When the tactfulness of the erhu and the high-pitched suona were combined, Chen Ye suddenly felt that these two instruments were simply a match made in heaven.

It's as if when the two play together, it's a complete instrument.

This "Dispel Sorrow" was originally a popular song for a while before the arrival of blood, but what I didn't expect was that the old man of the erhu would also play in an ensemble.

Although it has been understood, adapted, and added in the form of harmony......

Not only does it not have the slightest sense of disobedience, but it also strengthens all parts of the song, so that the listening sense can be transformed.

For a while, Chen Ye felt that his mind was completely immersed in the performance of suona.

As the melody of the old erhu man gets faster and faster......

Like an auditory hallucination, Chen Ye actually felt that this erhu seemed to have not only one audio track, but multiple audio tracks combined!

He gradually felt that the suona in his hand had become difficult, and it was difficult to keep up with the progress of the old erhu.

The music became cluttered and difficult to fit together.

After struggling to play the whole song, the music came to an abrupt end.

At this moment, the old man Erhu slowly stopped the movements in his hand and said with a smile:

"Don't be in a hurry......"

"The reason why an instrument requires a lot of practice is because it takes enough muscle memory to make the sound uniform and smooth."

"If you have to think and play at the same time, you can't keep your emotions coherent, and it will naturally lead to distraction."

"However, it is essential to think about the initial stage, at which point you need to think about what music is appropriate, what tunes should be played, and what techniques are not good enough......"

"Once you've gotten past this stage and you've developed enough muscle memory, you'll be able to get into a state of 'flow' when you're playing, so you won't be disturbed by everything."

Chen Ye pondered for a moment, carefully pondered the words of the old man Erhu, nodded, and said:

"Keep practicing."

The two continued to play in the ensemble.

When the first half of the song begins, the old erhu will reduce the involvement of his own song and take Chen Ye as the lead.

Just perform simple harmonic playing.

When the song reaches its climax, the erhu needs to take advantage of its timbre to bring about a subversive change in the whole song.

Therefore, at this time, the old man of Erhu will not have any reservations.

Whenever the climax of the performance is reached, the suona in Chen Ye's hand seems to be filled with lead, and the originally familiar syllables become difficult to play, as if it is difficult to play with this music.

He took a deep breath and tried his best not to let the music of the old erhu affect his emotions, but to concentrate more on the emotional expression of the performance.

For the audience, the emotional hook is the most important, which requires the interpreter to push it out with skillful skills.

However, for Chen Ye, he must first find his emotions before he can express them well.

This is also why in terms of creation, imitators can often do similar things, but still can't be a good creator.

True creation requires personal expression, which requires finding oneself, rather than deliberately imitating or blindly following the rhythm of others.

Chen Ye gradually tries to detach himself from the technique of song, so as to find his inner self.

Suddenly, he felt that the suona in his hand was loose, and the song became more tactful.

He was secretly surprised in his heart, obviously he didn't expect that this suona with such an ugly sound could be blown out by himself with such a tactful tone?

After mastering this trick......

Chen Ye suddenly realized how suona should be played correctly.

Gradually, slowly, I was able to keep up with the old man Erhu in the climax, and the melody of the whole song was transformed because of suona, so that it really became beautiful.

Even Chen Ye, who is also a performer, was deeply touched by the melody.

At this point, his mind was empty, as if he had forgotten all his playing skills.

It's just that the suona is played with the "heart flow", but the timbre that comes out becomes completely different, tactfully listening, deeply rooted in the hearts of the people, and there are no mistakes in the technical performance.

On the contrary, when Chen Ye had been struggling with the correctness of his skills before, he was prone to various small flaws, and he always felt that there was something imperfect.

Although the technique has not yet reached the level of perfection, with the push of "flow", some imperfections are embellished with small tricks to ensure that the whole rhythm and direction are not wrong.

It has achieved the effect of not hiding the flaws.

So as to make a song become durable.

Finally.

At the end of the performance, the music ends in an ethereal and ethereal mood with a long and low artistic conception.

The old man erhu raised his head and looked at Chen Yedao with a smile:

"Hehe, boy, today's harvest should be not small, right?"

Chen Ye gradually withdrew from the emotions brought by the music, returned to reality, calmed down again, sorted out his thoughts in his mind, and then organized the language:

"Yes, I seem to understand how to play as a musician."

"People are human beings after all, and it is impossible to achieve perfection, and it is impossible for every sound to be as precise as a machine."

"Technique is not a formula, it is just an expression of the player."

"But the expressor needs what he really wants to express in order to acquire real skills and make this 'expression' close to perfection."

"If you just play for the sake of technique, you will be further and further away from the essence of expression......

When Chen Ye finished saying this, suddenly, the feeling of "digestion" emerged again.

It's just that the digestion progress this time is much more obvious than last time.

At this moment, Chen Ye realized where he had never been able to break through before.

After he had a preliminary understanding of the music, he cared too much about whether the technique was correct, whether the note was correct, and whether the rhythm was stuck on the beat......

However, the more you think about it, the more cumbersome it becomes to "express".

At the end of the day, it will be difficult to grasp anything, and during the performance, the mentality will fluctuate due to the mistakes of technique, which will make you too nervous.

Just imagine......

When an expressor is too nervous, what he expresses is also a sign of "imbalance" in this case.

Even if the accuracy of the distance "technique" is high, the ups and downs caused by this "imbalance" can be uncomfortable to hear.

On the contrary, it is a state of complete relaxation, without being too harsh due to the technical constraints, so that the melody and rhythm return to freedom.

The effect of the performance has undergone earth-shaking changes.

Turn on the Scarlet phone again......

The weird value has reached 5,900 points!