Chapter 12: Total Collision
On the side, Yu Tianyou also raised his head and looked at Fu Diao.
There was also a hint of solemnity in the eyes of the two.
This year's top contestants are the piano princesses from Toei, Aimi Kobayashi, and Kobayashi Aishi.
Fu Tiao, according to the guidance of the staff, turned to the page of Kobayashi Aishi, and couldn't help but pause.
As Yu Tianyou said, she is known as the piano princess, and she is indeed amazingly talented.
He learned the piano at the age of three, and after four months of study, he saved up a set of one-hour concert works and performed on stage.
At the age of seven, he entered the finals of the Dongying Piano Teacher Competition three times and performed with the Dongying Symphony Orchestra.
At the age of eight, he won the first place in the Peace Prize Piano Competition, the first place in the Dongying Student Music Competition at the age of nine, and the gold medal in the junior group of the Asian Youth Chopin Competition.
At the age of ten, he won the first place in the American Young Pianist Competition and was invited to give a solo recital at Carnegie Hall in New York.
At the age of fourteen, he won the first place in the Asian Chopin Piano Competition, and at the age of fifteen, he won the Polish Special Chopin Passport.
This kind of person should be directly guaranteed, but perhaps because she has studied at the Curtis Institute of Music in recent years, she has not won a place in the recent Asia-Europe Chopin International Piano Competition, so she can only participate in the qualifiers in order.
Fu Tiao looked at the judges' seats behind him, and sure enough, he didn't see it.
Many of the judges have a little bit of relaxation, they all know little Amy, know her strength very well, and know that she will never overturn.
At the very least, the qualifiers won't.
Therefore, they can listen with a more relaxed attitude, instead of constantly digging at the details as before.
The stage door opened again, and a little girl wearing a beige dress, about 1.6 meters, walked out from behind the door, standing in the center of the stage and bowing slightly to everyone.
"This is Kobayashi Aishi? It feels a little better than in the photos, but a little smaller. Yu Tianyou sat next to Fu Diao and whispered.
Fu Tiao glanced at the photo of the roster of players in his hand and nodded slightly in agreement.
It's just that at this moment, there was a little commotion on the stage.
On the stage, five big men surrounded Aimi Kobayashi, as if discussing the matter of the piano bench with her.
It seems that she is too light to get off the piano bench.
After discussing it for a long time, it was finally decided to change to a piano bench, which was manually adjusted rather than directly pressed down by weight.
It took a long time, almost two or three minutes, before the matter was properly resolved.
At this time, Kobayashi Aishi also managed to sit on a piano bench that matched her height.
At this time, the screen on the side shows the first work of Aimi Kobayashi.
Exactly the same as the one played by Fu Tune, Chopin Noctique, Op 27, No. 1.
Kobayashi sat on the piano bench and closed her eyes and breathed, and after about three seconds, she lifted her hand and placed it on the keyboard of the piano, pressing it slowly.
Airplanes......
The sound is incomparably subtle, growing from the smallest to the end.
As she grew to the point where she could almost break the silence of the night, her other hand lifted up and slowly pressed the main theme.
Bite......
The sound of the piano is soft, crisp, and incomparably gentle.
Such as sympathizers talking to each other.
In the night, with a slight haze.
The night, the sound of the piano, and, that she.
Every trace of the piano seems to carry an indescribable heartfelt heart, making people sleepless.
Fu Tiao couldn't help but be stunned, and there was a little doubt for a while.
The feeling of playing is different.
Obviously, all the sounds are the same, and even most of the emotions are similar, but the feeling is completely different.
In the sound of Kobayashi Aishi's piano, there is a clear oriental subtle flavor in it.
Just like that sentence, the moonlight is so beautiful tonight.
It's not the moonlight that's beautiful, it's what I want to share with you all the beauty I've seen.
Every sentence is hazy, and every sentence does not reveal everything, but all interpretations are full of love.
It's a hazy and unpredictable feeling, but the more you think about it, the more interesting it becomes.
And this is not all she has, in her music, Fu Tune can clearly hear a feeling, an indescribable feeling.
What exactly is this feeling?
Fu Tiao thought about it for a long time, but he didn't find a definite feeling.
Fu Tiao raised his head slightly and looked around, and found that there were not many people around him who were like him, focusing on the indescribable feeling, but smiling all over his face.
Seems very satisfied.
There are two possibilities, one is that they didn't hear that feeling at all, and the other is ...... This feeling is so common that it seems to be a necessary feeling in Chopin's music?
The first one is almost completely impossible, no matter how much Fu Tiao thinks that his strength is strong, it is impossible to think that everyone present is deaf, and they can't hear the feeling in the music.
Not everyone can shout that everyone is drunk and I am sober!
Then there is only one last possibility, and that is that this feeling is something that everyone is used to.
Fu Tiao leaned his body against the back of the chair, reached out and rubbed his chin, his eyes narrowed slightly.
He's listening.
How did you get the strange feeling of listening to Aimi Kobayashi's music?
Classical music and jazz music are completely different.
Jazz music is more about improvisation, while classical music requires depth in the music.
The deeper, the better.
Fu Tune can basically perfectly reproduce everything he hears the first time he listens to a piece, basically reaching the extreme in chords, melody, and rhythm.
However, this point, in classical music, is not strong enough.
In classical music, everyone plays the same note, and even the tempo is about the same, so how can you tell if you play better than others?
Obviously, work on the mood, the details, and the musicality.
It's like singing, why doesn't the Mai Ba in KTV sing as many as those singers? Obviously, it seems to be similar in the ears of ordinary people?
The reason is over there, very simple, because of the details, the mood, and the musicality.
The emotions of Aimi Kobayashi's performance on the stage became more and more intense, and everything was integrated into her music, especially the indescribable feeling.
That feeling makes the interpretation of Kobayashi Aishi's work even more beautiful and perfect.
The eyes of the others around her couldn't help but light up because of her performance.
When her last note fell, the entire concert hall fell into silence.
Yu Tianyou sat on the side, his expression was extremely surprised, it was obvious that he didn't expect Kobayashi Aishi to behave like this at all.
It's so beautiful! I really wish she could play it again, the appearance of those tones is simply invincible!
Not only him, but almost everyone in the concert hall thought so.
Including those judges in the back.
Fu Tiao silently recorded her performance in her heart, ready to ask when she went to meet Argerich tomorrow.
However, the next second.
"Chopin Etudes: Op 25-11, Op 10-4"
Fu Tuo raised his head sharply and looked at Kobayashi Aishi on the stage.
The three works that have come out so far, the etude and the nocturne, have all crashed!