Chapter 174: The True Meaning of Performance, Realism
From the beginning of filming in this scene, Jiang Xuerou and others paid attention to Chen Shuo and Sunshine, and watched their performances carefully.
Looking at Chen Shuo's performance, Feng Li said: "I didn't expect that I hadn't seen him for half a year, and Shuo Shuo had made such obvious progress."
I don't know if it's because of the fame after the two dramas were broadcast? I always feel that he has a unique temperament.
I wonder if Boss Jiang feels this way? ”
"It's really changed a lot." Jiang Xuerou nodded and said: "When I first met him before, he had a simple and free temperament, contradictory to each other, but it was very distinctive.
Now I feel that he has a little more majesty and righteousness than before on weekdays, and people can't help but stop treating him as a child.
And he has made rapid progress, thinking that when he auditioned for Zhu Yunwen for the first time, his acting skills were still very young.
At this time, the performance can already see a trace of ease. ”
"His temperament is very in line with Sang Qiuyu's superficial personality, and his acting skills are no problem." Chen Manling first recognized Chen Shuo's current performance, and then said with some concern: "I just don't know if he can play the other side of Sang Qiuyu."
Although Sang Qiuyu looks like an elegant gentleman because of his profound knowledge, he is actually selfish by nature.
I don't know if he can reflect these two temperaments? ”
Feng Li thought about Chen Shuo's previous performance in "Wearing Love", and then looked at Chen Shuo, who was acting in front of him, and said: "It should be no problem, in terms of playing a gentleman and playing a good person, it can be said that he is performing in his true colors."
As long as he can show contrast, he can reflect the character of the character.
Although he is a simple-hearted and kind-hearted kid, he is not pedantic at all. ”
There is skill in acting, which is called acting.
Through various means to hone acting skills, actors can create characters with different personalities.
But what can really make people recognize in their hearts is to play themselves.
Why is there such a thing as a true color performance?
It's because there is more or less an element of acting in playing others, but being yourself is the most natural.
Some behaviors don't need to be deliberately thought about and designed at all, and they can be expressed subconsciously.
This kind of behavior is more realistic.
In fact, the ultimate realm of performance is this kind of pure natural realism without the slightest deliberate carving.
When you give a character a sense of realism, that's the essence of the performance.
Therefore, sometimes, acting in your true colors is not a bad thing, at least when the acting level is not enough, it can effectively raise the upper and lower limits of your performance.
Combined with the bucket longboard effect of the performance, a person with a level of thirty or forty points can score sixty or seventy points in the exam.
This is also the reason why some people pursue to enter the play, and the character who enters the play is himself, and he is the character.
When you perform, you don't just perform, you are yourself.
Before the performance, Chen Shuo thought about how to express the character of Sang Qiuyu.
The lower limit of the level of drama performance at level 9 is enough for Chen Shuo to cope with almost all performances.
The in-depth understanding of the characters and the addition of talent and expertise can almost improve his acting skills by another 2 levels.
As Chen Manling said, the character of Sang Qiuyu has his own profound archaeological knowledge, which endows him with the elegance of a literati.
And Chen Shuo's own erudite talent makes him have the conditions to have this trait.
Coupled with the blessing of the style of a professional gentleman, he looks like a gentleman who has read poetry and books, and it can be said that he fits Sang Qiuyu's superficial character to ninety out of nine.
Chen Shuo didn't know about their comments, and the two did not move the venue after the end of the show, but waited for the crew to prepare for the next one.
This time it's simple, the position of the two people and the camera remains the same, and it's just a group performance on and off stage.
After several directors, assistants, and field managers got off the scene and made arrangements, filming started again.
As soon as the style of the song on stage changed, a Sichuan opera face-changing master began to perform face-changing on stage.
Chen Shuo saw that Sunshine looked serious, pointed to the stage and said, "Su Su, if you like this kind of face change, next time I will find a master to teach you." ”
Sunshine held his cheeks and smiled: "I don't like to change faces, I'm thinking, can people also be like a play, with several faces?" ”
Hearing her words, Chen Shuo's face stiffened, and he stammered a little and said, "Say, what are you talking about?" ”
The subtle facial movements showed his inner unpeace.
At the same time, the temperament on his body also changed, from the original elegant and easy-going to a little gloomy and stiff.
Jiang Xuerou and others were dazzled by this change.
If Chen Shuo's previous performance can be said to be an improvement in acting skills, but the current change in temperament is more like a talent in their eyes.
There is never a shortage of actors with acting skills and hard work, but there are always some special people who can easily reach the heights that others work hard to achieve.
Moreover, there are some qualities of theirs that ordinary actors cannot possess no matter how hard they try.
Such a person is called a genius, and Chen Shuo has this trait.
A simple change in expression can directly lead to a change in his temperament, which shows that he has a talent far beyond ordinary people.
"That's a nice look." Chen Manling clasped his hands together with some excitement, and couldn't help but say: "Really, with this one expression, he brought the character of Sang Qiuyu to life."
Sang Qiuyu is a person with multiple faces, wearing different masks in front of different people.
But Bai Su is a special existence for him, and Bai Su's words directly broke through all his disguise masks, making him almost unable to maintain it.
But people who have worn the mask for a long time, when they find that they have lost the mask, will subconsciously find their disguise.
The change in Chen Shuo's expression directly reflected this psychological change.
The most commendable thing is that not only his expression has changed, but the temperament on his body has also undergone the same change at that moment.
Removing the mask allowed him to reveal his true nature, but as the mask was put back on, he regained his disguise.
The person the boss is looking for is indeed right! ”
Listening to her series of appreciation, Jiang Xuerou smiled from the bottom of her heart, Chen Shuo did not live up to her appreciation, and she felt honored.
Although Feng Li has not read the script of "The Young King" in its entirety, even if Chen Shuo doesn't know the script, he can still understand how good his performance is.
The change of mood and expression can drive the temperament to change as well, and such a performance can catch people's attention in an instant.
People can't help but bring emotions into the play, eager to know the following plot, and want to know his performance after his true face is exposed.
(End of chapter)