If it's just pure beauty in music, Fu Tiao thinks that he is no worse than others.

I think that when he was sailing on the sea, some people would often call him the first pianist of the five oceans, the first pianist of the sea.

Although there are not many pianists on the sea, not even one percent on land, this is a very high compliment.

In fact, as Fu Tune thought, his performance in Chopin's first work in the qualifiers for the Chopin International Piano Competition, Chopin's Third Piano Ballade, was very eye-catching.

If this piece is really used for competition, it is not suitable, after all, the overall difficulty is indeed low.

But the question is, can a top pianist play the same Little Star Variations as an ordinary person?

Mozart's works are often called the most difficult works to interpret by many people, not because of how difficult Mozart's works are or how difficult they are to perform, but because it is difficult for modern people to interpret Mozart's unique feeling in Mozart's works.

Mozart writes those works with a bit of childlike innocence, with a little bit of adult maturity in them.

If you want to just interpret innocence, then you will inevitably look very stupid, and if you want to interpret the maturity of innocence, you will easily fall into another misunderstanding.

The degree of this is very difficult to grasp.

Chopin's Third Piano Ballade is also a problem, where is the degree?

What kind of performance is sweet between men and women? And what kind of performance, is it industrial syrup?

How to make the audience listen to your work and feel sweet, not tired, is one of the key points.

Secondly, in addition to interpreting the sweetness in the music, you also need to pay attention to the person behind the music.

Chopin!

What is played in this competition is still Chopin's after all, and you have to at least make your interpretation closer to Chopin in order to achieve higher results.

Although the Chopin International Piano Competition is now divided into two major factions, the egoist who insists that the performer should have a dialogue with Chopin, and the performer who should abandon the self and wholeheartedly interpret Chopin's purity.

However, even if they are egoistic, they need to have Chopin's shadow in their music, rather than simply "Ling".

Fu Tiao's results in the sweetness of the music were very good, exceeding the expectations of all the judges, making their bodies involuntarily relax and no longer so tense.

In Chopin's interpretation, he imitates others a little bit, and there are many people's shadows, which sounds strange.

Although it is still Chopin, they don't hear anything special in this Chopin.

After weighing each other, the judges gave Fu a very high score.

If it's just a single piece, this one has a full 22 points!

The competition is a 25-point system, 15 points to pass, and 22 points to convert, which is 88 points out of 100 points!

This result is very good among all the players! A normal player who can score 20 points is already considered very good, and only a very small number of people who have the qualifications to impact the championship from the beginning can get 23 points, about 24 points.

If it weren't for the fact that Fu Tiao's interpretation of Chopin was too mixed, his work would definitely score 24 points, or even 25 points.

However, this is only the first piece, and there are many more pieces that have not been performed.

The works that Fu Tiao first reported to the Organizing Committee of the Chopin International Piano Competition were Chopin Etudes 10-4, 25-10, in words that ordinary people can understand, the folk translation of these two works is, Black Key, Winter Wind.

There is a slight problem with Fu Tune in these two works, and his interpretation of these two works is slightly out of line with everyone's expectations.

Well, no, these two works didn't even make any mistakes.

Is there a problem with the tempo rhythm? Nor did it.

After all, when Fu Tune was fighting with others on the boat before, the speed could soar to the point where one person could play the voice of two people, even if there was no way to recover the previous state of rebirth, there was still not much problem with the speed of playing these two works.

But when it comes to the interpretation of the last work, the problem arises.

In these two works, Fu is still played as before, Chopin's feeling is not pure enough, and he feels that a lot of things are mixed in it.

The basic standards are up to standard, and the other content is still slightly lacking, and the expressions of several judges are slightly wrinkled and thoughtful.

"This Dior, he seems to have a little problem with Chopin's interpretation, in Chopin's third piano ballade before, his aesthetic sense of performance has made up for some of the loopholes above, and now these two etudes, his problems in musical interpretation are more obvious."

"Well, technically, there is absolutely no problem, but there is a slight problem in the interpretation of the content, which needs to be corrected, and I personally tend to give the etude 19 points, which is not bad, but not perfect."

"Well, let's continue to look at it later, the next two Mazurkas are also fast-paced works, and these two works may also be a relatively weak one for him, focusing on the nocturne in the back."

"Yes, if his individual talent is in the beauty of the music, I think it is enough to make the final judgment after listening to the nocturne."

"It's a pity, this person's score should have been quite high, who is his mentor? Choosing a work like this for him, does his teacher have a problem with his brain? Don't you know how to play to your strengths and avoid your weaknesses? ”

"Maybe the teacher thinks that he has no problem playing it, and his strength is outstanding and he is not afraid to choose music?"

"There is another possibility...... He didn't have an instructor. ”

The last voice fell, and the other judges looked at each other, then laughed at the same time.

"Hahaha, how can there be no teacher?"

"yes, how can you get into the qualifiers of the competition without a mentor?"

"Although I don't want to admit it, Xiao Sai's players, basically all of them come from well-known teachers, and there are almost no exceptions."

"Yes, yes, his teacher may just not be good at the level of competition guidance."

Everyone laughed and skipped the matter.

The rest of the matter is just as these judges noticed, Fu tune's mazurka is played, there is nothing wrong with it, it is indeed nothing wrong, but it can only be said that it is not so satisfactory.

Fu Tiao himself didn't feel anything, he was just immersed in his own music.

The big screen scrolled on the side, and Fu Tune's last piece appeared on the screen.

Chopin Nocturne: Op 27, No. 1

Everyone's originally slightly lazy bodies couldn't help but sit up straight, and looked at Fu Tuo in front of them carefully.

They were a little curious, what kind of nocturne could Fu tune his nocturne in?

After all, in terms of the beauty of the music, Fu Tune gave them a very big shock!

In the sight of everyone, Fu Diao just raised his hand, took a deep breath, and leaned forward slightly.

In an extremely gentle gesture, the first note fell.