Chopin's 24 piano preludes, this set of works Fu tunes have never been played before, but he has heard others play them, that is, when he was playing a competition before, Zhao Chengzhen, as an opponent, played the whole piece.

This set of works is very difficult, more difficult than anyone expected, and it can be regarded as one of the most difficult works of all the works played by Fu Tune.

The difficulty of this set of works is not in the technical difficulty, but on the other side, in the musical expression.

A set of preludes, twenty-four pieces, twenty-four interpretations of completely different styles under Chopin's feelings, nearly 40 minutes of performance.

All of these things make up the degree of difficulty of this set of works.

Those who choose this set of works in the Chopin International Piano Competition either have great confidence in their own strength and feel that they are invincible and will definitely have a chance to touch the champion of the Chopin International Piano Competition, or they have no confidence at all and plan to rely on this set of works to try their chances.

Just like the normal art examination in Huaguo, difficult works have opportunities.

But the results are clear......

Even Cho Sung-jin, who is known as the most promising player of the year and has been a T0-level player before and even in the competition, missed playing this set of works in the third round, and even in the third round, he couldn't even keep the top three positions, and directly lost all the advantages he had accumulated in the first two rounds.

The difficulty of this set of works can be imagined.

Therefore, whether it is a young person or a famous pianist, there are very few people who are willing to choose this set of works to play, and the number of Chopin preludes you can hear is also very small.

Under the applause of everyone, Fu Tiao stood at the front of the concert, bowed slightly to the crowd, and sat down in front of the piano.

The moment he sat down, all the sounds disappeared, and no one dared to make a sound at this time to disturb the others to enjoy the music.

And some students of the Brussels Conservatory of Music, who were hiding in the shadows and did not have the opportunity to buy tickets for Fu Tune's concert, also poked their heads out at this time, carefully watching Fu Tune, waiting for him to play.

Beneath this tranquility, there is an extremely deep power, like the breath of the earth's leylines, which is endless and endless.

Fu Tuo raised his head to look at the light above his head, his eyes closed slightly, raised his hands, and fell under the piano with an extremely gentle attitude.

Airplanes......

The sound of the piano sounded.

Chopin, Piano Prelude in C major, Op. no. 28-1!

The first one, dedicated to Johann Sebastian Bach!

He studied Bach's works with the most devout attitude, looked forward to Bach's development of polyphony, and explored the limits of polyphobia.

But in music, it is not just a vision, and the feeling interpreted in music should not be Bach's feeling at all.

This is Chopin's work, this is a work that transcends Bach's time, originates in Bach, transcends Bach.

Wisting, passionate, intense, morbid, panicked, these modernity, the rapidly changing modulations have also become more modern under Chopin's hands.

Therefore, the emotions in the sound of the piano are incomparably full.

In contrast to the divinity of traditional Bach's polyphonic works, in Chopin's music you don't hear the presence of any particular gods, all you can hear is the passion that belongs to man.

And the moment his fingers fell, the moment the feeling of this music came out, the second that almost all the professors and teachers of the conservatory of music lit up.

They are the most sensitive to music, and when your finger drops the first note, they can basically hear how good you are and what you think about music.

So the shock they felt was also the strongest.

And when the first phrase of Fu Tune was played, the students of the conservatory were equally excited.

After all, they are also students of the most powerful conservatory in Belgium, no matter how unbearable they are, their level of strength is one of the top among the students, and even if their ability to appreciate music is not as perverted as those professors, there is still no problem in listening to a musical phrase to hear the strength of Fu Tune.

And when the theme of Fu tune's music was completely out and the music of 28-1, which was only two and a half sentences long, ended, everyone present, whether it was ordinary music lovers, or people who had not had much contact with classical music before, but had only heard Fu tune's name to support, all heard it.

Beautiful, beautiful.

Beauty is incomprehensible, like poetry.

The professors at the conservatory of music were all getting excited, and some of them were even shaking their hands unconsciously.

They were feeling the kind of melody in the Fu tune music.

Feel Fu Tune's interpretation of beauty.

"This Chopin's prelude?" Andre, who had originally planned to come over to listen to Fu Tiao's Encore, couldn't help but widen his eyes, he didn't expect Fu Tiao to bring him such a big surprise at all.

He glanced at Luca beside him, and found that Luca was the same, obviously looking very calm, but his hand was tightly gripping the handrail on the side, and the green tendons were exposed, obviously he was already excited, but he still had to pretend to be fine.

And Luca also seemed to notice Andre's gaze on the side, his body immediately shook unnaturally, put away the hand that was originally grabbed on the armrest, hid it in his sleeve, leaned forward, clasped his hands tightly, pretended to be inexplicable, and asked lightly: "What's wrong?" ”

"No, it's okay......"

Andre shook his head slightly, continued to look at Fu Diao, who was sitting on the stage, and muttered in his heart.

"Leave Luca alone for now, but then again, this Chopin prelude, if I'm not mistaken, is definitely in the top three of the most comfortable preludes I've ever heard, right? Maybe more than that? ”

Although he teaches jazz, his ability to appreciate the beauty of music is not weak, and he can even be regarded as a very strong group, otherwise he would not have entered the Berlin University of the Arts as a jazz teacher.

And now there is one thing he is very sure of......

Fu Tune did not use his full strength to play this set of works.

I don't know if Fu Tune himself doesn't want to play with all his strength, or if he is not suitable for this set of works, but from the current point of view, this set of works played by Fu Tune may not even have seventy percent of his strength.

It's like playing music.

Normally, this set of works should belong to the category of very difficult and very difficult, especially in interpretation, if you want to perfectly interpret this set of works, it must be very difficult, but now under Fu Tiao's hands, it seems that there is no such difficulty at all.

Effortless.

Not only is the interpretation of Chopin's feeling very good, but while you have Chopin's feeling, you can also feel that Fu tune retains in the music, which is unique and belongs to his own style of music.

The feeling of the sea changing in a hurry.

For example, the first piece of Chopin's piano prelude at the beginning of the year, you can easily feel the soft feeling of the tide flowing and gently licking the soles of your feet on the beach.

The flow between the phrases is like the breath of the sea, going forward and on, continuously.

At the same time, the mood in the music also gives more room for imagination, and is not limited to the tone set by Fu Tune.

In the second piece, the music is based on a larger tone of the whole piece, about the dialogue between life and death.

This set of works is all about this theme, and this second piece in A minor is actually more like a prophecy, a prophecy of death.

Under Fu Tune's interpretation, this trailer becomes more full of tension.

At this moment, everyone has heard the details of Fu Tune's work in the music.

"Wait, this detail? This metaphor? And this contrast? ”

Luca, who was sitting next to Andre, slammed his thigh, and then hugged it tightly, and couldn't help grinning a little, which frightened Andre on the side.

But even so, he never gave up his gaze and never took any of Fu Tuo's eyes away.

For him, Fu Tune's music is not just shocking, it is already a model of music.

No......

No, it's not a template, it's like a perfect model pretending to be a template.

You feel very relaxed and easy when you watch the Fu tune playing, as if you can really learn something through the Fu tune playing, but in fact, when you really watch and listen to it, you will find ......

You can't learn anything.

All you can feel is bottomless strength.

It seems very simple, as soon as you play the Fu tune in that place, you can know what kind of emotion the Fu tune wants to express in this place, and what kind of performance the music in this place is.

But if you go back and give it a try, you'll find something terrifying.

You can't play the timbre of Fu Tune, and you can't play Fu Tune's performance in music.

The piano, or a lot of music, seems to be very simple, gives you a note, gives you a musical symbol, such as F, forte, tells you to play a forte like this, and anyone will.

However, how to express this strong note, how strong it should be, and what kind of state it presents in music are all the differences between ordinary performers and top performers.

And Fu Diao is this kind of top powerhouse.

You can hear everything you want to hear from the music of Fu Tune, and Chopin's sense is very cleverly interpreted, without the slightest mistake, which is simply a model of music.

However, this is not a model, this is just a model, and you will always see only the outside, and you will not see how complex it is on the inside.

In addition to Chopin, whose music is as precise as a scalpel, you can also hear something about himself in his music.

This kind of thing can't be imitated, but it's like a Pandora's box, attracting you to imitate.

Not just the second one, but all the subsequent works, all of them.

No. 3, Piano Prelude in G major, 28-3.

The curtain opens with a soothing prelude, followed by a more rapid sixteenth note accompaniment by the left hand, interpreting the "active" mark at the beginning.

There is no trace of abruptness, and the soothing at the beginning is obviously very slow, but it seems to have foreshadowed the activity in the future.

And with the extremely fast accompaniment of the left hand, the main theme of the right hand is still based on the beginning, interpreting another slightly dull contrast.

Two hands, two completely different timbres, just like polyphonic music, the two influence each other, and at the same time, they can still play a sense of independence without interfering with each other.

This sense of independence progresses over time, eventually becoming unified, slowly dissipating in the upper voices, and being replaced by two faint chords remaining in the air.

At the moment when the chord completely dissipated, Fu Tune did not give anyone a chance to breathe, and his fingers fell again.

Piano Prelude in E minor, 28-4, wide plate.

It's a completely different feeling, completely different from the previous interpretation, except for the trace of life and death that still retains the thoughts about life and death in 28-2 and the Chopin sense unique to Fu Tuo, you can't hear any feeling that has anything to do with the previous one.

However, when you listen to this work, you can hear a little bit of fatalism and integration with the previous one from the interpretation of Fu Tune.

Piano Prelude in D major, 28-5, Very Allegro, an allegro-like fireworks.

Piano Prelude in B minor, 28-6, the most famous raindrop of Chopin's Prelude, sorrow lingers like a cloud in the hearts of the people, unable to dissipate.

The body even felt a trace of coldness under Fu Tune's music, and the surrounding lights seemed to become deeper, as if sinking into the sea, as the music became deeper and deeper, and the heart became more and more calm, as if it had lost its emotions, leaving only the last sadness......

Song 7, Song 8, Song 9......

……

The time of each song is not long, it can even be regarded as short, it may only be a few minutes, and the shortest may be tens of seconds, and it will end soon.

Even the longest movement is only four or five minutes.

All this makes up the Chopin prelude that Fu Tune now plays.

By the time the last prelude was over, there was nothing left to say.

In just two words, perfect.

You can almost touch the level of the top pianists.

If it weren't for the top group of people, few people would record Chopin's preludes, which are not easy to compare, then Fu Tune may directly be called Chopin's top stream.

After all, those masters don't record this set of works very much, you can only compare them in the void, it's not very easy to evaluate, if Fu Tune has surpassed those masters, it's not easy to say that the masters have recorded this set of works more than Fu Tune.

Therefore, almost everyone's evaluation of Fu Tune's works is basically below the top masters, and even more than some masters who are not very good at Chopin's preludes.

Among the Chopin preludes that have been recorded so far, they are enough to be called the top three.

After all, you still have to be humble, and you can't talk too much.

But in fact, the vast majority of people's evaluation of Fu Diao has surpassed the top three and almost reached the first position.

At present, Fu tunes this prelude is played, the absolute first!

Among some of the people who are currently listening to Fu tune's concerts, many of them have heard Chopin perform at the Chopin International Piano Competition, and they have also heard Chopin preludes performed by Chopin Chengzhen.

Compared with Zhao Chengzhen, the biggest opponent in the past, Fu Tune's prelude completely surpassed Zhao Chengzhen by a large margin.

Even if Fu Diao didn't use those works when he was competing at that time, and used exactly the same works as Zhao Chengzhen to compete, Fu Diao might be able to directly suppress Zhao Chengzhen.

Therefore, many people who have listened to Fu Tune's concert all the way can't help but be a little shocked.

"This growth? How long has it been? ”

The people sitting in the audience couldn't help but read softly.

Fu Tune's understanding and interpretation of Chopin is gradually growing in concert after concert.

According to common sense, after experiencing the game, everyone's level and strength can maintain the level of the game, which is already very good, and as for the growth, it must continue to precipitate for a while before there is a chance, but Fu Tiao seems to be completely this bottleneck.

His understanding of Chopin is still growing, and for now, he has completely surpassed the people of the Chopin International Piano Competition a few weeks ago.

As for what level Fu Tiao can grow to......

No one knows.

Probably only the group closest to Fu Diao knew when Fu Diao had just started practicing Chopin.

If it is completely calculated, from the first contact with Chopin by Fu Diao, to the later understanding of Chopin and adding Chopin to his music, it may have been less than half a year.

And Fu Tune's real growth is probably from the first round of the competition, through listening to other people's performances, and finally a flash of inspiration, a thorough understanding of how to play Chopin.

This time, maybe only two months?

However, whether it is two months or half a year, the time of contact between Fu and Chopin is too short and too short, you must know that many other people who participate in Chopin's international piano competition and prepare for piano competitions basically start with two years.

What's more, such as Yu Tianyou, a player who has participated in three sessions, he has been preparing Chopin for more than ten years.

It's just a pity that almost all the people who know about this matter are in China and other countries, and they can't see Fu Diao's concert.

These people present had no idea how short Fu Diao's contact with Chopin was, and even those who knew Fu Diao the longest were just fans who had followed him all the way from Berlin.

After the last note of Fu was over, he got up and bowed slightly to the crowd, and turned to leave the stage, and then the concert hall erupted in cheers and shocking sounds.

And Luca sat there a little blankly, looking at Fu Diao's distant back, and couldn't help but doubt his life a little.

"This ...... Is it the strength of the Xiao Sai champion? ”

It's not that I don't want to add more, it's that this time it's more serious than before, and I'm hanging water in the hospital

(End of chapter)