84. I literally cried to death
Woowoo......
It's so touching.
Furukawa Hirosawa said, "I really cried to death.
β¦β¦
The plot continues to develop, and the quilt and the hedgehog rent a small house again to start a new life.
Everything has changed, but nothing seems to have changed.
But as long as the other party is there, it's very reassuring.
lived like this for a few days, and just when Furukawa Hiroze wondered [Hasn't this game been cleared yet], the plot changed again.
Just as he was returning home from work at the convenience store, he saw a group of people gathered at the intersection, pointing with their fingers, not knowing what they were saying.
When I got closer, I only heard:
"Fire!"
"There's a fire!"
Uesugi Jun looked up to see black smoke rising from a residential building in the distance.
And the most intense is from the 6th layer above.
That's where he and Hinata live in the south.
At this moment, he seemed to be grabbed by a pair of invisible hands in his heart.
Uesugi didn't care so much and ran quickly.
"Hedgehog!"
At the risk of danger, Uesugi Jun climbed all the way up the stairs to his home.
Sure enough, the hedgehog was still at home.
He hurriedly took the hedgehog and prepared to escape.
But just went down the next floor.
The corridor was already full of black smoke, and people couldn't breathe at all.
And the temperature around them is also rising sharply, and the fire snake spreads up from below, licking the window.
Rumble......
The floor above collapsed.
The flames burned.
Block the intersection of the lower level.
Either go up, or you have to find a place to jump out of the window.
"It's over, we're going to die here." Hinata Minami said.
"No, it won't."
Uesugi Jun said categorically.
"By the way, I still have a bed."
It was at this time that he suddenly remembered some knowledge of first aid and escape.
The two of them rushed into a bathroom first, and Uesugi Jun doused the quilt with water.
"There is oxygen in the water, and if you cover your mouth and nose, you can prevent inhaling toxic gases."
At the same time, after the quilt is wet, it can play a little protective role.
It may be tiny, but there's only so much he can do.
β¦β¦
In the middle of the fire, Uesugi Toshishi wrapped the hedgehog's body in a quilt and moved to an outer room on this floor.
The fiery serpent immediately burst out.
Due to the high temperature, the water on Uesugi Jun's quilt immediately evaporated into water vapor, and he let out a wail of pain.
"Bedding...... How are you? β
Seeing him sweating profusely and grinning his teeth, Hinata Nan felt distressed.
"It's fine. It's going to be fine. β
Uesugi gritted his teeth and continued to persevere.
Rush forward with the hedgehog.
The flames licked onto his quilt and immediately broke a large hole.
Uesugi was so painful that she almost fainted.
Seeing this, Furukawa Haoze's heart tightened.
When I think of the setting of the quilt man, his quilt is like skin growing on his body, it will bleed and hurt, and he can feel everything around him......
Then when it is eroded by the flames, it will definitely be painful.
No way?
It's all carried in front, so you won't be able to send a knife here, right?
But he has seen the light and the end.
Outside the windows of the 4th floor, you can already see the sky.
Crash......
Uesugi broke through the window with Hinata in his arms and jumped from the upper floor.
A white light.
β¦β¦
The quilt man finally realized his value once.
In this white light, the male protagonist thought:
Luckily, I'm the quilt man.
Not a superhero.
However, someone's exclusive hero.
That's enough.
Facing the sun, Uesugi Jun laughed, and the whole world turned white.
Perhaps, this is the happiest time I have ever been a quilt man.
When he woke up again, Uesugi was already in the hospital.
There was a pain all over his body, and he grinned in pain.
"By the way, hedgehog, how is she?"
Uesugi Toshiqiang propped himself up and prepared to go to Hinata Minami.
But as soon as I sat up, I saw a girl at the door.
Hinata Minami was on crutches and jumped towards him.
"Great, it's great if you're okay." Uesugi Jun laughed happily.
The hedgehog gave him a roll of the eyes, "He also said that jumping from the 4th floor, fortunately there was a quilt to cushion, but it was quite good to break his leg." β
Well.
Uesugi Jun nodded, the hedgehog is fine, it's really good.
"By the way, hedgehog......" he suddenly remembered something, raised his head and said eagerly, "Hedgehog, what I want to tell you is-
I don't have a tortoise's shell, but I do have a bed.
The quilt is soft, reliable, and completely accommodating and accepting of you......"
Uesugi Jun said the confession that the hedgehog didn't have time to hear that day, but just as he was about to say the three words "I like you", he was stopped by Hinata Nan.
"Quilt!"
"Huh?"
Her pupils widened, and she raised a hand and pointed at Uesugi Jun in disbelief, "Your bed!" β
"Huh?"
β¦β¦
At this point, the game came to an abrupt end.
The entire screen went black.
The BGM rang.
Immediately on the left are some memory clips, and on the right the subtitles of the staff begin to play:
[Producer: Mika Ishino]
[Script Design: Jun Ma Zhi]
[Music: Atsushi Shirakawa & Jun Maeda]
Ale?!
Furukawa Hirosawa didn't react for a moment.
Gone?!
In the last paragraph, the whole process is presented from the first perspective of the male protagonist, so even Furukawa Hirosawa didn't see what Uesugi Jun became in the end.
But in the end, the hedgehog girl's sentence "Your bed" is too concerning.
Damn it!
What is the end of this?
Why don't you make it clear?
Ahhh
It's uncomfortable!
Virgo Hiroshi Furukawa said that he was so uncomfortable that he couldn't accept the open-ended ending.
Although this openness is not so open, and there is not much room to make associations in the end, how much Furukawa Hirosawa hopes to see the two of them turn back to normal people and live a happy life.
That's the perfect ending for a fairy tale.
What is this now?
β¦β¦
Well......
I think I've changed back to an ordinary person, right?
After thinking about it for a long time, even if he rolled on the ground and couldn't fall asleep over and over, Hiroshi Furukawa finally reconciled with himself and Pokeni, and comforted himself with such an imaginary ending.
The total duration of the game is not long, and as a galgame, the experience of 4 hours is already quite good.
Of course, the main story is probably so long, if you want to collect all the side quests and game items, it is estimated that you will have to play two or three weeks.
At least so far, Hiroshi Furukawa is relatively satisfied with the new work "The Man in the Quilt".
Knife in half.
Not all knives.
And whether it's an angel or a small fire, although it is not explained in the main line, it is estimated that it will not end well.
Leaving enough room for the imagination of players can be said to be quite kind.
Mika Ishino is really too gentle.
β¦β¦
In addition to Mika Ishino, Hirosawa Furukawa also remembered another name-
Script planning Jun Aeda.
Is it a rookie author?
But this rookie author is too strong, right?
From the game, Hiroshi Furukawa can clearly feel that the style of "Quilt Man" is really different.
Although it tells the story of a group of mutants who lost their human identity.
But there are not too many clichΓ©d battles, saving the world and other plots, and there is no transitional exaggeration of sadness and despair, on the contrary, most of the game itself is about the warm happiness when they get along.
Such an ordinary daily plot can no longer be ordinary, but because of the special expression techniques of P Society, coupled with Ma Zhizhun's delicate brushstrokes, it is slowly spoken, but it makes people full of happiness all the time.
Fresh and natural, it is graceful, just like Shirakawa's music.
It can be said that "The Man in the Bed" has reached a natural realm of integration in terms of game style, script, and music.
The few tear outbursts given halfway are also very personal, there has been foreshadowing before, but it is not so deliberate, but it can always hit your soft underbelly in an instant and make people's tear ducts explode.
The style is very different from the old void.
The old void belongs to that kind of thing, which sets up a dark suspense for you, allowing you to peel off the cocoon by yourself, and in the process, every layer of clues you find will make your heart more shaken, and every time the clues are peeled off, you will find that the layer below is even darker.
Until the end of the knife to you.
It's so dark that it's cruel.
This is the style of Lao Xu.
And the hemp branch criterion is-
Makes you laugh.
Makes you cry.
Make you laugh, make you laugh and cry, make you cry and laugh......
Seriously, if the final ending is to stab both the male and female protagonists, Furukawa Hiroze really can't tell who is more cruel for a while.
Is it black from the head to the bottom, and the last knife is more sadistic?
Or is it more maddening to jump sideways and release tear gas when you're happiest?
Thankfully, it ended well.
Given a HE, Mika Ishino, the producer and script writer Asaeda is really good to the players.
THANKSGIVING IS A HAPPY END, OTHERWISE, FURUKAWA THOUGHT TO HIMSELF, HE MUST HAVE BEEN ON HIS WAY TO SEND THE BLADE AT THIS TIME, RIGHT?
Uh-huh.
In that case, Ishino Mika will give a small compliment.
β¦β¦
"Ah~ Great."
In Studio Ghibli, when the subtitles of the staff came out, Miyazaki finally breathed a sigh of relief.
When Toshio Suzuki wasn't paying attention, the Miyazaki hamster secretly rubbed the corners of his eyes.
"Scared the hell out of me......"
Miyazaki hamster wiped the lenses with a glasses cloth and said with a hint of crying, "Fortunately, the last two people are alive." β
"yes. Thankfully, that's the case. β
Toshio Suzuki nodded.
Two people sit here and play the game for hours and both get the same experience.
But......
Why did Miyazaki hamster let me do it again?
Is it okay to have a game like galgame that doesn't need to be operated and reacted at all?
It was precisely because of the presence of Miyazaki hamsters next to him that Toshio Suzuki said that even when he got to the touching part of the game, he didn't dare to cry at all.
"What about the open-ended ending." Hayao Miyazaki put his glasses back on his face and carefully recalled the plot of the game, "Pokeni is very good at making game suspense." β
"There's a feeling of unfinished."
"Well~ Although it's an open-ended ending, you can probably guess from the hedgehog girl's reaction, right?" Toshio Suzuki said, "The quilt man should have turned back into an ordinary person."
Maybe because of this fire, his quilt was burned to the ground, and he will no longer be a quilt man from now on, otherwise think about it, why did the hedgehog woman react so much? β
"Hmm...... Not necessarily. Miyazaki smiled slyly, "What is not confirmed by the camera is an unknown ending." It can also be interpreted as the quilt of the nest man is burned to pieces, but it is still a quilt, right? β
"Hmm...... It's possible, but it's unlikely. Toshio Suzuki still insisted on his opinion.
"Anyway, it's a good game." Miyazaki sucked on Yakult and sat in his chair thinking.
"A group of mutants, who have lost their qualifications as human beings, have come together, and although they have special abilities, these abilities have little effect other than causing psychological trauma to them.
It's really interesting. β
In Miyazaki's works, most of the anime protagonists are ordinary people, but there are also strange-looking but mediocre physical abilities like Porco Rosso.
As for the upcoming production of "Princess Mononoke", both the male and female protagonists have strong strength.
It seems that I have never created a work that is so close to ordinary real life.
Because in Miyazaki's previous creative ideas, imagination was a very important part.
This imagination is not only reflected in the characters, but also in the entire world view, and even the entire era environment must be full of imagination.
But now, Miyazaki's concept has been integrated into a new thing-
Even ordinary little people can live a wonderful life.
No, perhaps it is such a sad and useless little person who can still have an optimistic and positive spirit and live a warm and natural life in the real environment, which is what really has power and touches people's hearts.
If "The Man in the Bed" had been made into a bloody battle game from the beginning, then it probably wouldn't have been so deeply touched.
Whether it is a warm little daily life, or redemption and sacrifice for each other's love, or rebellion against secular ideas and family members in order to implement their own ideas......
These are very much shaken by Miyazaki.
"The style of the game is also quite good." Hayao Miyazaki said, "Using such a dreamlike fairy tale style to interpret some difficult and profound propositions weakens some of the more unacceptable scenes in the game, but makes people feel more moved and expected."
Pokeni has made an amazing work. β
Well.
Toshio Suzuki nodded in agreement.
The plot of this game seems to be quite simple at first glance, and the simplicity is simple on the surface of the plot, but if you dig deeper, you will find that P Society uses such a fairytale-like narrative to reveal many social problems:
For example, loneliness.
In modern society, people are alienated.
and rebellion.
The hedgehog's rebellion against his mother also symbolizes a confrontation with worldly ideas.
Toshio Suzuki didn't dig deeper, but just thought about it, maybe if he dug deeper into the game, the thoughts and insights he gained would be much deeper than what he could think of now.
β¦β¦
Hayao Miyazaki smiled, and seemed to be very satisfied with the P Society, especially Seizhiyuan.
"But is there a possibility?"
"Huh?" Toshio Suzuki looked at him suspiciously.
"The death of the nest man and the hedgehog woman would be better for the work itself?"
Nani?
Toshio Suzuki gave him a roll of the eyes.
Miyazaki hamster, please be a person.
But you must not let him have such thoughts, otherwise the ending of the future Ghibli cartoon will be tear-jerking, but it will be a big deal.
β¦β¦
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See you tomorrow (end of chapter)