"Thirty Only" was released.

I have been making small-scale movies before, and word of mouth is brewing.

After all, it is a small and medium-sized production, and it is a literary film, and word of mouth is very important.

The premiere, not too powerful.

Yang Mi attended the premiere, and judging from her appearance, no one could see that Yang Xiaohu was pregnant.

Celebrities are like this, even if they are three months pregnant, no one can see if they wear a little matching.

Li Hao and Jing Tian sat quietly in the middle of the back, which was the best place to watch the movie.

Then I watched the movie with great interest.

Cinema is art!

Because of this, literary films are often more likely to win awards.

This is a common feature of the whole world, and it is nothing more than a question of how much emphasis is placed.

Chinese films, in the past, used to learn from European films, and awards were awarded to literary films, especially unpopular and niche literary films.

So much so that Feng Cannon was furious at the beginning, and the two had a war of words for several years.

In recent years, this situation has been well reversed.

It's time to take care of the box office.

Although it will still focus on literary films, it will not be so discriminatory against commercial films.

In commercial films, if the characters are performed well, they can also win awards.

At this point, it is acceptable.

In the past, the sixth generation of directors was still being created.

By now, the sixth generation of directors has basically no one to mention it anymore, and they don't want to operate it anymore.

The fifth generation of directors, that is, young directors who graduated from Nortel in the 80s, their films are characterized by subjectivity, symbolism, and strong allegorical meanings, and the representative figures are Zhang Yimou, Chen Kaige and others. In the era of reform, they received professional training and entered the film industry with a passion for innovation, and they were particularly sensitive to new ideas and new artistic techniques, trying to find new angles in each film.

They have a strong desire to explore the history of national culture and the structure of national psychology through films, so they strive to be different in terms of material selection, narrative, character shaping, lens language, and picture processing. In the 90s, the fifth-generation director won the highest awards at the three major international film festivals in Europe, namely the Golden Lion, the Golden Bear, and the Palme d'Or, and was nominated for the Oscar for Best Foreign Language Film 4 times.

Feng Xiaogang was discriminated against and excluded at the beginning, because Feng Dacang graduated from Chinese opera, not Nortel, and he did not have any achievements in international film festival awards in the 90s.

Later, as the director of the box office of the movie, he won many domestic awards for several consecutive years, and gradually recognized him as a fifth-generation director.

But until now, there are still many people who think that he is not a fifth-generation director, the reason is that he is not worthy!

The events of last year have not completely dissipated yet.

Although he paid the fine, Feng Dacang said something that he shouldn't have said, and he ran out later, it is estimated that it is impossible to direct a movie in China.

What is sending children to school overseas, this kind of saying is just to hear.

The Weibo of 20 million fans was directly emptied.

A cannon shot is cool, and the price behind it will naturally have to be paid as well!

And the sixth generation of directors has been hyping before, this group of directors refers to a group of young directors who have been directing movies since the 90s, Jia Zhangke, Zhang Yuan, Wang Xiaoshuai, Wang Dynasty, Lu Xuechang, Zhang Ming, Guan Yu, He Jianjun, Lou Huohua, Wang Quanan, Lu Yu!

It's a pity that this group of directors has won various awards overseas, and the domestic audience doesn't buy it at all, coupled with the rise of cutting-edge directors such as Li Hao, this group of directors is not well-known among the ordinary people in China, and many investors who have gone bankrupt and jumped off the building now have no movies to make.

Zhang Mo is also one of the directors cultivated by Haotian Media.

With the words and deeds of his father and old Mouzi, Zhang Mo's level is still okay.

However, like other directors, the producer has to keep an eye on it, and if he doesn't stare at it, he may wantonly bring private goods into the movie.

The movie "Thirty Only" tells the story of urban women encountering multiple pressures at the important age of thirty.

"I'm in my thirties, I haven't made any money, I have nothing to do at work, and my life is messy" experienced the previous depression, and the heroine broke out.

Li Hao looked at Yang Mi's performance and nodded secretly.

The acting skills are still there!

If it weren't for the high salary before, I'm afraid I would have won several film awards now.

Of course, this is not referring to the Golden Broom Award.

"Wow, Mi Mi's acting skills have exploded." Jing Tian lowered his voice and couldn't help but exclaim in a low voice.

Li Hao bowed slightly.

So far, the performances of the male and female protagonists are quite good.

The triviality of urban families, all kinds of family conflicts, continue to accumulate in the early stage, and they tend to be depressed, but now it is an outbreak.

As long as you don't pull your crotch in the back, you can also give a few awards to the hero and heroine, and you can also leave people speechless.

Li Hao continued to watch.

Although "Thirty Only" is an urban emotional drama, the scene is not big, and there are few characters involved, but it is quite profound in character carving.

Li Hao saw the traces of Lao Mouzi from this movie.

For Lao Mouzi, Li Hao really knows a lot better.

In terms of female character carving, Lao Mouzi is definitely a master.

Gong Li in works such as "Red Sorghum", "The Red Lantern Hangs High", "Qiu Ju Fights a Lawsuit", Wei Minzhi in "No One is Missing", Zhang Ziyi in "My Father and Mother" and other works, and Zhou Dongyu in "The Love of the Hawthorn Tree".

At this moment, in the movie "Thirty Only", Li Hao can see this deep trace.

It seems that Lao Mouzi has not given Zhang Mo much guidance in private!

90 minutes, in the blink of an eye, passed.

The movie ends.

"It's a wonderful movie, it should be able to win awards." Jingtian lowered his voice.

"Quite possibly." Li Hao bowed slightly, "The level of this movie is still very high." ”

The actors' performances are online, the plot is smooth, and the character portrayal is also successful.

Coupled with awards, public relations are inevitable.

Haotian Media's PR team is not vegetarian.

Don't say it's a China Entertainment film award, it's an overseas film award, it's all sure.

Jing Tian couldn't help but look at the big power on the stage with envy, Li Hao said this, which means that the possibility of the award is very high.

"Let's go, let's go back, so as not to steal the limelight from the main creative team." Li Hao lowered his voice and left with Jing Tian.

The two came over today, not as guests, but just ordinary audiences.

Even Yang Mi and others didn't know that Li Hao and Jing Tian attended the premiere.

If the two are discovered, they will inevitably steal the limelight from the main creative team.

The two were wearing down jackets and sunglasses, and if others didn't look closely, they really wouldn't recognize the two.

Come quietly, go quietly, and do not take away a cloud.

(End of chapter)