According to the imagination of Wu Hong and others, as an encore repertoire after the concert, it should normally be rehearsed and thoroughly rehearsed, which means that the encore you hear in each concert should almost be exactly the same performance.

This is not just a casual statement, but in fact many musicians do it.

For example, Lang Liangyue, the strongest pianist in China, basically plays a song "Jasmine" that he has adapted himself after every performance, especially after a foreign performance.

I remember that he also said at the time that the jasmine he played when he performed outside for the first time made many overseas Chinese, especially those in beautiful countries, moved to tears, and kept thanking him for bringing them a lot of warmth to their hometown.

Probably for these reasons, almost all of his encore repertoire abroad are jasmine flowers, or some other traditional Chinese works.

As for performances in places where there are many Chinese, or in China, he likes to play the most classic Western works, such as the Turkish March, To Alice, and Liszt's Bell, on the encore after the performance.

I don't know how many years have passed, but it hasn't changed much, and the bells are playing less and less, almost all of them are Turkish marches or works that everyone is familiar with, such as Alice.

Of course, you can't ask for a lot of encore's works, which is equivalent to a plate of side dishes that the store will give you after you finish eating in a restaurant, for example, you still have a few bottles of wine at hand, and get you a stack of peanuts or something for you to taste and drink.

But for Wu Hong and others, this kind of encore feels a bit perfunctory or well-designed, and even feels a bit like a part of a concert, always feeling that something is missing.

Even if all the musicians do this, everyone has very little or no requirements for the encore repertoire of the concert.

Therefore, the last time they heard Fu Tune's concert encore, their first reaction was surprise, a surprise that was different from the usual concerts, and it was not as perfunctory as Lang Liangyue, but really gave a new encore repertoire according to the audience's preferences.

In a classical concert, a concert is played in which the classical is the mainstay, with jazz as the auxiliary, and the two are blended together.

As long as you have listened to classical music several times, you should be pleasantly surprised by such a composition, after all, such encore is almost completely unhearable.

So for Wu Hong, compared with Fu Tune's main concert, he is more looking forward to Fu Tune's encore, the last time he listened to it, the feeling he felt was completely insufficient, just like Zhu Bajie eating ginseng fruit, snoring and going down, not even tasting any taste, all that remains is a trace of shock and unfinished.

This time, in addition to accompanying his own object, he mainly wanted to listen to Fu's encore again, and then listen to the jazz version of Chopin's fantastic improvisations and the jazz version of Chopin's piano etude No. 1 essay.

But......

Wu Hong never thought that this time the encore repertoire was directly changed, and two new etudes were released, which were released as encore's repertoire for everyone to listen to.

Not only him, although he was a little interested in encore tracks, but Chen Ying, who was just listening to dessert after dinner, couldn't help but widen his eyes.

She didn't expect anyone to do that.

There was another one, no, no, two! Two new encore tracks.

What a repertoire library this has to be!

Except for the two of them, everyone else who chased them from Berlin to Amsterdam was dumbfounded.

Some of them, and their friends who had not heard of them boast in advance that they had heard all of Fu tune's concerts, and that Fu would play two Chopin works adapted by Fu Tune at the end of the day.

As a result, now this jazz work is real jazz, and the adaptation of Chopin's work is also a real adaptation of Chopin's work.

It was this Chopin work, which was completely different from what they had heard before.

The emotions of everyone under the stage suddenly became strange, all kinds of emotions were there, but they all had a unified mood.

That's curiosity.

They were really curious about what Fu Tune could look like.

Wu Hong looked at the people around him, and couldn't help but quietly take out his mobile phone and aim it at Fu Tuo on the stage.

Normally, photography is not allowed during the main phase of the concert, and even if it does, only special photographers are allowed.

Maybe it's because you need to use a very large, special flash and noisy flash to take pictures before, which will affect the mood of the performers on the stage, or some other weird special reason, anyway, you are not allowed to take pictures.

However, during the encore phase after the concert, you can shoot as you like, so there is no limit to this.

For example, Li Diyun's concert rollover video looks like a lot, for several hours, and the people who watched it almost 100,000 times, but these videos are not of great significance.

These pieces are either his encore works, which are outside the concert itself, and the rollover actually has little impact on the concert itself.

Or maybe it's a pirate in the middle of a concert.

In addition to not fully reflecting the level of the performers themselves, the theft of photography in the concert may also have an impact on the performers themselves, making them think too much about unnecessary things when playing.

At the same time, it also proves that part of the audience under the stage is not listening to him at all.

So it's hard to put into words.

However, it is now the encore stage of the concert, and even if you take pictures or something at this time, it doesn't matter, which is why Wu Hong took out his mobile phone at this time.

The last time he heard it, he was completely shocked and forgot that he could still take pictures.

This time, he had to record all of Fu Tune's performance and go back to listen to it more.

On stage, Fu Tuo's mood is actually very calm.

For him, this encore itself is for play, especially when his extremely serious works are finished, he always needs to use some works to relax and have fun, and he doesn't think about it as much as those people under the stage.

As for the special preparation of Encore's works, the reprocessing of Encore's works, or other messy things, Fu Diao doesn't care at all.

Encore, this is a piece of cake.

No matter how much you deify encore, this is not the kind of piece that can be taken out as a concert on its own.

So the last time he had a long conversation with Taylor, with Sir Simon, and the others, he was completely free of the choice of encores.

Since it is a small surprise welfare feedback to the audience, why do you need to be so nervous? How should I concentrate on studying the encore repertoire?

Just take the work you have already practiced and finish, and you're done!

Fu Tuo's hand was raised and landed on the keyboard of the piano, with great softness, as Chopin's work had begun to show.

For jazz adaptations, it is not necessary to completely adapt them from the moment they first start to drop the keys, but to maintain the basic flavor of the original works, and then carry out special adaptation treatment to make the music more dynamic.

So, Fu Tune dropped his fingers on the piano's keyboard with great soothingness and pressed the first few notes of Chopin's Winter Wind Etudes.

These notes sound so simple that you can even look at the sheet music, and even anyone who has just learned the sheet music can play it directly, and even before there were people who joked that they could play the winter wind...... The first four bars.

In fact, the difficulty of these sounds is very high, not because of the high technical difficulty, but because of the difficulty of controlling the timbre and the overall control of the music.

These notes are the introduction of this piece and the soul of this whole piece, and if you want to play this piece well, you must pull the beauty of these notes to the extreme.

The sensory effect of playing with aesthetics and playing without aesthetics is completely different.

When Fu Diao's fingers fell, everyone's bodies couldn't help but tremble, and many people even had goosebumps on their hands.

This feeling is really beautiful, obviously it is just a few notes, children can play a few notes, and it can be beautiful like this.

After the music stopped for a while and the musical tension was stretched to the maximum, the violent winter wind that fell violently gave everyone an unparalleled sense of shock.

The beginning given by Fu Tune is still the beginning of the traditional winter wind.

Even if this is not jazz, if you just listen to the beginning of this piece with traditional eyes, you can feel the shock from the bottom of your heart.

He is worthy of being the champion of the Chopin International Piano Competition and a top god.

This version of the Winter Wind is really enough to enter the top few of the Chopin Etude version list, enough to make many people never get tired of listening to it.

However, this is just an introduction to Fu's tune, an introduction to Fu's invocation to arouse everyone's feelings about Chopin's Winter Wind Etudes, and he is just telling you that this is Chopin's Winter Wind, and not exactly to play the Winter Wind.

Therefore, when everyone was immersed in the music of the winter wind, Fu Tuo looked at everyone, suddenly smiled lightly, raised his hand, and changed the tone of the music.

People like to get used to it, and the more familiar the work, the more they like it.

When they hear something that doesn't feel the same as theirs, they don't continue to listen to it at first, but have doubts.

Why is this place completely different from what they have heard before?

Will there be any changes in music?

Or is it ...... Playing the wrong one?

Many people who had just listened to Fu Tune had puzzled expressions, looking at Fu Tune full of puzzlement, waiting for Fu Tune's musical explanation.

And Wu Hong, those who have experienced Berlin, are full of expectations.

The next performance must be the part that Fu tunes him is best at, Chopin's jazz arrangement!

Anyone who has listened to Fu Tune knows that Fu Tune is completely different from other classical music pianists, and his strength in jazz is even like a virtuoso who specializes in jazz.

Now there has been a slight change in the music, so this proves that Fu tunes him...... It's time to start introducing jazz!

Those people looked at Fu Tune expectantly, waiting for Fu Tune to play.

And Fu Tune did not have the implication of living up to these expectations, and his hand made an extremely skilful blocking termination, adapting the end of the music from the fifth to the first to the first chord, forming an unexpected sound effect.

According to the music logic at the beginning, level 1 and level 4 can go to level 5, but level 5 cannot go to level 4, which is why there can be 151, 141, 1451, that is, there can be no 1541 forward.

And Fu Tiao skillfully made an obstacle stop in this place, so that the music stopped halfway, and his hand was raised in the same way, turning his head to look at the crowd, smiling slightly, and in front of everyone, he raised a finger and pointed straight to the top of his head.

The concert hall was extremely quiet, and everyone looked at Fu Tune with anticipation in their eyes.

The immediate obstacle terminated so well that the stagnation of the music was so strong that it made everyone want to continue listening.

And Fu Tiao's stop at this time, the raised hand increased the expectations of these people even more, and even some people's breathing began to become a little heavy.

Music is becoming more and more intense, and the sense of flawedness that has not gone to perfection is also getting stronger.

Pausing and blanking are powerful, and pausing within the conditions can directly pull the tension of the music to the maximum.

Under everyone's gaze, Fu Tiao's hand slowly fell with gravity, stretched out in the air, and landed on the piano.

Bang!

The chord of the fourth chord finally reverted to the fifth and continued to go further, and the imperfection was resolved in an instant, and with it, a jazz progression beyond anyone's imagination.

The music instantly goes from being romantic, explosive, and serious at the beginning to witty and humorous, with a hint of cynicism.

In addition to adapting the chords of the music, Fu also made many changes in the music that many people did not expect at all, giving the music a lot of changes.

Changes, countless changes, for an unparalleled listening experience.

This experience made everyone's emotions a little weird for a while, and they didn't even know what kind of emotions they should express.

What a strange jazz, but ...... It's very emotional.

While retaining the original main theme and harmonic progression, many of Fu's own original parts were added, so that the music continued to run on the stage.

"I knock? I knock? I knock? Wu Hong had no way to hide the excitement in his heart at this time, so he almost jumped up directly.

He studied saxophone, and in addition to the most classic works and in the orchestra, they actually learned a lot about jazz.

So he's much more sensitive to jazz than many people around him.

After hearing about Fu Tuo's adaptation of this place, he only felt numb all over his body, as if he was using some kind of small toy.

"How else can this place be changed? How else can the music of this place be written? The chords of this place, can still be used like this? ”

Wu Hong looked at Fu Tune in disbelief, and he didn't expect Fu Tune's adaptation to be so outrageous.

He listens to jazz very differently than other people listen to jazz, when he listens to jazz, he has a habit of listening to the chords first, and then to the direction, rather than just listening to the overall acoustics.

As a result, he was able to hear more than anyone else.

The other people around listened to Fu Tune's music and only felt extremely emotional, and even made them want to jump up, but what Wu Hong could hear was the extremely serious, precise, and flawless musical fusion brought by this extremely sensual music.

If the music he has written before is an ordinary bicycle, then the music that Fu Tune has written so far is a splendid sports car that represents the pinnacle of industry.

Not only is it more beautiful than his car on the outside, it is faster than his bike, but it is also more industrial than his music in terms of internal structure.

All this made Wu Hong swallow a mouthful of saliva, and it was difficult to say what his inner mood was.

He just felt...... What Fu Tune shows is a little too terrifying.

This is no longer something that can be proved by simple strength, as far as the feeling shown by Fu Tuo at present, Wu Hong thought about it for a long time, and he didn't expect that someone among the people he knew could play such an awesome jazz at this age.

Unless, it is those jazz scholars who specialize in jazz, have studied it for decades, and have gray hair.

Chen Ying, who was sitting next to Wu Hong, felt that Wu Hong was trembling constantly, and couldn't help but look at him with a puzzled face, and said curiously.

"What's wrong? Why do you keep shaking? I didn't see you so empty until three or four o'clock last night......"

"No, didn't you hear that? Fu tune's music......"

Wu Hong swallowed a mouthful of saliva, and even the hand holding the mobile phone was a little unsteady: "You who learn piano may be shocked by his normal performance, but I actually learn half classical and half jazz, and his jazz is more awesome than his previous classical!"

It's not just about how long it's been practicing, it's a huge repertoire of the repertoire library, it's a complete reproduction of the god of jazz! ”

"Huh? Are you sure? I can only feel that Fu tunes him well, his technique is strong, and the effect of the adaptation is very good, and I can't hear anything else......"

Chen Ying listened to Wu Hong's words, and couldn't help but scratch her head a little distressed, then looked at Fu Tuo, and for some reason, she couldn't help but sigh softly.

"However, if you want to be such a corner, how many beatings do you have to take......"

Fight for eight tomorrow

(End of chapter)