There is a saying that "the insight of the world is knowledge, and the connection of human feelings is the article." Because of this, Ye harmlessly stared at the inscription on the east side of the south gate of the Big Wild Goose Pagoda, and couldn't help but think about it. He knew in his heart that this column of inscriptions was the "Preface to the Three Tibetan Sacred Religions of the Tang Dynasty" made by Li Zhi, Gaozong of the Tang Dynasty, when he was the crown prince, and the author of the inscription was Chu Suiliang, a great calligrapher at that time. The beautiful and moving font makes people feel fresh and vibrant, and it is more reminiscent! At this time, the third prince is harmless, he is facing this fresh and beautiful font, and he is naturally in the association of Pianpiao. He thought of the various types of fonts he had personally honed, and in the moment of this association, he had made a brief but profound contrast between the distinctive fonts and the slender beauty of Chu Suiliang. And he also thought of the "Thirteen Classics" engraved by Li Ang Kaicheng of Tang Wenzong in the forest of steles in Chang'an when he first came to Kyoto, especially the masterpiece of Ouyang Xun, who is known as "the first regular script", the rich and full Yan Zhenqing boutique, the calligraphy of Liu Gongquan who is clear and upright, the traces of treasure ink of Chu Suiliang, who is good at iron and silver hooks, Li Yangbing's fine products that move the pen tactfully, Wang Xizhi's Jisheng order, Fu Qin's inscription of General Guangwu, and the handwritten stones of Yu Shinan, Zhang Xu, Huaisu, Zhiyong, Li Longji, Shi Weize, etc., These books, which can be called the essence of Guohua, shine in Ye harmless's mind one by one, making him feel a burst of brilliance like "Scattered Flower Heavenly Maiden", making him feel colorful and dazzling, and making him sink into an infinite intoxicating dreamland; However, although the calligraphy masterpieces gathered by these hundreds of schools have appeared one after another, however, the penmanship of Chu Suiliang on the inscription in front of Ye Wuwu is not inferior, on the contrary, Chu Suiliang's expressive pen is more radiant and unique in the bright stars.

After a while, Ye Wuwu couldn't help but look around the Big Wild Goose Pagoda counterclockwise. I saw that the body of the tall and majestic Big Wild Goose Pagoda is a square corner cone, and there are brick hidden pillars, bucket arches, railings and eaves that protrude outside the wall on each layer of the tower wall. And on the four sides of each floor, there are brick arches that can be looked out, like the eyes of the clairs left on the giant tower, and like the ears of the wind that extend in all directions on the body of the tower. This is just like the Tang Dynasty literati Zhang Bazhi wrote the "Title of the Temple of Mercy and Grace":

The seven floors are abruptly in the void, and the forty doors are open to the wind.

But the bird flew flat on the ground, and said to himself in the air.

The four ladders are like piercing holes, and the top of the first climb is like being out of the cage.

The sunset Fengcheng is beautiful, and the spring trees are raining all over the city.

After listening to this seemingly insipid seven-word poem, and then saying that the third prince at this time is harmless, I saw that he had soon gone around to the west gate of the tower, and just appreciated the inscription of the calligrapher Chu Suiliang, he couldn't help but contemplate and appreciate the stone carving pattern of the west gate. I saw that on the lintel of the west gate, like the lintel of the other three arches on the ground floor, it was all covered with Yin pattern stone carvings, with continuous Yin carved patterns such as vines, cloud dragons, and Buddha statues; Moreover, the layout of these patterns is tight and compact, and the lines are also resolute and strong, and the bearing is extraordinary, which naturally adds grace and color to this square pavilion-style brick tower that imitates the wooden structure, and also doubles its value. However, in the eyes of Ye harmless, more valuable and more meaningful is far more than these, because there is a famous inscription stone carving before, and then it is necessary to reproduce a famous inscription stone, not to mention that the line carving hall map of the West Gate is the most famous, and the detailed structure of the palace heavy eaves, bucket arches, tube tiles, eaves corner iron horses and columns presented in this hall map are all precious things left over from the Tang Dynasty.

When the third prince Ye Wuwu went around to the south gate of the Big Wild Goose Pagoda again, he saw that the stone inscription that he had speculated and imagined really appeared in front of his eyes. This is the Tang Dynasty famous monument written by Li Shimin, Taizong of the Tang Dynasty, and engraved by the famous calligrapher Chu Suiliang.

At this point, Ye Wuwu has been around the bottom of the Big Wild Goose Pagoda to enjoy a week, and now he has looked at the door and decided to climb the tower to take a look at the old face of the ancient capital Chang'an.

However, the third prince Ye harmless never thought that there was a dark and incomparably dark murderous aura hidden in this ancient Big Wild Goose Pagoda! Moreover, this murderous aura once permeated all factions of martial arts, making the entire rivers and lakes and even the people of the world panic all day long; However, this dark murderous aura is the oblique (evil) evil aura that many righteous people in the martial arts are determined to exterminate and exterminate, and they can never escape the eyes and ears of justice; Although this gloomy murderous aura does not know when it will end, and I don't know how much blood and sweat the righteous will pay, and even the tears of sorrow, but one day, the rivers and lakes in the world will become more bright and charming, more clear and peaceful.

At this time, he climbed the spiraling staircase, and as the light inside gradually darkened, he gradually felt that his legs were filled with lead water, so that he had to take a heavy foot with difficulty every time he climbed the stairs, and made him feel that the dark and gloomy front was so long and slim, as if this dim ladder would lead to a black heaven isolated from the world, and as if this ladder would stretch out into an endless abyss......

The darkness in front of him and the dullness in his heart finally made the third prince Ye harmless slowly approach the place where a ray of light came from. However, after several dim and spiraling ladders, Ye Wuwu seemed to have lost his way, and he did not know how many floors he had reached the Big Wild Goose Pagoda.

Finally, Ye Wuwu's face suddenly opened up, he was relieved to face the vast and distant scene beyond the brick arch, and his depressed and dull mood just now was finally relaxed, and he had recognized that the place he was high up at this time was outside the west gate of the sixth floor of the Big Wild Goose Pagoda.

So, Ye harmless looked northwest, and saw a square brick tower with dense eaves facing him. With his fiery eyes, Ye Wuwu could clearly see that this dense eaves brick tower had a total of fifteen floors, and it converged towards the central apex layer by layer, showing a smooth outline of rolling and killing; Each of its floors is equipped with round arches, making this towering brick tower even more elegant and unique when viewed from afar!

At this moment, this small and delicate brick pagoda is more like the demon shaking pagoda in the hands of Li Tianwang Li Jing that he saw in his dream; However, he has long been indifferent to this brick tower in Chang'an City, which ranks second. A long time ago, Ye Wuwu had heard his famous Confucian teacher Cao Luzhuang introduce this small wild goose pagoda second only to the Big Wild Goose Pagoda. And a year ago, he had personally climbed the Little Wild Goose Pagoda, and of course he had carefully appreciated its exquisitely carved appearance, smooth lines of arabesque patterns and celestial and human offerings; And he also learned from Mr. Cao Luzhuang that this small wild goose pagoda was built in 707 A.D. in the first year of Li Jinglong, Zhongzong of the Tang Dynasty, and was named the small wild goose pagoda because it was smaller than the big wild goose pagoda of Ci'en Temple. This tower is located in the Great Recommendation Temple, and this Great Recommendation Temple is changed from the original name of the Great Offering Temple, the temple site was originally the former residence of Emperor Yang Guangju of the Sui Dynasty, to the first year of Tang Ruizong Li Dan Civilization in 684 A.D. Wu Zetian for Tang Gaozong Li Zhi to offer blessings and establish the Great Offering Temple.

Looking at the small wild goose pagoda in the clouds and in the distance, the harmless eyes of the third prince couldn't help but flow slowly. It is a kind of blue and blue eyes full of pride and worry, it is looking for a bright future and the way of justice, it is touching things and feeling everything, it is expelling the sinister and dark eyes, it is looking down on the old face of the ancient city of Chang'an and the water that has been obscured.

At this time, a westerly wind blew in his face, blowing Ye Harmless's long hair and clothes fluttering in the wind, blowing Ye Harmless's broken heart drifting with the waves. At this moment, how can he, who is high above, not think of the "depressed and frustrated" "Climbing the Tower of Mercy and Grace" written by Du Fu Du Zimei, a realist poet who worries about the country and the people? He is a great example of the "poet saint" in the literary and poetry circles, but it is a pity that his life in the world is too bleak and miserable. "The high wind roared in August and autumn, rolling up my house three times", "There are tens of thousands of mansions in Ande, and the poor people in the world are happy." Eventually, he was starved for days when the river swelled. The county order sent white wine and beef, and then overate to relieve the hunger in his stomach, and he was drunk and died. In this way, he finally died on a small boat from Tanzhou to Yueyang at the age of 770, and Du Fu was 59 years old.

Thinking of the past, Ye Wuwu looked at the inside and outside of the ancient capital of Chang'an, and Du Fu's passionate and generous poetry echoed in his mind-

The high standard crosses the sky, and the gale never stops.

The seven stars are in the north household, and the river Han voice flows westward.

Qinshan was shattered, and Jing Wei was unattainable.

Looking down but in one breath, how can you distinguish Huangzhou?

Yu Gu is in the Qingjiang River under the stage, how many pedestrians are crying in the middle? Looking at Chang'an in the northwest, there are countless mountains in pity. The green mountains can't cover it, after all, it flows eastward. Jiang Wan is sad, and the mountains are deep and smell partridges.

After a long time, the heavy sound of poetry slowly disappeared in Ye's harmless ears, and his eyes returned to the Big Wild Goose Pagoda where he had climbed. It was only then that he realized that he had not yet reached the top of the Big Wild Goose Pagoda. "If you want to be poor, go to the next level." Naturally, he would think, since he has come here, how can he not ascend to the highest level? Besides, the purpose of his climbing the tower is to climb the highest level of it, and if he doesn't climb to the highest place, won't he be a hero? More than that!

Thinking of this, the third prince Ye was harmless and determined to return to the dim staircase to climb to its end. But who could have imagined that something would await him there?