Chapter 55: Provocation
Jiang Ruijia quickly gave up her position and asked Fu to come in, and then silently closed the door and locked it.
Honestly sat down at the desk in the piano room, took out the stave paper from the schoolbag and put it on the table, and carefully looked at Fu Tune with the rest of his perspective.
Fu Tiao didn't care if there were other people around him watching him practice.
Or rather, the more other people around him watched him practice, the more excited he became.
Even the more excited the people around him, the more he can follow his emotions, and the stronger the emotions he shows in the music.
Fu Tune did not come up with any sheet music, but directly put his hand on the piano and played it casually.
The brain is completely empty, and he doesn't think about which piece he should play, and he completely relies on his own instinct to split Chopin's musical compositions.
Jiang Ruijia took her pen and sat behind looking at Fu Tuo curiously, the pencil in her hand kept moving on the stave, making a lot of messy traces.
[Hmm...... Chopin's Ballade No. 1 for Piano, but why not start with the opening Neapolitan Six chords? But from the middle part? But feel okay? 】
[Although Chopin in music still feels a little light, it is obvious that in his music, Chopin's feelings have a direction that can be gradually concreted, and he is moving in this direction. 】
[Hmm...... Not? 】
[No, the feeling of playing in Fu tune music, this feeling...... Kind of interesting? Completely different from the feeling of imitating a pianist, there is a particularly strange feeling? 】
[Hmm...... Spacious? Changeable? Deep? Do you always feel like you're feeling completely different from the Chopin you usually hear? 】
[It's like ......]
Jiang Ruijia's thoughts came to a standstill, and she was thinking about what kind of words she should use to interpret the feeling that Fu Diao was playing now.
She thought about it for a long time, looked up at the window, didn't know what she thought, her eyes lit up suddenly, and she turned her head to look at the Fu tune that was being played casually.
[That's right! That's it! A bit of an ocean feel! 】
[Incomparably vast, boundless, but under the calm there is an incomparably powerful power? 】
[Although Chopin has hardly touched the sea, it seems that it can also be used to depict Chopin with the sea? 】
[Chopin faced countless difficulties and setbacks, and never showed any trace of pain and despair on the surface, he would only hide all his emotions in his heart, hide in the music, and show himself with enough perfect music. 】
[Hmm, it seems to be a method of interpretation as well? And how interesting is this interpretation? If you put it among all the players......]
Jiang Ruijia looked at the stave paper full of black toner, thought about it, and hesitated to write a new score for Fu Tuo.
A completely different score than before.
10 points for technique.
Timbre 9 points.
Choosing a song? Divide.
Musicality 10 points.
Stability 10 points.
Chopin sense 6 points.
She didn't know the songs, so she didn't evaluate them, but she could see the rest, and Chopin's feeling was obviously that he had reached the passing line!
If it was only Chopin's nocturne Op37No1 that she heard a few days ago, she would not have given Fu Tune such a high score.
After all, if only one or two works reach that level, no matter how good those one or two works are, it is impossible to get a particularly high ranking in the Chopin International Piano Competition.
But now it's different.
Jiang Ruijia has been sitting behind Fu Tune, she listened to Fu Tune's performance, and listened to a lot.
Although I don't know why Fu tune's performance is always intermittent, it's very strange.
Just started a start, and then played a completely different feeling, and when the music went to a proper place, Fu Tune transformed the music into another piece.
Just what she heard about the work.
Chopin Ballade No. 1, Chopin Nocturne Op 9, No. 2, Chopin Polonaise, Chopin Scherzo, Chopin Sonata.
Many, many works are all mixed together.
In the music played by Fu Tune, Chopin's feeling is not a smooth straight line, but a little high and low, in all situations.
One of the most powerful is a short passage from Chopin's Nocturne Op37 No1.
That feeling is really strong, Jiang Ruijia feels that her body is going to be soft when she listens.
Although the other works are strong, they are not as strong as that one.
This is why I gave Jiang Ruijia a score of 6 to Fu Diao's Chopin feeling on her stave paper.
Passing, there are outstanding places, and there are also many places where the play is not perfect.
So Jiang Ruijia gave Fu 6 points.
If Fu Tune can pull all the works to the point of Chopin Nocturne Op37 No1, then Fu Tune's Chopin can definitely be regarded as a 9 or even 10 points!
At that time, Fu Tiao can really wrestle with those top bosses.
And the kind she had in mind, the idea of the final six members of the Chopin International Piano Competition, maybe it could be completed, or even further!
Fu Tiao directly became the final first person!
Jiang Ruijia couldn't help but be fascinated when she looked at Fu Diao's back, she quickly calculated the abilities of other players in her heart, and thought about what kind of competition policy Fu Diao needed in order to pass the second round and enter the third round.
Fu Tuo naturally didn't care about Jiang Ruijia's thoughts, he just sat on the piano bench to show his music, and then carved and modified it little by little.
The music stopped from time to time, and Fu Tuo pinched his chin for a moment of reflection, and then played again after a long time.
The scope of music is not limited to a few slow works, Fu Tune also chooses many fast works.
In the same way, he no longer just plays a fragment of the music and changes the piece, but starts to play the whole content of a piece, and then takes out the parts that are not so perfect and refines them.
As the minutes ticked by, the two men in the room were all immersed in the music, completely oblivious to the passage of time.
Fu Tiao listened to the work that gradually became complete in his hand, and the corners of his mouth couldn't help grinning.
Now the work in his hand is the same as fighting monsters and upgrading, as long as he can spend time, he can always feel progress, not ten days and half a month of practice without any progress.
Fu Tiao put down the Chopin Etude 10-1 that had just ended in his hand, slowly breathed a sigh of relief, turned his head to look at Jiang Ruijia, and asked with a smile.
"How? I just played? ”
"Well, the feeling of the bullet ......"
Before Jiang Ruijia finished speaking, there was an incomparably explosive sound next door to the house.
Chopin Etudes, Op10, No1, Chant of Escape!
The man next door to the room was playing the same piece, and the performance was extremely complete.
Obviously, for that person, the work in his hand should have been played, but what did that person mean by playing it again at this time?
Fu Diao and Jiang Ruijia glanced at each other, and couldn't help but show a trace of dazed look at the same time.
This is...... Provocation?
(End of chapter)