After breakfast, Chen Rui and Shu Wei went to school, and Chen Shuo, Liu Yifei and Liu Xiaoli went to the crew hotel.

Lin Chaoying, played by Liu Xiaoli, also needs to have a fight with Wang Chongyang, so she also needs to train a little.

After arriving at the place, the people who stayed in the crew were training in the hotel, and Zhao Jian would arrange the direction of everyone's training.

Chen Shuo, Liu Yifei, and Meng Guangmei are the three who have the most scenes in the play, and they have to train the most.

Of course, almost everyone in the whole play has a fight, but because there are few scenes, it doesn't seem to be much play.

"Papapa~" Seeing that everyone had arrived, Zhao Jian clapped his hands and said, "Okay, if you started training yesterday, you will continue to train according to yesterday's plan, and the rest will wait in place." ”

Zhu Yawen and the others said hello to Chen Shuo and went to training, they were fine yesterday, so they came directly to train.

Whether it is Xiaowu or Cheng Ying, there is a need to have a fight.

On the contrary, it is Liu Yang, the grandson she plays has no drama, and is reading the script seriously.

"Chen Shuo, come." Zhao Jian beckoned to Chen Shuo.

"Director Zhao."

"We all know your skills, those who can work hard, you design your own movements.

Then instruct Yi Fei, Li Mochou, Cheng Ying, Lu Wushuang, Guo Fu, Ye Luqi, Ye Lu Yan, and Wan Yanping's movements. ”

Chen Shuo couldn't help but be stunned when he heard this, and said, "Director Zhao, are you the action director of this play?" Why did you leave me with this? ”

"Those who can work harder, the actions of several of them are basically related to you, aren't you comfortable to fight after you designed it yourself?"

Zhao Jian patted his arm and said, "Besides, I didn't let you do this work alone, I found you a helper." ”

With a move behind him, he shouted: "Pingchuan, Tianle, come!" ”

"Here we are." Shen Pingchuan and Yang Tianle came to Chen Shuo, bowed down and said, "Director Chen, in the future, our brothers will do whatever Director Chen says." ”

Chen Shuo said with a smile and a smile: "Brother Shen, Brother Yang, when will I become Director Chen again?" ”

These two people are very talented, and Chen Shuochuang's "Lingbo Weibu" was practiced well by the two of them.

was originally intended to be Lin Zhiying's stand-in, but later Chen Shuo played Duan Yu, and the two of them had no room to play.

However, with the natural ability of the two, plus "Ling Bo Weibu", which had been practiced with Chen Shuo for a period of time during the previous filming, he has outstanding ability in designing body footwork.

Now he is Zhao Jian's right-hand man.

Zhao Jian said: "Don't ink, there are a lot of fights in this play, if you don't train well during the training camp, you will have to be tortured to death when you are filming."

I'll just add you a name to the action director when I get back.

Not only the two of them, but the martial arts under their command are all under your command, and you design the movements and let them teach them. ”

"I remember that our company also sent someone? Is there still a shortage of manpower? ”

Zhou Yi also has an investment in this drama, after all, the works that are guaranteed to make money, and their own shareholders have personally starred in them, why not invest?

It's just that Zhang Jizhong has a strong desire to control, and Jiang Xuerou focused on "Jingwei Reclamation" and "Li Wei's Resignation", so he didn't come to mix.

However, Zhou Yi is not only strong in screenwriting now, but also with Li Dachao, Yang Junyi, and Zhang Jin, Zhou Yi's action design is also very prominent, and he has a professional martial arts team.

After the training of many works such as "The First in the World", "The Legend of the White Snake", "Little Fish and Flowers", "The Wizard of Wonderland" and so on.

The strength of Zhou Yi's martial arts team has increased greatly, not only has it attracted all kinds of talents, but the overall level is not weak.

Although it can't be like Cheng Jiaban and Yuan Jiaban, it is not bad compared to a famous action director like Zhao Jian.

In order to shoot this drama well, Zhou Yi also sent a lot of people.

"It's been sent, but it's not just a few of them who need to be trained." Zhao Jian explained: "You also know that the people I assigned to you are all characters who are closer to Yang Guo.

Aren't there many other characters in Xiangyang and Mongolia?

Okay, that's it, I'll go back and add your name. ”

As he spoke, Zhao Jian turned around and left, going to arrange training for the others.

In fact, he also did this with his own selfishness.

The people sent by Zhou Yi already had their own characteristics, and he placed them under his own hands to let his people learn from their strengths.

And sending Shen Pingchuan and Yang Tianle under Chen Shuo, and making him a martial arts instructor and action assistant director, also wanted the two to learn more from Chen Shuo.

In his opinion, Chen Shuo doesn't look young, but he has a good foundation, great ability, and a flexible brain.

can create an action like "Lingbo Weibu", who knows if there will be any other good routines, and when Shen Pingchuan and the two learn it, won't it be his?

Another one, both of them are also very talented people, follow Chen Shuo to learn more and think more, and his ability will be stronger in the future, and his Zhao family class can go further, right?

A name, in exchange for so many benefits, he feels that it is worth it.

If it weren't for Chen Shuo's identity being different now, he would have thought about abducting him and becoming the deputy head of the Zhao family's class.

Seeing this, Chen Shuo no longer shirked, saying that since the beginning of the year, he has been interested in participating more behind-the-scenes work.

When filming "Sword and Fairy", he often designed actions with Li Dachao, Yang Junyi, Zhang Jin and others.

When it was time to shoot "No Thieves in the World" and "Initial D", he followed Jiang Daohai, Zhou Ting and others to learn acrobatics and drag racing.

Now that he can experience the work of an action director while filming "Condor", he is naturally willing.

Chen Shuo turned his head to Shen Pingchuan and said, "Brother Shen, Brother Yang, you have to ask the two of you to bother a lot next." ”

The two said with joy on their faces: "Director Chen will order it in the future." ”

Since the work is given to the two, it proves that the two can learn more.

Although Chen Shuo is young, the two are more familiar with him, know his ability, and don't feel ashamed at all.

Chen Shuo nodded and responded, since he decided to be this action director, then he would also admit this Director Chen.

Being able to be named an action director in "Condor" is also a good qualification for him.

"Brother Shen, Brother Yang, you first demonstrate the actions you designed before, let's see if there are any changes that need to be made."

Shen Pingchuan said: "Looking at these characters, I believe Director Chen should also know that their movements are all smart.

Li Mochou was born in the Tomb Sect, and even the Five Poison Divine Palms were made gentle and delicate by her, which shows that her kung fu must be beautiful.

Not only her, but you, Miss Liu, and Lu Wushuang are also from the Tomb Sect, and they come out one way.

Cheng Ying was born in Peach Blossom Island, and practiced the jade flute swordsmanship and Luoying Divine Sword Palm, Orchid Whisk Acupoint Hand and other kung fu, and Guo Fu was similar.

Yeluqi and Yeluyan all learned the kung fu of the Quanzhen School, or learned from Zhou Botong, and the way was also according to the way of Kongmingquan.

In the end, although Yan Ping didn't say anything about the kung fu she learned, but the girl, it's right to go light and elegant.

In general, the actions of our part of the design are all designed to look better. ”

"Is there a set of moves now?" Chen Shuo asked.

"No, I just had an idea." Yang Tianle said: "Our idea is to refer to Lingbo Weibu in terms of body and footwork, and Baguazhang and Taijiquan in terms of boxing, palm and blade.

Needless to say, Lingbo Weibu itself was created by you, smart and elegant, and it looks good to walk on.

The body of the Bagua palm is like a swimming dragon, and it is known for its palm technique, and it is used as the palm of the Five Poisons, the Sword Palm of Luoying, the Three No Three No Hands, and the net potential of the heaven and earth are very good.

The ethereal changes of Taijiquan are the best basis for deducing Quanzhen Kung Fu and Kongming Boxing.

There is also a Taiyi dust-brushing skill in Taijiquan, which is the most suitable for designing Li Mochou's dust-brushing kung fu. ”

Chen Shuo nodded, feeling that it was indeed as he said, if he followed this idea, the actions designed would definitely fit the characters and be beautiful and generous.

It's just that......

"That's not right, kung fu like Luoying Divine Sword Palm, wasn't it designed before? Wouldn't it be possible to just apply the original one? ”

Shen Pingchuan said: "It's natural to apply the original directly, but wouldn't it be better if we could innovate from the original version?" ”

explained in his mouth, and secretly said in his heart: "If we really want to use the original, what else can we learn?" Naturally, I have to re-deduce how much I can learn. ”

"That's okay, then let's start with the kung fu of Peach Blossom Island." Although Chen Shuo can understand the plans of Zhao Jian and others, he also wants to learn from their experience in motion design.

After all, Zhao Jian has been an action director since the 90s and has won many awards.

Although it is not as famous as Yuan Baye and others, its experience and ability are naturally meritorious.

"Smiling Proud Jianghu", "The Legend of the Condor Heroes", "Dragon Babu", "Baolian Lantern" and many other works, the actions look very beautiful and generous.

Liu Yifei and Liu Xiaoli went to follow the martial arts to practice the basic skills and move their bodies, and Chen Shuo, Shen Pingchuan and Yang Tianle rehearsed the movements together.

He also wanted to take this opportunity to bring out some more works of dance steps in his masterpieces.

There are not many dance steps in his masterpieces, except for "Dance of the White Night Vines", "Twenty-three Steps", "Peacock Extravaganza", "Endless Waltz for the Elders", "Elegant Festival Dance", "Catstep Dance", and "Dance of Burning Desire".

There are only two more articles: "Moon Waxing Borolie" and "Heavenly Flowers Blooming Paravi".

Among them, "Twenty-Three Steps Dance" has been completely transformed into "Lingbo Microstep".

In other words, all the artistic conceptions and abilities contained in "Twenty-Three Steps" are covered in "Ling Bo Weibu".

Of course, it is not only the dance steps that can be understood in the works, but also the songs and even the performances.

For example, "The Solo of the Spirit of the Wilderness" and "Kunyue Beiming", Chen Shuo had turned them into dance moves with Liu Xiaoli and Wang Yabin before.

It can bring out some of its effects.

The first of the three of them began to reproduce the Luoying Divine Sword Palm, and in the description in the book, this set of palms was realized by Huang Laoxie from the Luoying Divine Sword Technique.

When the palm is like falling Ying, it is colorful in all directions, and all sides are palm shadows, five voids and one reality, or eight voids and one reality, such as the wind in the peach forest, and thousands of flowers fall together.

The beauty lies in the graceful posture, as if dancing, and the palm is as sharp as a sword.

It can also be used in conjunction with the orchid brush, the finger can be turned into a palm, and the palm can be turned into a finger.

These two sets of kung fu are not difficult for Chen Shuo.

After watching the old version of the Luoying Divine Sword Palm and the Orchid Whisk Acupoint Hand practiced by Shen Pingchuan and the others, they created these two kung fu by just combining the movements of Ling Bo Weibu, the Six Veins Divine Sword and the Bagua Palm.

In addition, he had actually seen this set of kung fu in his dreams.

When the Seven Sons of Yanyulou Quanzhen fought against Huang Laoxi, Zhen Zhibing personally faced these two sets of kung fu.

In less than an hour, Chen Shuo began to integrate all the materials and began to practice.

Jiangcheng Flying Flowers, Rain Rushing Wind, Rain Hitting Pear Blossoms, Peach Blossoms Flowing Water, Flying Snow and Plums, Empty Valley Orchid and other actions are used one by one.

The two sets of kung fu of the orchid brush acupoint hand and the Luoying sword palm were used together, and I saw that he shot elegantly, with a leisurely bearing, understatement, and nothing to do.

When the palm comes, it is like falling into the flowers, and the fingers are like spring orchids, and it is really a sharp move, rich and beautiful.

Shen Pingchuan and the two who watched it were impressed.

Of course, these two sets are said to be kung fu, but in fact, they are just routine actions used for filming.

It can't be a transcendent work like Ling Bo Weibu.

However, it is impossible for Chen Shuo to create so many extraordinary works for the sake of a play.

The two sets of actions look good, and they can be used to set moves.

The two called two female martial artists, and the four of them followed Chen Shuo together, and after learning it, they went to teach Wang Jia and Chen Zihan.

It doesn't need to be really good at how well the two of them practice, as long as they can remember the movements, and then they can make one move at a time and use it for shooting.

With the palm technique, it is much more convenient to deduce the sword technique.

Since ancient times, Chinese martial arts have been said to turn weapons into fists and feet.

Putting down a weapon is fist and foot kung fu, and picking up a weapon is a martial art to go into battle to kill the enemy.

picked up a sword, just combined it, a set of Luoying Divine Sword, and even the Jade Divine Sword were created.

also taught two female martial artists and asked them to teach Wang Jia and Chen Zihan.

For martial artists with a solid foundation, as long as they find the trick, such moves are not complicated.

After all, in order to learn Chen Shuo's things, the people sent by Zhao Jian have learned at least ten or twenty sets of martial arts routines.

For example, Shen Pingchuan and Yang Tianle have not only learned a lot of routines, but they have also begun to make up routines.

Next, Chen Shuo worked with the two of them to create "Kongming Boxing" based on Taijiquan.

Kongming Boxing is the seventy-two ways of boxing created by the old naughty boy Zhou Botong from the Tao Te Ching.

It is known as the world's most yin and soft boxing.

Naturally, it was impossible for all three of them to be created, and Chen Shuo had never seen the Kongming Fist in his dreams.

It's just that the dodging ability of Ling Bo micro-step is used to cooperate with the action of Tai Chi pushing hands.

Perform a fist technique that can be used to receive hair.

When the enemy hits, he first uses the dodge energy that is turned into the fist technique, and catches it when the opponent's fist is coming, so that it cannot be implemented.

Then use the push hand to turn the strength, lead the opponent's fist to use the old, the power is completely eliminated, and in turn use its strength to fight back.

Seeing Chen Shuo's Kongming Fist, Shen Pingchuan's eyes couldn't help but light up, and said: "Director Chen, according to this reason, is this set of boxing techniques really used for fighting?" ”

(End of chapter)