Zhen Zhibing himself is hateful enough in another "The Legend of the Condor Heroes", and now if he plays it so disgustingly, I'm afraid it won't make people poke it for a lifetime.

If this is played well, won't he transfer all his hatred to himself?

However, only when you act well can you have more experience, why should you act badly?

If you want to act well, you have to make people not hate, so you can only play Zhen Zhibing on the good side.

When it is broadcast, it will be better if others can feel pity after watching it.

is a very good person, but in the end he did that kind of thing for the sake of the little dragon girl, which can also show the charm of the little dragon girl.

Of course, this is just Chen Shuo's idea, and he can't decide whether others will think so or not.

What he wants to do now is to lean in this direction as much as possible.

But he is not qualified to change the script now, so he can only add some small actions to the current inherent plot to achieve his goal.

This was taught to him by Yu Bo.

In the play "Xiao Shiyi Lang", Lian Chengbi can be described as a person who has done all the bad things and fell into destruction step by step.

However, it seems that this is not the case, or that he does not want to act like this.

In his opinion, although Lian Chengbi is a real bad guy, everything he does is for a reason, and it is all caused by his own emotions and the influence of the outside world.

In his heart, he is not a naturally bad person, but he was forced by current events and had no choice but to come to this point.

He wants to bring this entanglement to the performance, so that the audience will hate and love Lianchengbi.

In other words, even when you hate him, you can't help but feel pity for him.

Chen Shuo asked himself that he didn't have such a skill as Yu Bo now, but he could take a trick and combine Zhen Zhibing and Sima.

One of the two is a disciple of the Quanzhen Sect, the largest sect in the world, and the other is the young master of the Sima family, and this background also has something in common.

It's just that Zhen Zhibing's temperament is a little arrogant, while Sima Xiang is more peaceful.

If you can show pride and not arrogance, look down on or ignore Guo Jing, but you don't lose your courtesy.

When facing the Jiangnan Seven Monsters, the elders of the same generation as the master, they restrained their arrogance and were respectful and polite.

When he was finally slapped away, he was surprised and relieved, and then walked away.

was surprised by Ke Zhen's evil move, but he understood that he wanted to give his apprentice anger, and out of respect for his chivalrous behavior, he was willing to fulfill it.

Presumably, the effect is very different.

Thinking of this, Chen Shuo began to copy the lines in the notebook sentence by sentence.

According to what Li Defu taught, analyze the emotions of each sentence little by little, and try new ways to break sentences.

In the evening, before the director team came, Ma Tao led someone to hang Chen Shuo again, so that he and Wei Yashi could familiarize themselves with it to ensure that there were no omissions.

When the director team arrived, the whole team came to life and began to run in an orderly manner.

At this time, Chen Shuo also saw the milk bag, and he was waving to him beside a young man.

When Chen Shuo saw it, he also smiled and beckoned to him.

Li Yapeng is still very dedicated, he didn't come during the day because there was a play, he really couldn't leave, and he went to the scene and rehearsal before the start of filming.

This also made Ma Tao breathe a sigh of relief, after all, the Weiya action they designed was based on the assistant in the morning, which was still different from Li Yapeng's personal appearance.

The special feature of Weiya Opera lies in the cooperation between the actors and Weiya Division.

With good cooperation, the filming is not only smooth, but the effect is also very beautiful.

The cooperation is not good, either there is a problem here, or there is a problem, not to mention the effect, it is fortunate not to be injured because of this.

After running in several times in a row, and determining the camera position, lighting, etc., with a voice: "Action!" ”

The filming of this scene officially began.

In the shot, Li Yapeng walked out of the dome, looked in the direction of Chen Shuo, walked over and asked, "You, are you calling me?" What's up? ”

The camera swiped over, revealing Chen Shuo's figure and framing the two in the mirror.

At this time, Li Yapeng was wearing fur and fur, coupled with a pretended honest tone, which made him look very inconspicuous.

And Chen Shuo is handsome, with his hair combed in a bun, wearing a Taoist robe, and his posture is straight, like a green pine and white crane.

is the so-called: practice the body is like a crane, thousands of Panasonic two letters. I came to ask Wu Yu to say, the clouds are in the sky, and the water is in the bottle.

Choose a secluded and comfortable wilderness, and there is no sending or welcoming all year round. Sometimes it goes straight to the top of the lonely peak, and the clouds roar under the moon.

There are many longevity things such as pines, cranes, and turtles in the Taoist gate.

At this time, he deliberately held the bird-shaped shelf, making him feel as if he was really a Daomen fairy.

His eyes were slightly closed, his eyebrows and eyes were slender, and he heard Li Yapeng's question.

As the camera swept over him, his slender eyes opened slightly and looked him up and down.

Then his eyes drooped again, and he asked in a light tone: "You are Guo Jing?" ”

"I am."

As soon as Li Yapeng finished speaking, Chen Shuo stepped forward without saying a word and slapped his palm on his chest.

Li Yapeng staggered back, Chen Shuo threw himself in a vertical position, his body spun, and he caught up and slapped him on the shoulder.

This set of actions is smooth, and it is more obvious than Li Yapeng's clumsy and beaten movements.

"Why are you hitting me?" At this time, Li Yapeng asked.

However, Chen Shuo's movements did not stop, and he hit again, and the two exchanged a few moves.

Li Yapeng used wrestling techniques to catch Chen Shuo, wanting to throw him out, but was easily defused.

Then seeing Li Yapeng chasing after him, Chen Shuo kicked under his feet, jumped up violently along the upward movement of Wei Yashi, and kicked on Li Yapeng's chest.

On the other side, the two people in charge of Li Yapengwei also pulled him violently and pulled him away.

When Chen Shuo landed a handsome freeze frame, the director shouted: "Click! ”

During the rehearsal just now, the director saw Chen Shuo's smooth movements, so he decided to set up an extra camera position for shooting panoramas.

This is more demanding for the two of them, and the two of them slowed down and beat again according to the pre-set movements.

The main reason is that Chen Shuo needs to take care of Li Yapeng's speed, and the speed is too fast, I am afraid that he will not be able to catch it.

This scene was filmed a total of three times, and the first time when Chen Shuo filmed Li Yapeng, he didn't stand firm and sat down on the ground.

The second time, when he kicked the last kick, Chen Shuo didn't dare to exert himself, and Li Yapeng shook it for a while, but he didn't implement it on his body.

The action floated, it looked a little fake, and I shot it again a third time.

After three times, some close-ups and close-ups were shot for post-editing, and the scene was over.

After that, the Seven Monsters of Jiangnan came on the field and walked all over again.

Since everyone doesn't need to do anything, they just need to stand in place, so they just move and rehearse once.