"Let's go, brothers, pick up the bench and sit down, the anchor is going to start appreciating the treasure!"

"It's good today, insert it directly, and the intermediate links are saved!"

"Popcorn, Coke, have been prepared for a long time!"

"No, the anchor is going to start pretending!"

"Uh... That's right, the anchor started pretending! ”

"Look at the treasure... I look at the young lady... Hey! ”

The enthusiasm of netizens was instantly ignited.

Grandpa's calligraphy and paintings?

Chu Ang took the calligraphy and painting handed over by Zhong Tian, and was a little more curious in his heart, then carefully opened the package, took out the picture scroll inside, and after taking a closer look, he said in surprise, "It's actually the Ming Dynasty painter Xu Wei's "Feeding Chickens"..."

"Brothers, ask for popular science, who is Xu Wei?"

"I know Xu Weixiong, the second sister of the pig horn in "Sword Come", my favorite in "Sword Come", I am a fan of Sword Come."

"Xu Weixiong? "The Sword Comes"? That's "Knives in the Snow", fuck, you fake fan, please get out! ”

"Damn, the manager can be by you, and he still loves it, and he is a fan (picking his nose)"

Xu Wei, a writer, calligrapher and painter, opera artist, and military strategist in the middle of the Ming Dynasty, was versatile, unique in poetry, drama, calligraphy and painting, and Xie Jin and Yang Shen were called "the three talents of the Ming Dynasty". He is not only the founder of China's "Splashed Ink Freehand School", but also the originator of the "Qingteng School", which has a great influence on the Bada Shanren, Shi Tao, Yangzhou Eight Monsters and so on..."

"Also, Xu Wei also has two students, named Li Rubai and Li Rusong, both of whom are the sons of Li Chengliang, the chief military officer of Liaodong, and Li Chengliang also has a godson named Nurhachi!"

"Hey, Qing ancestor Li Chengliang, it turns out that they are all people in the same circle!"

In addition, Xu Weishu is good at grass, part-time poetry, known as "the Ming generation of talents", the old palace museum has Xu Wei's works "Ink Grape Picture" axis, "Landscape Figures Flowers and Birds" volume, "Peony Banana Stone Picture" axis, and "Ink Flower" nine sections..."

“……”

Chu Ang glanced at Zhong Tian, who was suspicious, and asked what the problem was, "Is there anything wrong with this painting?" It's Chu... Mr. Chu Jialiang's identification is wrong? Or did the professors think the painting was a fake? ”

Most of the treasures registered in the register are genuine, although Chu Ang doesn't know what his grandfather's vision is, but from Shan Lao's respect for his grandfather, as well as the name of the "Golden Holy Hand" in Sijiu City back then, his vision must be extremely powerful.

Zhong tilted the corners of his mouth and said with a smile, "Mr. Xiao doesn't know, this painting was identified by Mr. Chu Jialiang as Xu Wei's authentic work in the Republic of China..."

"However, just a few years ago, the same calligraphy and painting appeared in the Hong Kong Island cultural toy market, and after a number of experts identified it, the calligraphy and painting on Hong Kong Island was also genuine..."

“……”

Chu Ang probably understood what it meant, one painting and two authentic works, according to common sense, a certain painting must be a fake.

Zhong Tian continued, "The same painting on Hong Kong Island, a professor in the museum once flew to witness it in person, and it is certain that the painting is also Xu Wei's authentic handiwork..."

"Now many professors in the museum think that our painting is fake, and they think that it is very likely that Mr. Chu Jialiang was not capable of it back then, after all, Chu Jialiang is a folk antique master, and he may be in vain!"

"It is also for this reason that this "Feeding the Chicken" has been stored in the warehouse and has not been displayed to the public over the years!"

“……”

Chu Ang frowned and was silent, and carefully examined the "Feeding Chicken Picture" in his hand.

In the painting, an old man squatted on the ground, leisurely, the chicken cub bowed his head to eat, the character's clothing lines were concise and chic and smooth, and the chicken was written directly with an ink pen in the boneless method, the shape was accurate and the demeanor was vivid. Although the painting is simple and easy, it is more powerful.

Leaning slightly, Chu Ang said again: "Did Mr. Chu Jialiang leave any marks on this painting?" ”

The rules of the Old Palace Museum, when a cultural relic is registered, the attributes of the cultural relics will be marked on the copy, who cast (painted), and the characteristics of the cultural relics of the era behind the cultural relics, so that future generations can better view them.

Hearing Chu Ang's question, Zhong Tian's beautiful face was a little more sad, and he shook his head, "No... By then it was too late? ”

Chu Ang was stunned for a moment, then thought of something, and raised his head suddenly, "Too late?" It was July when this painting was appraised..."

Zhong Tian was silent for a moment, and then his red lips opened again, "Yes, I flipped through the information and found that this "Feeding Chicken Picture" was the last batch of treasures to be identified, at that time, there were fragmentary gunshots outside Sijiu City, and a few hours after the transfer of the last batch of cultural relics in the Old Palace Museum, the Japanese invaders occupied Sijiu City, and the situation was in crisis, I think Chu Jialiang's predecessors could no longer care about painting a mark for this!" ”

"Hey... What exactly did the anchor say to this beauty? Critical? What happened? ”

"Scattered gunshots rang out in Sijiu City? This should be about the Japanese invaders entering the Forty-Nine City, so Zhong Tian's great beauty said that Chu Jialiang didn't have time to mark this calligraphy and painting..."

"I'll give you a popular science, the 26th year of the Republic of China (1937) on July 7, at midnight, the wolf's ambition of the wolf deliberately launched a war outside the city, relying on the superior firepower of aircraft and artillery to keep hitting the position of the 29th Army in the 49th City, plus the 29th Army at that time did not have any air defense experience and measures, and was finally blown up, and the deputy commander of the 29th Army and the commander of the 132nd Division were martyred in the battle, late at night on July 28, the troops had no choice but to lead their troops to withdraw from the 49th City, In the early morning of the next day, the Japanese soldiers came to the city, and the city of Sijiu fell! ”

At that time, the headline in all the newspapers was "Pingjin is in danger!" North China is in danger! The Chinese nation is in critical !! ”

"That time was the most desperate moment for my Chinese civilization!"

"Yes, Mr. Qian Mu wrote the "Outline of National History" for the purpose of educating future generations to restore the country!"

"My heart will not die!"

"It's not easy for the seniors to win the war of that year..."

"Forgetting history is a blasphemy against the dead predecessors, and today's light is shining brightly, and someone generously died many years ago!"

"Watching the anchor Jianbao, I was a little uncomfortable for the first time!"

Today's live broadcast room is rare without giggling.

“……”

Chu Ang's gaze returned to "Feeding the Chicken", at this time his attitude was much more serious, history came to face at a certain moment, and it is worth remembering by everyone.

Tomorrow will start the normal update.,Ask for follow-up.,Ask for recommendation votes.

(End of chapter)