Let me tell you about the producer's philately.

From the author's point of view: one of the major selling points of Rebirth is the interaction with characters from the past.

Otherwise, it's not much different from overhead.

One of my favorite authors, "Sleeping Turns White", said that the most interesting thing is to interact with celebrities in the past, especially when celebrities have not yet become celebrities.

From the reader's point of view, first of all, famous historical figures are more familiar to them, and it is better to write about these characters than to write about some self-created characters.

Let Shinji Mikami develop the game, and everyone will have a sense of anticipation, thinking that he is powerful and real.

Letting an unknown self-created character develop a game can actually be reasonably and brilliantly written, but the sense of expectation is not necessarily so strong.

Even once the writing is not good, it is easy to [distort].

In addition, I don't want to copy games just for the sake of copying games, so I can't make all games by Qing Zhiyuan alone, right?

Copying all the famous works is not quite in line with the reality of development, and I hope that Qing Zhiyuan is the [mentor] to guide these big bulls to make their own works.

It's also fun to allow creators to make their own games and transform them, and to complete and modify some flawed works.

It's even more interesting to be able to create new works that applaud.

Of course, this is also a great test of the strength of the author himself.

At least so far, I think my original "People Against the Degree" is pretty good.

"The Witcher" has a high idea, but it's a pity that I didn't grasp it well, but it's also a poor but good work, right?

Another point is that some readers may find that stamp collecting by producers is very magical, and feel that they lack the original experience and experience, and may not have the original ability.

This is actually explained in the book:

Whether it's Xuan Xuyuan or Shinji Mikami...... The later big bulls, in fact, did not let them serve as producers at the beginning, but carefully cultivated them through time to help them grow.

But as famous producers, they must be talented, so coupled with the experience of the project and the cultivation of Qing Zhiyuan, even if they can't make a game in their previous life, they will definitely have considerable ability.

Authors like Lao Xuan and Ma Zhizhun belong to the talent type, but in fact, the maturity period of their abilities will be earlier.

Nasu mushrooms have been conceived since they were in high school.

Ma Zhi also wrote a lot of excellent works when he was in high school.

What they lack is game development experience, but not creativity and writing......

Qing Zhiyuan plays the role of a company owner, but also a production guide, a mentor, instilling in them what he knows about the future, helping them grow, and at the same time allowing these people to play to their strengths.

In order to reflect the role of different people, each of my games is carefully selected and polished.

For example, the game created by Lao Xuan must reflect the sense of suspense, haircut, and fatalism.

Ma Zhi Zhun should reflect the warmth and nature, the campus style, and with their life experience and age growth in the future, the game may add some more depth and social significance, I have designed.

Being able to see growth and change, and it's their own growth and change, is actually quite difficult to write, and it takes a lot of brains.

So so far, I think it's reasonably written.

I didn't say that I would let Shinji Mikami be the producer to develop Resident Evil as soon as I came up, nor did I let Lao Xuan make a magical girl Madoka as soon as he came up, I actually thought about the growth of the character from the beginning, and did my best to rationalize it.

……

So philately must still be philately, and I probably won't change this.

Maximizing and rationalizing the use of character resources in the era is the problem that the author should consider.

……

By the way, by the way, because this book is being targeted and the supervision is very strict, some masterpieces cannot be written.

For example, Shinji Mikami's "Resident Evil" series,

Lao Xu's works can hardly be written, even if they are magically changed. (I've already been sealed twice because of Lao Xu, so I don't want to struggle uselessly)

Hidetaka Miyazaki's bloodline and black soul series can't be written.

These will be reported and sealed if they are written, and I have no choice, I have already been reported twice, and I don't want to come back for a third time.

So if you don't have these works, you can only say that it's a pity, and please forgive me.

……

Above.

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There is no update today

Thank you

See you tomorrow