Many people who complained about 86 on the Internet focused on the depression of the plot, lacking the rich plot experience of war chess games, and living in the shadow of the Imperial Legion throughout the whole process, which made it very uncomfortable to play.

But for those who like it, they especially like it because they feel that from this game, they can feel an extraordinary anti-war spirit.

And the expressiveness of the game itself, whether it is the innovation of gameplay, 3D performance, plot interpretation, character setting, etc., is one of the few.

"The game itself has a strong contagion, but it is not something that young people or people who have not experienced too much experience can experience at first.

In general, in 86 - Non-existent war zones, humanity and anti-war are the main themes.

In terms of the portrayal of human nature, the racial gap is difficult to cross, and the contradiction between the white race in power and 86 cannot be simply described as oppression.

If you substitute it into 86, you will find that the core of this game is actually very resistant.

Someone has complained before that the resistance of 86 is not complete, and according to his idea, he should overthrow the white line, or simply let the Imperial legions destroy San Magnolia, or 86 himself to establish his own country.

However, I would like to say that those methods are actually a manifestation of immaturity and lack of governance literacy.

Hanazawa's approach is the most reasonable.

He used his death to build a monument to the 86s, and at the same time to build a bridge across the chasm.

The Second Corps could have died, but I think they deserved it.

Because when the Caucasian had to execute them, it meant that the 86s had won, they had taken over the identity of human beings and citizens, and gained recognition.

From this moment on, the 86s are no longer mere war machines, they are heroes.

The fire has been planted, and it will definitely bloom everywhere in the future.

Then I'm going to give you an analysis of why Hasawa did this, and only because of it.

First of all, let the legions attack San Magnolia?

The fall of Santa Magnolia can be said to be an excellent revenge for those who have done all the bad things.

But is that the case?

Not to mention that there are also moderates and good people among the white race, even if the imperial army destroys San Magnolia, this incident is actually enough to wipe out the glory of the 86s.

86 As a member of St. Magnoria, they cannot let their homeland perish, both in their sense and in their righteousness.

This is the basis of their existence, otherwise the meaning of this layer would not exist for what the war has been fought all along.

Defending the country is the basic bottom line for everyone, and 86 people have a noble arc because of this.

So the 86 can't sit idly by, they have to fight, they have to defend the country, even if it is because of this, they also protect the white lineage, but this is also a helpless reality.

As for the rest, overthrow the white lineage and take power?

It's not that simple, is it enough to suppress it by force, what about governance, what about the subsequent economy, and what about the people's lives?

This is actually the most destructive way to shoot at one's own country and then repair it.

In fact, the cost is greater, and it does not necessarily lead to success.

You must know that for San Magnolia, neither the white race nor the 86 is the biggest threat, and the biggest enemy is still the Imperial Legion.

If you merge internally, how to deal with it externally?

So, all things considered, although I'm also desperate, I have to say-

Hanazawa made the optimal solution.

It seems that he used the way of forcing the palace to let the whole country of Santa Magnolia know about the existence of 86.

However, he is using this method to force the white people to resist.

Can you figure out the crux of this?

Don't the Caucasian people know the reality that the people fighting on the front line are 86 and 86 are living people?

They know, and a significant part of the group does, and acquiesce to this reality, they don't admit it.86 They turn a blind eye to them, they treat them as non-human beings, they just paralyze themselves and want to make their conscience better.

People are empathetic, and the purpose of dehumanizing 86 is to eliminate everyone's guilt and empathy.

However, Hanazawa stood up and broke this statement from the underlying logical chain.

From then on, the Caucasian race could no longer be comfortable with 86 as non-humans.

That's the biggest thing.

Then, Hanazawa they did not overthrow the rule of the white lineage, did not choose the fire merger, and did the least damage to Santa Magnolia.

But after his behavior, 86 became public and transparent, the white people could not turn a blind eye and had to join the battle.

That is, at the end of the game, the white race is willing or forced, but they all have to fight side by side with the 86s, which is the greatest meaning of [resistance].

From this point of view, I really admire Hazawa and like this character.

I even like it more than the protagonists.

It's a pity that he has been executed, and he has become an existence that must be crushed on the wheel of historical progress.

However, it is precisely because of people like Hasawa and such behaviors that the tombstone of 86 can be erected in everyone's heart.

I love this game.

86 should be the most profound and meaningful work of Furuhara Tsubaki over the years. ”

"Well, I agree with what was said upstairs, that's so good, I don't really understand the behavior of the 86s.

This time it's all transparent.

There's nothing to say, 86 is a masterpiece.

I like 86, and I like Furuhara Tsubaki!

pokeni！

Eternal God!! ”

……

There is also great controversy about the evaluation of the heroine:

"Among the new games in June, "86 Non-existent War Zone" is undoubtedly a game that is very favored by players, after all, the supervision of this game is the famous [Furuhara Tsubaki], and the producer [Mika Ishino] script [Jun Asaeda] original art [Makoto Shinkai] music [Atsushi Shirakawa]......

These characters can be said to be one of the best figures in their respective fields at present.

And everyone has a strong and solid work to back them up.

Before I played the game, I was actually looking forward to this work, the game of the ancient thief, and it never disappoints in terms of plot, although many times you will want to kill him.

But it's also because his game is really well done.

So this time, as soon as the game was released, I got it.

But the only thing that worries me is -

Such a team, whether it is the supervision of Furuhara Tsubaki, or the producers Mika Ishino and Jun Asaeda, they were all good at galgame themes before.

So can "86 - Non-Existent War Zone" be successful as a war chess game?

It's really worrying.

The team has proven to be very talented and talented in galgame, especially in story and presentation.

The designers of "86 Non-existent War Zone" used an alternate worldview to portray the problems of racial hatred and discrimination that prevail in the real world.

Lowering the "game threshold" of this serious issue in a simple and easy-to-understand way, so that teenagers can not only have the entertainment experience brought by toilet paper fast food when playing, but also produce the satisfaction of "watching profound works".

The game based on this further exploits these two advantages, so the popularity and topicality are guaranteed after release.

"86 Non-existent War Zone" is based on the long-term war between two major countries as the background of the story, and the heroine's force is a country formed by the "white race", and all the citizens of the country, including the heroine, are white-haired and white-skinned humans.

In order to resist the war machine of the enemy's unmanned technology, they enslaved the non-citizen "colored race" of "Area 86" in the territory to go to the battlefield to drive the mechanical battle, and claimed to have developed the same "unmanned technology" in China.

Because Caucasian countries consider "colored people" to be "humanoids with incomplete evolution."

Obviously, the story of "86 Doesn't Exist in the War Zone" will inevitably revolve around the white race and "86".

The setting of the heroine of the story is a kind white combat supervisor, responsible for remotely directing the battles of the 86s on the battlefield, and unlike the white people of the same race, the heroine does not think that the 86s are "humanoid".

She decided that the warriors were human beings like herself, and wanted the other white people to recognize the "human status" of the 86s, but she was unable to change the reality and was ridiculed by her kind.

The story sets up many white people as self-righteous arrogant people, and the 86s are more like people than them.

These warriors, who face death every day, always maintain an optimistic attitude, which seems to have a kind of meaning of "life is too short, and it is time to be happy".

Maybe they really spend every day as if it were the last day of their lives, after all, every day there will be a death of their comrades.

It is worth mentioning that the 86s also have a hostile attitude towards the white people, they call the white people "white pigs", and through some details in the plot, it can be found that the 86s are likely to be the survivors of the genocide carried out by the white people.

The white race and the 86 people are obviously between the perpetrator and the victim, and the 86 species even have members who have their parents killed by the white people.

The contradictions between these two races are undoubtedly difficult to reconcile, but the kind and simple heroine feels that "love and understanding can touch everything".

She actively "communicates" with her 86 and thinks she gets along well with them.

But in fact, 86 was just "politely responding" to his overtures, and he never accepted it in his heart, until the 86 members who often communicated with the heroine died on the battlefield, and the surviving 86 finally chose to "boycott" this series and publicly accused the heroine of hypocrisy.

The deep hatred of blood and the discrimination engraved in the bones cannot be resolved by chatting and showing goodwill.

The heroine is kind, but the way she expresses her friendliness reveals a sense of superiority and discrimination in her bones.

In the face of 86, who have been persecuted by the white people, the heroine can ask "You won't hate us, right", which fully explains her stupidity and unconscious arrogance.

Whether the heroine admits it or not, she never really regarded 86 as an equal human being, so there is nothing wrong with saying that her sympathy is hypocritical, in fact, many ordinary white people in reality also have this sense of superiority in their bones.

So, no matter how beautiful they make the heroine, how innocent and kind they are, I just don't like her.

In comparison, I prefer the story from The Witcher 1-

Obviously, it is the blood clan and the human race, and the contradictions are irreconcilable, so they simply meet each other directly.

The hero and heroine each love and kill each other for their ideals and their own race, which is actually more enjoyable. ”

"I don't think so, Rena is actually a very good girl.

If you want to blame, you can only blame why she is a white species.

However, this is probably also the choice problem that Furuhara Tsubaki deliberately left us in the game, if Rena is not a white race, she will not bear the original sin, she will not be questioned, her kindness is true kindness, her sympathy is true sympathy, and it will not be considered arrogant, it is discrimination, right.

In that case, I think that's exactly what Furuhara Tsubaki wanted to create.

Rena is a lovely girl after throwing away her racial identity, innocent and kind, so many of these identities will be blamed, is it that we look at the problem from the wrong angle, is it that our review standards are too double?

Personally, I actually like Rena very much.

It is precisely because of her identity as a white breed that she can still stand in the perspective of the 86s and be with them, and this courage is actually very admirable.

Why do they have to be treated in opposition?

The Caucasian species aren't exactly bad guys, are they?

If Rena doesn't choose to support 86 in the end, help them hide it, and let the 86s launch a mutiny, you can also accuse her of being a self-motivated hypocrite.

However, she has already reached this point, and the bloodline of the white race is not something she can choose, so why blame her because of the bloodline.

In my opinion, Rena represents people's yearning for beauty, maybe her identity is not suitable, but she uses her own actions and personal charm to interpret her ideals.

Rena is an idealist through and through, yes, a courageous idealist who puts things into action.

What she hopes for is to build a country where everyone is equal and harmonious, and who can advance and retreat together.

Rena is also growing, and she is trying her best to grow.

I don't think Rena is to be blamed for this. ”

"It's the few white breeds who really deserve to blame for their lives, right?

They hid everything and treated the 86s cruelly, these guys are really damned. ”

"Looking at it this way, 86 is really a realistic work, Gu Yuan Tsubaki's courage is really fat, he actually made such a thing, isn't he afraid of being scolded?

That's how I understand games.

Everything is a reflection of modern warfare.

First of all, the white breeds, who are blatantly called white-skinned pigs by the 86s, this is also the face of those high-ranking old men in the West, who look down on other color races in their bones.

Let other people fill in the pit and die, they can really do it.

Sometimes, it's people who are bad, not wars that are terrible.

Wars are also initiated by humans.

Thinking about it from this perspective, it may be better to understand the ancient hara Tsubaki. ”

"Hahaha, I don't know how the real white-skinned pigs in the West will feel when they play this game."

……

What the white breeds in the West think, Mika Ishino doesn't know, but what she does know is-

This time she received the most blades ever.

Whether you like 86 or don't like 86, you've been broken by this game.

Blades kept coming.

Even Akane Ayase lamented that the warehouse was running out of stock.

"What kind of game are you all doing? How come you have never seen so many blades? ”

Little HR felt very puzzled, as if as long as he had played this game, there was no one who didn't scold.

It can't be a real scolding or a fake scolding.

The focus of the scolding is different, probably this difference.

Mika Ishino also expressed her helplessness, and when she heard Akane Ayase's words, her brows furrowed fiercely.

She turned her head and looked at the president who came out of the bathroom with an indifferent face, and silently complained:

"President, do you know that my name is no longer Mika Ishino?"

"And what's your name?" Qing Zhiyuan said that it was a little strange.

"The players call me the old thief of Ishino."

Mika Ishino covered her face in pain.

A girl is called an old thief, how can this live?

It's all your fault, President!!

……

……

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There is one more chapter in the afternoon (end of this chapter)