Summary 1 (Talk about the framework and structure of this book)
……
This is the necromancer's first summary, and it will be in every volume or so that follows.
There is no second- or third-level catalogue at the starting point, which is very uncomfortable.
No more nonsense.
The framework of the book is as follows-
It is expected that there will be a total of 5 parts, and the number of words in each part is between 80~1.2 million words.
Each volume consists of about 4~6 volumes, and the number of words in each volume is around 200,000 words.
Each volume is composed of 3~6 sections, and the number of words in each section is uncertain, but it is about 4~120,000 words.
Taking the first part of "Traces of the Dead" as an example, it is tentatively scheduled for 5 volumes, and the first two volumes have been written, and it has officially entered the main line from the third volume.
That's right, I wrote 460,000 words to get into the main line.
The specific structure is as follows-
……
【Volume 1 Rolling Stone】
Catalog 001~055
Section 1: A necromancer who loves to plant trees
Catalogs 001~016
Section 2 Matthew's living room
Catalog 017~038
Section 3: The Order of the Scourge
Catalog 039~055
……
[Volume 2 Travels to the South]
Catalog 056~100
Section 1: A Good Show (I)
Catalog 056~059
Section 2: Soul of the Rainforest
Catalog 060~066
Section 3: Balanced Messengers
Catalog 067~075
Section 4: Suspicion of the Dragon Cult
Catalogs 076~094
Section 5: A Good Show (Part II)
Catalog 095~100
……
I'm sure you've also noticed that the first chapter on the shelves is actually the beginning of the second volume.
Changing maps on the shelves is a taboo in online articles, and writing a travelogue is a taboo in the taboo.
I didn't think it before, but after I finished writing, I almost couldn't resist exploding foul language:
"Travelogues are really hard to write!"
The quality of the second volume can only be left to the reader's evaluation.
I'm not particularly satisfied with it myself, and it may have something to do with every day.
But one thing is still worth affirming.
Then the level of completion and detail that I have been striving for are fine.
The structure is very complete.
The story of the second volume.
From Beanna's letter to the end of Loraine's letter, there is a beginning and an end, which can be regarded as an echo.
In fact, Beanna's letter already hints at the overall tone of this volume:
The journey is always full of longing before the journey, and when you go on the road, you are full of energy and enthusiasm, but only on the road will you realize that everything is different from what you imagined.
This is the charm of travelogues, and it is also a taboo in online articles-
That is, the journey is full of uncontrollability.
This sense of loss of control that you never know what's going to happen in the next second is something that mainstream readers can't quite swallow.
This is also the reason why Gou Dao can be so popular.
A sense of security is something that readers nowadays especially need.
The other is a sense of anticipation.
These are all things that travelogues have a hard time offering.
In addition, the pen and ink in this volume are mainly used to write a few supporting roles, especially Luo Lan, the protagonist's role is actually suppressed, so it is difficult to be particularly cool.
I took these issues into account when formulating the outline for Volume II.
They have the potential to have a devastating effect on subscriptions (and in fact, they do, but not as dramatically).
But I'm a man.
I think I will definitely write about the elements that should be in this book.
The second volume of the plan should be a travelogue, and that is a travelogue.
The next third volume returns to the daily life of planting trees and advances the main story, and it will certainly not be ambiguous.
If it's just that I write what the reader wants to see, then it will purely become a genre article, open a strong main line, and write hard around him.
At present, the starting point only looks at the 24-hour chase situation, and the results are destined to be better than the current ones with this strong main line of writing.
But I still wanted to make the book look a little more like a real book.
It's like I've always been obsessed with details, they are often complained about by some book friends, and even a few people have left messages threatening me with giving up their subscriptions.
But my friend.
Those are the cornerstones of a world.
The name of the book is "Necromancers Just Want to Plant Trees".
In fact, it should be called "Necromancer Doesn't Just Plant Trees".
What I want to present to you is an interesting and vast fantasy world.
It shouldn't be a castle in the air.
Everyone in this world should have their own personality, their own unique experiences, their own growth and changes.
I know it's hard to do that.
I will try to find a balance between my own creative feelings and the actual needs of the market.
I hope you can be a little more patient and tolerant.
Thank you.
At last.
Ask for a commuter pass.
It's about to be exploded.
……