MD, I exploded with the outline
Good morning, good afternoon, good evening, good morning, good afternoon, good afternoon, good morning, good afternoon, good afternoon, good morning, good afternoon, good evening, good morning, good afternoon, good afternoon
So long story short, I'm going to announce one thing now:
MD, I can't bear it anymore, I'm going to blow up with the outline!
To put it simply, I'm planning to overhaul the chapters after they are released, so I'll need some preparation and rest for the time being.
Lately, I've been plagued by two emotions when coding words. The first is "Why the fuck did I write that in the first place?" The second is "Why the fuck didn't I write that in the first place?" β
These two emotions have always made me so anxious that I can't write at all now. Every day, I deducted and searched for 4,000 words, and I felt that writing was like going to prison.
So the main culprit of this reason is that I had a problem with my mental state when I put it on the shelf, which led to the reluctance to write even if I kept following the outline, and sometimes I found that the writing was crooked, and the outline was directly shattered, but I had to send out what I had written for the sake of full attendance.
As for why this book changed from a daily story in Tokyo to a fantasy story in the CD city after it was put on the shelves, in fact, the original outline was also a bit problematic. If my mental state was a little better during that time, and I communicated more with readers and friends, I would probably improve the outline, and this book would not directly turn into fantasy, at most it would be transformed into the kind of daily life with a bit of fantasy elements, just like "Like a Dragon" has energy drinks that are full of physical strength after a sip and fights and explosions, and there are elixirs that can use superpowers, but it is still a realistic theme.
Then, because of my original creative state of mind, I was following a problematic outline to write a more problematic plot, so that the subsequent plots had to continue to make mistakes, and the direct dominoes became more and more chaotic.
There is also the character of Elizabeth of the Kiyomiya, which should be inferred by many readers as soon as they see the name that it is in Neta Marisa. Originally, I wanted to set her as the protagonist's guide NPC, to help the protagonist with scientific knowledge and provide a small amount of assistance. I had two ideas for her character, one was to be a bad woman close to Machima, and the other was to write a quirky and kind character like Marisa. I've also considered writing the kind of Yukino under the snow, but there are too many books that start with a heroine with this kind of character, so I don't want to write it.
As a result, when I actually wrote it, I accidentally wrote her as "Marisa Alter", which is the complete opposite of Marisa's personality. Kind-hearted but not much.,A little tsundere but more like a brain problem.,The character is not likable at all.,And it doesn't fit the protagonist.γ The reader looks awkward, and I write awkwardly.
It's like letting Jotaro and Yukishita stay in a club, and the two must not be used to each other and have contradictions. However, there is absolutely no chance of interaction between the two, unless there is a sΓ©ance of the machine.
Originally, the solution I envisioned was to let the male owner find a chance to fight with her.,The so-called love is fighting.,After the fight, you can understand each other.γ
As a result, every time I write about the point where they have a chance to fight, I suddenly can't find a reason for them to fight. Then I thought about dragging it out and seeing if I could find a chance to fight later, but I couldn't find a suitable entry point.
It's like Jotaro can't get used to Yukino anymore, and he won't directly release the platinum star to give her Ora a meal. On the contrary, Yukino would not be stupid enough to taunt Jotaro madly, so that he had to beat Ora himself.
And then I found out that this character was difficult to ride a tiger. If you want to write about a relationship, you can't find an entry point, and giving up the role is equivalent to giving away a girl.
I don't know how readers feel when I write this article, but I feel like the more I write, the more I go to jail. Although I had all the outlines and could write down slowly according to the outline, I felt that it was painful to write.
For example, I don't know why I wrote about the Eight Laws that appeared before, and he is not in the outline. It was when I stayed up late to write the words in a flash of inspiration.,After writing it, I found that something was wrong.,But I want to eat so I have to send out this chapter.γ
In fact, I have prepared this book much more than the previous book, at least my outline is complete, at most there are some problems that need to be revised.
But because of the outline of this book, the current situation is basically a chronic collapse, and the more I write, the more difficult it becomes, and most of the new characters appear completely to reduce the perception, but I will be a little happier when I write about the interaction of old characters.
I now have a headache for this book, I am tired from sleeping twelve hours a day, and I can't eat lunch.
tmd annoyed, kill kill! The Qing palace family is full map, the eight family is full map, and the Yin and Yang Liao family is full map! Tokyo is full of maps! Fucking kill kill!
Ahem, then readers will probably ask, "You've said so much, is the eunuch next?" β
As I said at the beginning, I plan to restart the timeline directly, and rewrite it from the time I rescued Sister Zhenzi on the shelf, and changed all the content that followed. It will take about 1-3 months.
I spoke to the editor today, and I told her I wanted permission to delete and modify chapters on a large scale, and she agreed.
The current idea is to delete most of the fantasy settings and keep only a small part of the settings that don't affect daily life. The second is to change the character design of some characters, such as Elizabeth of Jingqing Palace, who is written like being in prison, and then delete some meaningless characters who will only reduce the reader's perception and personal creative experience.
I'll also re-discuss the outline with friends, at least so that the plot can end coherently, and not be as messy as the running group outline thrown with lead-filled dice that can only stabilize 1 and 100.
Then a reader is going to ask again: "You have deleted and changed it, and it is the same as the reboot of the dragon family." Do regular readers who subscribe to it all over again have to pay for a new subscription? β
This problem is easy to solve, and when I finish revising the two volumes on the shelves, all of you who have subscribed to the readers will contact me directly in the group, and show me the screenshots of your subscriptions, and I will directly send you the content of these two volumes for free, if you are still willing to read it.
After this rewriting and revision, I don't know if there will be a loss of readers at that time, and I don't know if there will be many readers who are willing to wait and read it from the beginning. Anyway, according to the editor, after I finished changing this book, my grades basically became a big piece of.
But don't blame me, readers. To be happy, I went to read two books that robbed me of my Sanjiang position in the same period in the past two days, one is a 360,000 eunuch and the other is a 290,000 eunuch.
Fuck, like eunuchs, huh? I like the eunuch so much, I gave Sanjiang to me in the first place, maybe I was in a good mood and the plot wouldn't have collapsed, fuck.
Although they all collapsed at the same time, I don't plan to give up yet. On the one hand, because I am idle, on the other hand, I want to continue to laugh at them justifiably, and on the other hand, because people always have to face their mistakes.
My plan now is that the book will be stopped first, and then I will resume updating it after I have revised all the previous chapters.
This book was destined to be a thankless book from the first word of writing, in fact, I have not been in a good mental state since I wrote this book, and I was very anxious because I was close to graduating from college at that time.
Some readers may want to ask: "Since I really can't write anymore, and my spirit is also very bad, wouldn't it be better to get rid of the eunuch directly?" No one will look at it again. β
In fact, I already have 10,000 reasons why the eunuch will not write, and I can directly pretend to be depressed and crazy, ask for the sympathy of the readers, and let everyone forgive me as a eunuch.
However, heroes can't run away.
(End of chapter)