This situation, everything that happened, completely subverted Furukawa Hirozer's imagination.

Originally, he thought that this game was a story of a girl from the tribe of underground inverted people who came to the ground and saved each other with the young Aiji of the Aiga people, but he didn't expect that there was a newer world outside of the two.

The starry sky of Aika Castle is not really a starry sky, but the lights of the city.

It's just that the whole city is hanging upside down, which makes people extremely shocked.

Terrible!

Furukawa Hirosawa rubbed his arms together, even in the warm weather of May, he still felt chills all over his body.

So what's going on?

Is there a structure with three layers reversed from each other?

Furukawa says that his brain is no longer able to tease out what the world really looks like.

It can only be said that the script author of this game is simply a genius, and the old void deserves to be the old void, reversed and reversed.

Now Furukawa Hirosawa has reversed so much that his head has fallen.

[Act 7: Castle in the Sky]

A city full of modernity, two people landed on the ground, only this time it was Patma who stood firmly on it and grabbed the hero's hands to prevent him from falling from the sky.

There was a panic in Edge's heart, and from his point of view, there was a bottomless abyss and heavy clouds below.

It was the sky of Aika Castle.

For the first time, he experienced the fear that Patalma had felt and couldn't help but scream.

"It's okay!"

Patma grabbed the male protagonist's hands and comforted him.

The melodious and quiet background music sounded, and this time the game soundtrack was made by Yoko Shimomura, using a classical symphony, so it was very metallic.

But it is precisely because of this music that the whole game atmosphere is set off.

The more resounding the symphony is in the sky, the more it can reflect the tranquility and emptiness of this scene.

At the same time, it can also make that silent and surging eerie atmosphere to the extreme.

Walking in such a city, even Hirosawa Furukawa, who was playing the game, pinched a cold sweat.

The entire seventh act is a game that takes place entirely in the Sky City, and is still from the perspective of the male protagonist Edge.

That is, two people are combined and hung upside down in the sky.

If you fall, you will die.

In the course of Act 7, Hiroshi Furukawa experiences an unprecedented sense of primitive human fear, which is completely different from the feeling of being in a dungeon or an urban labyrinth in Aga:

At least in those levels, there is still ground underneath, and the internal structure of the building is relatively closed.

But in Act 7, the sky is below, and the whole sea of clouds hangs under the feet of the two men, and this open structure can only inspire fear in the heart.

It's scary......

Furukawa Hirosawa couldn't help but sweat and carefully explored this castle in the sky.

What made him even more confused and frightened was that-

After exploring the game level in Act 7 for a long time, he didn't even see a human, nay, not even a living thing.

In the past, even in the Undertown, you could see bats, lizards, and other creatures living in the underground.

But here, there really isn't half of the enemy encountered, and the level is not much difficult except for the upside-down.

But because of this, Furukawa Hirosawa was even more scared in his heart.

The feeling of loneliness that the whole city was empty swept over like a tidal wave.

There are only two people here, Patma and Age.

Is this a game bug?!

Or is it deliberately designed?

If it's deliberately designed, then why isn't there any anger in the city?

However, the surrounding buildings, as well as various machinery and equipment, are all lit up, and it is these bright lights that build up the sky of Aiga.

The empty city, which is uninhabited, looks even more eerie in such lights.

So where did the aborigines go?

What's going on here?

What does it have to do with Aiga and the underworld?

All of this confuses Hirosawa Furukawa.

……

Hey.

Hey.

Furukawa Hirosawa sneered twice, if other people saw him like this, most of them would think that this guy was crazy.

The Void Abyss is worthy of being the Void Abyss.

In other games, the more you play in the later stage, the more you understand, the more clues accumulate, then you are not far from the ultimate truth of the world.

But the old virtual script is good, and the more you play it, the more you don't understand it.

The more clues and information accumulate, the more puzzling and confusing it becomes.

What's wrong with the world?

There are more and more problems, but Furukawa Haoze is confused.

However, now that it's the seventh act, I can only take one step at a time.

……

After exploring the city for a while, Hiroshi Furukawa found an important prop on the ground of a certain level -

Patma's backpack.

When he picked it up, Hirosawa Furukawa suddenly realized.

"Wow, it turns out that the previous plot was a foreshadowing here!"

In the second act of the game, Patma comes to Aiga from the dungeon because the backpack has fallen, but because the backpack is too heavy and will drag her and Agi into the sky together, she has to throw it away.

When I saw this backpack again, it was as if someone had broken the switch in my brain, and a bright light suddenly flashed.

There is a feeling of being drunk in the head.

Terrible!

Xuyuan Xuan's ability to control the plot and recover the foreshadowing is simply first-class.

The flashlight in the backpack has been broken and cannot be used.

There weren't many other useful props, but there were a few scattered gadgets and wrenches.

But now Furukawa Hirosawa doesn't know what to do with these tools.

Continuing to explore, at the end of the road, Furukawa found another key prop:

Airship.

It's not so much an airship as an anti-gravity balloon device, a bit like the hot air balloon that Furukawa Hirosawa knew, with a large basket that can sit on people underneath the device.

It's just that the difference is that this flying device is based on anti-gravity to fly.

After some exploration, he found a diary in the airship.

It turns out that this airship was invented by the father of the male protagonist Agee and Patma's father together.

In this diary, Age's father recorded:

[September 23]

[A big event happened today, I met a wonderful man who claimed to be from the underground world]

[The man's gravity is the opposite of ours]

[I hid the man]

[What must his appearance mean]

……

In this diary, the hero's father details how he met Patma's father and the two hit it off at first sight.

So they used their knowledge and the study of gravity to finally build this gravity airship.

The male protagonist's father flew to the sky in it.

At the end of the diary he wrote:

[Thank you to him for helping me achieve my dream]

[Next time, it will be up to me to help him realize his dream: all mankind can live in peace]

But......

Why didn't the hero's father see it?

Where did he go?

Furukawa Hirosawa had a doubt in his heart, it stands to reason that since he came to this sky city in an airship, then there should be traces left by him.

However, it was not mentioned at all, and Furukawa Hirozer didn't know how he ended.

However, a sense of foreboding swelled in Furukawa's heart.

It is very likely that this great father, the Sky Explorer of the Aiga people, has been shot down by the Aiga people on the ground in the process of flying.

That's why I couldn't meet him in Sky City.

As soon as he thought of this, Furukawa Hirosawa felt a sadness in his heart.

All the clues to the city in the sky have been gathered.

When the male and female protagonists learned all this, they looked at each other and sighed.

Fate is really wonderful, I didn't expect them to repeat the story of the previous generation and get closer to the dreams of their parents.

So the two of them decided to tell Aiga what they had seen in Sky Castle.

But this goal can only be accomplished by repairing this gravity airship.

After that, you need to find different machine parts from the city to repair it.

So Furukawa Hiroze manipulated two people to search for them in the city.

The process wasn't particularly complicated, but the experience of decrypting and getting the parts was fun.

……

After all this was done, the seventh act finally ended, and after the gravity device was reversed, the two men slowly descended from above in an airship.

[Act 8: The First Dream]

As if he were facing a great enemy, the leader of Aiga hurriedly gathered his soldiers and made sure to defeat Patma and Aiji.

Otherwise, if these two people fly to the sky and return to the ground safely, it will cause a terrible spiritual impact on the entire Aiga Kingdom.

Originally, the hearts of human beings were filled with endless yearning for the sky, and it was precisely in the case of the failure of the previous flight experiment that Aiga carried out the mental control of the people who were forbidden to fly.

Everyone was full of fear of the sky, so they didn't want to explore it further.

But now, once Aggie and Patma return, everything that the kingdom had advertised before would be destroyed.

This is unacceptable to the head of Aiga.

Act 8 is designed as a bullet hell game, as Furukawa has to pilot an airship to dodge cannonballs from the ground as he falls.

Playing this, Furukawa Hirosawa couldn't help but smile bitterly.

Shinji Mikami is really a little clever ghost, and he can actually design this kind of side-scrolling game into a barrage game.

These game developers at Pokeni are really crazy.

……

Just as it was about to reach the ground, the airship was hit by a cannonball and crashed.

In order to survive, the hero and heroine jumped out of the flight capsule before that.

Then he ran on the ground, dodging the Aiga's pursuers while heading towards the pit where the underground people had come up.

The flow of the entire Act 8 is very tense and exciting, the rhythm is suddenly accelerated, and the error tolerance rate decreases later on, which can't help but make Furukawa Hirosawa's adrenaline surge.

It's really fun to experience such a game.

After some hard work (and countless deaths), Hirosawa Furukawa successfully reached the pit of the underground people.

Then the two men jumped.

End of Act VIII.

Seeing this, Furukawa Ozer can almost blindly guess a wave:

The end must have been that everyone went to live in the city above Aiga.

Uh-huh.

It must be so.

Lao Xu's script is clearly arranged, and the dream that the hero's and heroine's father failed to realize is [everyone can coexist peacefully]

Then everyone will no longer be afraid of gravity reversal.

Since there is an empty city above, the people of Patma who originally lived underground can live on it.

……

[Act 9: The Truth of the World]

The two of them returned to the underground city again, and the underground people ran over to hug the male and female protagonists, and everyone was really happy when Patma returned here.

The male protagonist also enjoys such moments very much.

But at this moment, there was a sudden vibration from above, and the entire TV screen shook.

This was followed by a huge excavator, digging straight in from above.

Thundered.

There was a loud bang.

A heavy cart carrying the Aiga chief and soldiers was lowered by a cable from above.

"I've finally found you, Turner!"

The leader of Aiga sneered.

"To protect Aga, I will destroy you heretics!"

But at this moment, the ground could not bear the weight of the heavy truck, and then it collapsed downward.

Patma, Age, and the Aga's soldiers and leaders fell hard.

All the way to the ground deep underground.

I saw that the place where everyone stepped on had been smashed out of a huge crack.

……

At this point, it is already the final scene of the game.

So in terms of plot, it has also reached the highest superlative.

The ideas and conflicts between the two sides, the collision of limbs, also became extremely intense and sharp at this moment.

Hiroshi Furukawa couldn't help but sit up straight, feeling the tension of the great war coming.

The entire Act 9 level is the process of the leader of Aiga chasing after him, and Patma and Aji fleeing underground.

The lethal feeling of being chased like a prey made Furukawa's nerves tense to the extreme.

Terrible.

It's horrible.

This is a level designed by a sinister person at heart.

The problem is that the player, who is the prey side, has no effective way to fight back.

As long as you are caught up, it is game over.

But the slightly more human thing about this level is that it is carried out from the main perspective of the male protagonist.

Therefore, the boss is also on the same gravity plane as him, and it will be slightly easier to dodge.

If the game is played upside down, then Furukawa Hirozawa probably has to turn the TV upside down.

……

However, in the final level, the hero and heroine can use some attack methods and throw gravity stones to cause damage and blows to the boss.

In this case, the boss's HP decreases to zero.

The game finally enters the end of the final act:

While defeating the boss, the entire game screen suddenly goes black, and then the scene transitions into a cutscene.

Thundered!

The ground where Edge and the boss are trampling on suddenly cracks.

And then it fell.

Yes.

The ground cracked open and turned into a huge hollow.

At the same time, when the leader of Aiga fell from the top of the hollow, his eyes lit up.

Below is a huge sea of clouds.

Real sky, to be exact.

The current leader of Aiga, just like Patma who came to Aiga through the underground, has also penetrated the underground and seen the blue sky.

Before being lost and floating into space, a smile of joy appeared on the corner of his mouth.

Is this the sky?!

Nani?!

What the hell is this unfolding?!

Seeing this scene, Hiroshi Furukawa was shocked.

……

At the same time, the picture on the TV was constantly rotating, inverting 180 degrees.

returned to the perspective of the heroine.

Patma carried Aggie through the underground cavern and onto the surface.

The camera is constantly zooming out.

I saw the grass and the huge land, with many dilapidated tall floors, but these buildings that once represented human civilization have now become monuments.

It is covered with all kinds of green plants.

White clouds float in the sky, and the sun is shining.

There was light on the earth.

The people of Aega and the people of the earth have come to this new and true land.

Overhead, there was a white moon, but around the moon was a ring of moons, the wreckage of the ground that had been floated into the sky by an accident and then captured by the moon.

At the same time, subtitles appeared in the game:

[Producer: Shinji Mikami]

[Script: Void Abyss]

[Music: Yoko Shimomura]

……

Nani?

It turns out that the male protagonist is the real reversal?!

Aiga is a human who has hidden in the center of the earth?!

After the game is played, the initial interface also changes.

It turned into a ruin, with white clouds floating above it.

That was the last scene, when everyone was finally back on the ground.

Hiroshi Furukawa held the handle and couldn't come back to his senses for a long time.

After a while, he stood up in amazement, clasped his hands together, and said to the void:

"Thank you for your hospitality."

After playing this game, it is like eating a particularly creative meal.

What a delicious game!

……

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There is no update tonight

Thank you

See you tomorrow

(End of chapter)