handed over the matter of cloud entertainment to Shota Yoshioka.

The current cloud arts, it can be said that Shota Yoshioka is in full charge.

After all, the firm's most important job is to deal with related parties, and this is what Shota Yoshioka is good at.

As for Asako Hirohashi, he should focus on controlling the overall situation.

With the work of Cloud Entertainment Studio, Cloud Music's Young Music Records, Music Fantasy Records, Cloud Animation and other subordinate clubs began to begin.

Asako Hirohashi, as the actual manager of the entire cloud system, is also the same as Hanyu Hideki, and it is impossible to do everything herself.

Cloud Performing Arts Office, Shota Yoshioka will be managed temporarily.

On the surface, Asako Hirohashi is responsible for the music on the cloud, but the specific operation work is actually managed by the heads of the respective labels.

The manager of Young Music's record is Asako Hirohashi's former assistant, named Katsuhito Matsushita, and although this gentleman has average ability, he is an excellent executor.

The manager of Music Fantasy Records is Daiyuki Nagato.

After joining the cloud department, this ambitious character is not satisfied with just making a soundtrack for advertising songs, although there is no shortage of projects.

After seeing Akina Nakamori become popular with the theme song of the movie "Love, Go Home", Daiyuki Nagato also had the same thought.

He signed Alan Zhizi, who debuted with "Neurasthenia" in 81 but failed to become popular, to Yunshang Arts.

Then, with the opportunity to produce the soundtrack and theme song for the TV animation of "Magical Snack Shop", Tomoko Aran was arranged as a singer.

Nagato knew very well that Hideki Hanyu's "Love, Homecoming" was such a box office success that the theatrical production of "Magical Dim Sum Shop" was definitely a sure thing.

At that time, Alan Chiko will be able to get the double blessing of the TV animation and theatrical version of "Magic Snack Shop".

Isn't it a TIE-UP linkage, that Warner Pioneer Akina Nakamori can be used, and MF Records can certainly be used as a cloud department's own person.

As for the newly established cloud animation, Shinsuke Ito is in charge for the time being.

However, Shinsuke Ito is not interested in management and prefers to shoot front-line work, so when the animation on the cloud is ready, he still has to find a new manager.

Seeing Shinsuke Ito, Asako Hirohashi also greeted happily, "Ito-san is in a good mood." ”

"Love, Go Home" was a box office hit, which was a radical change for the film released on the cloud.

As the president, Asako Hirohashi was of course happy.

Recently, she went out to talk to related parties about business, and she was more confident than before.

Obviously, I feel that others have more respect for her, the president of the cloud screening, than before.

Shota Yoshioka interjected, "Can you not be happy?" Ito-san has recently had a bumper harvest in career and love. ”

"Love?" Shota Yoshioka's words intrigued Asako Hirohashi.

"Don't Asako-san know? The day before yesterday, Ito-san recommended a female idol to appear in an ad for Marukawa Seika, which was the first time. ”

As soon as Shota Yoshioka's words fell, he heard a voice at the door, "Recommend female idols?" Is Ito-san going to pay attention? ”

With the voice, the figure of Hideki Hanyu walked into the office.

"Huh? Hanyu-san is also here, what are you doing with Tetsuya Aragaki these days? Can't see anyone when you're busy? ”

Two days ago, Hideki Hanyu asked for the technologist Tetsuya Aragaki from Shinsuke Ito, and he hasn't been to the cloud since then.

"Yoshioka-san said that there is something important, and it will not work if you don't come." Hideki Hanyu looked at Shota Yoshioka.

"Yoshioka-san also said he was looking for me just now, what the hell is going on?" Shinsuke Ito also looked at Shota Yoshioka.

"Wait, Yoshioka-san, before you explain the reason for coming to us, please tell me who the female idol Ito-san recommended to Marukawa Seika advertisement?"

Hideki Hanyu was more interested in Shinsuke Ito's gossip than Shota Yoshioka's affairs.

"Nana Okada, you should know." Shota Yoshioka said.

"The female idol who was imprisoned?" Asako Hirohashi remembered who it was.

Nana Okada, who participated in the TV Asahi talent show "You Are a Star" in 74.

debuted as an idol in 75, and in 77 he was imprisoned for five hours by extreme fans in his apartment.

In the incident, Nana Okada injured both hands and received more than 30 stitches in the hospital.

But this kind of encounter did not receive sympathy from the outside world, but attracted all kinds of malicious suspicions, such as her being violated.

Even if the rumors were refuted afterwards, it was useless, and the idol career plummeted because of this, and he had to transform into an actor.

Thinking of the information of this female idol, Hideki Hanyu asked curiously, "How did Ito-san know her, isn't the other party cooperating with Kadokawa Pictures?" ”

"I met at a party in the circle before, and after chatting, I thought it was a girl with a very good personality, so I introduced advertising shooting."

When Shinsuke Ito spoke, his mustache was cocked and his expression was excited, and it was obvious that something was wrong.

Hideki Hanyu can see that this guy and that Nana Okada definitely have something.

However, he has always disliked to participate in other people's feelings, and he no longer asks more after understanding the situation.

He turned his head to look at Shota Yoshioka, "Yoshioka-san is in a hurry to call me back, I still have important things to do." ”

"It's because of the debut of the Genki Girl, I think that since Love Home can help Mingcai-chan become popular, can we customize a movie for the Genki Girl to help their debut publicity?"

Shota Yoshioka stated the purpose for which he called the crowd.

When Shinsuke Ito heard this, he scratched his head and said, "I see that it will be June, and I will make my debut in July, so I'm afraid it's too late to make a movie." ”

"It's a good idea, the cost of a small production is not too high, it doesn't matter if it fails, once it succeeds, the benefits will be too many."

Asako Hirohashi looked at Shota Yoshioka's suggestion from the perspective of income.

As for Hideki Hanyu, after hearing Shota Yoshioka's idea, he also felt that it was very feasible.

As for the production cycle that Shinsuke Ito was worried about, it was not a problem at all.

The type that a young girl can shoot is nothing more than a low-cost youth film, find a fast gunner to supervise, shoot and post-production, half a month is enough.

What he was thinking about was what story to shoot.

It must be able to cooperate with the debut publicity, and it must also have certain highlights.

Although tens of millions of investments can afford to lose money in cloud screening, losing money is only one aspect.

The resources that can be invested at the same time are limited, and investing in movies is bound to affect the promotion of Genki Girl.

Occupying propaganda resources without attracting attention is the most fatal waste of resources.

"Hanyu-san, do you have any ideas?"

Seeing that Hideki Hanyu didn't speak, Asako Hirohashi couldn't help but ask.

"Not yet." Hideki Hanyu couldn't really think of a movie suitable for three girls to shoot for a while.

"I came up with an idea." Shinsuke Ito on the side said suddenly.

"If you think of something, hurry up." Shota Yoshioka asked hurriedly.

"Do you still remember how we found the three children of the Vitality Girl back then?"

Shinsuke Ito threw out the question,

Hideki Hanyu, who was thinking about shooting a story next to him, suddenly lit up in his eyes when he heard this.

"Ito-san guessed what he meant, cute-to-multi commercials, Ito-san wants to expand the story I wrote for cute-to-many commercials back then into a movie, right?"

As soon as Hanyu Hideki's words fell, Asako Hirohashi immediately nodded in approval and said more ideas.

"If the movie is adapted from a cute commercial, it will have a great advantage in publicity, not only to take advantage of the popularity of the commercials and theme songs of the year, but also to the feminist issues provoked by Hanyu-san."

Asako Hirohashi is like this, she has never cared about content or anything, and only considers problems from the perspective of interests.

"The story of the cute and multi-ad is too simple, and there is a lot of content that needs to be added to the adaptation, such as the motivation of the girls to participate in the competition, and the change of attitude before and after, etc."

Shinsuke Ito, who proposed it, was concerned with the issue of filming.

"It's simple, set a senior who is very good to the girls, she encourages the girls to compete, and when she arranges an accident for the senior to die, it can inspire the three girls to change."

Hideki Hanyu immediately gave an idea for the story, and by the way, he made another suggestion.

"This senior, we can arrange for Ming Cai-chan to star, so that she can help increase the attention of the movie, and she can also benefit from the success of the movie."

"Hanyu-san's idea is good, and it should be possible to follow this routine and ask the screenwriting department to expand the story."

Shinsuke Ito agreed.

"Then Ito-san will be asked for this 'cute' movie."

Shota Yoshioka hurriedly added a burden to Shinsuke Ito.

Originally, he just made a suggestion, who thought that the partner was too powerful, and he even thought about what to shoot in three or two clicks.

Hearing Shota Yoshioka's words, Shinsuke Ito shook his head again and again, "It's me again?" I've just come home from my busy day, so I need to rest for a while. ”

"It's such a key matter as the debut of a young girl, I'm not at ease if I don't hand it over to Ito-san, besides, isn't that Nana Okada transforming into an actor, it's better for you to be the supervisor and arrange a role for her."

Shota Yoshioka began to tempt old friends with beauties.

"Oh, that's right! For such an important movie, who else can take responsibility for the cloud screening! ”

When Shinsuke Ito heard that Nana Okada could be arranged, he immediately came to his senses and completely forgot about resting or something.

"Don't worry, Ito-san, the preparation for the film can begin, but there are other things to determine in advance."

Asako Hirohashi seems to have other considerations in mind.

"What do Asakusan have to decide, there is not much time left for us to shoot."

Shinsuke Ito thought that he could get along with beautiful women day and night during the filming, and he was so anxious that he couldn't do it.

"At least we have to make sure about the distributor, and since the cute ad was shot for Suntory, can we consider adding Suntory's product placement to the movie, so Suntory will definitely be willing to pay a sponsorship."

Asako Hirohashi spoke her mind.

"It's still thoughtful about Asakusan, since you already have a plan, then I'll leave the rest to everyone, I still have something to do, so I'll go first."

Hanyu Hideki saw that there was nothing to do with him, and after praising Asako Hirohashi, he wanted to be the shopkeeper.

Asako Hirohashi couldn't help but ask, "What has Hanyu-san been busy with lately?" ”

"It's related to the operation around my works, and everyone will know when they're done."

"Well, if you need help, Hanyu-san remembers to tell us."

"I see, if you need your help, you're welcome, goodbye."

Hideki Hanyu shook his hand and left the headquarters of the film in the clouds.

Getting in the car, he went straight to Sanyou Accounting Firm.

He has been busy with nothing else recently, it is the matter of entrusting Akio Mitomo to acquire Coreland Technology Co., Ltd.

The day before yesterday, Sanyou Accounting Firm had already helped him find out the foundation of Coreland Technology Co., Ltd.

Judging from the survey report and market value assessment provided by Sanyou Accounting Firm, after moving the "optical factory" to Nakano Ward, Tokyo, Matsuda's life was quite difficult.

After leaving the original Tian Wu City, the business of importing jukeboxes from the "Glasses Factory" was gone.

Before Hayao Nakayama bought Sega, there was no Thigh for Sega to hold, and the copycat game arcade couldn't open the situation in Tokyo.

According to the results of Mitomo Akio's investigation, Matsuda Yasushi is now completely supported by eating his old money in Tokyo.

The "optical factory" can hold on for a short time, but if it drags on for too long and the business does not improve, I am afraid that it will only go out of business.

Of course, Hideki Hanyu knew that Matsuda Yasushi would catch up with Sega next year, and he mixed well for a while.

But he hasn't caught it yet, isn't this the opportunity he is looking for.

According to Akio Mitomo's assessment, the market value of Coreland Technology Co., Ltd. will not exceed 200 million yen.

There is such a valuation, or it depends on the humble sales channels and the development and production team.

If these intangible assets are removed, the valuation of those obsolete production machines and worthless copycat game patents will probably be more than discounted.

Previously, he asked Shinsuke Ito to take Tetsuya Aragaki as a technical expert, just so that he could help see how the current development and production team of the "Optical Factory" was.

Originally, he said that he would meet at Sanyou today, and Tetsuya Aragaki came to give him a conclusion, but he received a call from Shota Yoshioka early in the morning, and he had to come to the cloud to show a picture first.

10,000 words of big chapters, I didn't do a good job of dividing chapters for a long time, so I simply sent them together.

(End of chapter)