Fu Tiao and the others went to the bar to celebrate, but he and Kapustin chatted for a long time in the room behind the bar.

When he first arrived at the bar, he chatted with the crowd, and when he got back, no one knew where he had gone.

It is not even particularly clear whether he is in Paris or not.

Everyone didn't care, everyone just found a place to chat and drink, that's all.

For Europeans, this type of party chat is the most common thing they send to the group.

Everyone chatted awkwardly over there with a glass of wine, and they could talk casually for hours.

Some of them took to the stage to play.

I don't know if it's because Fu Tune was too powerful on stage before, and now almost no one is willing to play some dazzling works, and everyone basically plays some simple, more lyrical works.

After all, compared to the musicality and technique are not as good as Fu Tune, but a single musicality is not as good as Fu Tune, which seems to be more acceptable.

Under the chatter of everyone, the time passed quickly.

That night, Fu Tuo's video had been uploaded to YouTube.

Others have uploaded the videos to sites like PiliPili.

Because of Fu Tiao's requirements, everyone is trying to shoot their videos as stable as possible, and there will be no jitter and other factors that make the video have a bad impact as much as possible.

Under the superposition of various factors, Fu Tune's video was quickly pushed.

Zhu Wenliang, an ordinary jazz student at the Huaguo Conservatory of Music, had just been assigned a piece for him to practice Kapustin's Concert Etudes, Op40-3.

Although he said that the teacher asked for it, he actually told the teacher that he wanted to practice this work.

After all, Kapustin's status is in the hearts of people who like to listen to jazz, and that is called a noble.

Among the living people, no one wrote more than Kapustine's jazz music.

Even if there were, many people thought that they were jazz who was closer to modernist works, rather than that this person was a traditional jazz.

Zhu Wenliang flipped through the works in his hand, his expression was very calm, he walked quickly to the piano room he had booked, put down the score in his hand, and took out his mobile phone.

It's not that he is playing on his mobile phone while practicing the piano in the traditional sense, or broadcasting live, but he plans to see if there are any suitable examples to learn.

As a student at the Conservatory, he has to listen to how other people play a piece before he plays it, so that he knows it before practicing.

Although it may be more like the style of those top pianists, for those students who have not yet achieved talent, it is already a great honor to be praised and spoken.

He opened his PiliPili account named "Yan Chou" and quickly searched for a suitable version for him.

The main reason why I didn't use music software like NetEase Cloud was......

He loved it.

And the name of this account named Yan Chou is not because he is ugly, but because his name is Zhu Wenliang.

Because of the allusion of "beheading Yan Liang and punishing Wen Chou", plus his name, many people liked to call him "Chopping Yan Chou, Zhu Wenliang" when he was a child.

Although basically no one will call him that after college, everyone communicates normally, but this nickname of Yan Chou has reached his heart, and he has a habit of giving all his social media accounts the name "Yan Chou".

He quickly flipped through the videos on pilipili, looking for the version that suited him, but he didn't get used to watching a few of them.

Only the version that was previously recorded and played by Kapustin himself was okay, and it was comfortable to listen to, and he liked it.

However, this version may seem too classical for him, and he always felt that something was wrong, so he did not continue to focus on the version played by Kapustin himself, but to see if anyone else played it.

He searched many times but couldn't find it, and couldn't help but sigh, found a familiar nickname, and sent a message to the man.

Yan Chou: "@法奥Piano, brother, are you there?" Squeak! ”

Fao Piano: "? ”

Fao Piano: "If there's a fart, let it go!" Don't dwell on it, I still have something to do here. ”

Yan Chou: "It's nothing, I just want to ask you something, do you have any recommended versions of Capustin OP40-3 over there, I remember that you seem to be a fan of Capustin, and you have a lot of versions in your collection, so I'm a little curious......"

Fao Piano: "Kapustin? 40-3？ Are you sure? You wait......"

Fao Piano, who was on the other side of the phone, was lying on the bed at this moment, looking at the video that Fu Tiao had posted before.

Since Fu Tune won the Chopin International Piano Competition, Fao has been extremely concerned about Fu Tune.

He kept studying the performance of the Fu tune, thinking about what the interpretation of the Fu tune in those places really represented and why he played it the way he did.

The more he studied, the more shocked he became.

In particular, Fu tunes the jazz encore of those audience recordings.

Except for the first time when Fu Tune was a jazz encore, he was recorded with a lot of noise and vibration, which made the overall sound effect extremely bad, and the other times were very good.

Maybe it's because Fu Tune asked people to record over there with their mobile phones, all the videos are exceptionally clear and stable, and there is no such buzzing vibration sound.

And now, based on his previous experience, the day after the Fu tune performance ended, after waiting for a while, he found the encore of those Fu tunes that Fu tune fans had recently posted.

As he thought, the technical sense and musicality of Fu Tune are simply a gift from God.

Not only that, but the kind of jazz combined with the classics in Fu Tune made him even more amazing.

He always felt that Fu might play better than Kapustin.

If she had to choose, he would definitely choose Fu Tune for the first time, not Kapustin.

Therefore, he looked at the video of Fu Tune playing in his hand, thought about it, and sent the link to Yan Chou, that is, Zhu Wenliang.

Piano: "@颜丑, No, this is the link [video link], you can see for yourself, there are a few other perspectives here, you can choose your own perspective." ”

Yan Chou: "Thank you, thank you!" But what does perspective mean? Can you explain that? ”

Yan Chou: "? ”

Yan Chou: "What about people? ”

Zhu Wenliang didn't expect that it was only a few seconds away, and Fa Ao on the opposite side suddenly sent him a link, and there were many perspectives.

It's just that I don't know why Fao sent a link and ran away.

He thought about it, then directly opened the link sent to him by Fao, and read it seriously.

This seems to be a video sent by the Chinese, and the video is Fu Diao's encore in the Gavo concert hall in France.

Fu tune? France? Gavo Concert Hall? Encore?

He couldn't help but be stunned.

Fu Diao He knows that the champion of the Chopin International Piano Competition is particularly strong this year, and many domestic media are reporting Fu Diao's video over there, and some people have even boasted that he will surpass Li Diyun.

Especially after Li Diyun's habitual rollover, this kind of boasting has become more commonplace.

Even he, an ordinary jazz student, had heard the story of Fu Tune and knew that Fu Tune won the championship.

As for Fu Diao, he ran to the Gavo concert hall in France......

He didn't pay much attention to Fu Tune, but he remembered that someone seemed to be gossiping before, saying that the relationship between Fu Tune and the French music school was not particularly good, why did he still go to France to give a concert?

It's not one of France's top concert halls, like the Grand Théâtre de Paris, or the Philharmonie de Paris.

Rather, it was a Gavo concert hall whose name he had not heard.

Zhu Wenliang thought about it for a while, and did not immediately start listening to Fu Tune's performance, he began to wonder about the concert hall where Fu Tune played.

As a curious baby, if he doesn't figure out the truth of the matter, he can't calm himself down and listen to Fu Tune's music.

He quickly checked the information of the concert hall, looked at the contents on it, and suddenly understood.

This is one of the top concert halls in France, although the overall scale is not particularly large, the number of seats is only about 1,000, but this concert hall has a very high status.

Impressionist composers such as Debussy and Ravel have premiered their works here.

Judging by this, the reason why Fu tunes played in this concert hall was either because the schedule was not scheduled, or because he valued the reputation of people like Debussy and Ravel.

After he looked at the information of the Gavo Concert Hall, he returned to the place in the previous video, looking at Encore on it with some hesitation.

He knew that it would be difficult for this piece to be able to get to the main stage, but he played it with encore......

He didn't know why he felt a little awkward in his heart.

However, thinking that it was recommended by Fao Piano, a friend of the Up master, he settled down for the time being.

He knows that Fao is a person, although his performance level is relatively average among all pianists, or even the lower middle class, but his understanding of music is still very good, and he can clearly hear the quality of each player.

And Fao's aesthetic is very similar to him, and he also likes to listen to the version that Fao thinks is good.

He found the unpleasant, rubbish version, and Fao didn't like it either, no matter how famous the player was.

Therefore, whatever version he wants to hear is to find Fao.

I have believed Fao so many times before, so there is no need to refuse this time.

Without any hesitation, he directly turned on the performance of Fu Tune.

The camera in the video was shot vertically first, but the result may have been because the photographer didn't feel very good, so he turned the video sideways, and Zhu Wenliang's spondylosis was about to be committed.

However, this adjustment does not affect the sound quality of the performance, and the man's hand is very steady, and after the adjustment is completed, he completely stands still, waiting for the Fu tune to begin.

And Fu Tuo on the video, who was already sitting in his position at this moment, raised his hand, and then pressed it down.

While!

The sound of the piano sounded, and an incomparably strong sense of classical jazz instantly came to the face.

Zhu Wenliang, who originally had a trace of doubt and suspicion, was stunned for a moment, looking at the Fu tune he was playing now, and his mind was full of question marks.

Wait, what was just that?

Just played this Kapustin Op40-3 in Fu tune, this is obviously jazz, but it sounds extremely classical.

If it is a classical work according to Kapustine, but there is a strange fusion of jazz?

This feeling directly hit Zhu Wenliang's heart.

It's a really great feeling.

I really shouldn't have questioned Fao's aesthetic just now.

After all, the two of them have found so many recording versions together, and the genres that everyone likes are almost the same, and they are still questioning him just now?

Except for the recording of this video, which needs to be watched with your neck twisted, everything else is fine.

Listening to all this in front of him, he couldn't help but be silent, and listened to the performance of Fu Tune in a daze.

From the beginning of those jazz chords to the running of the wheel finger melody in the later tunes, his goosebumps have not gone down once.

The feeling of playing Fu tune is really amazing!

He really liked the effect of Fu Tune.

The melodic lines are incredibly clear and smooth, and the melodic variations and layers that seem to be polyphonic.

From the works he had listened to so many times, he really couldn't find anything that Fu Tiao was not satisfied with.

This is not what shocked him the most, what shocked him even more was the adaptation of Fu Diao after the end of this work, the adaptation he carried out himself.

Although the performance in the melody may not be so interesting, but to be honest, the shock of Fu's invocation technique makes up for all this.

Let your attention be entirely focused on the technique of Fu Tune, not on the melody.

Pure showmanship brings the ultimate enjoyment.

Fu invoked his dazzling skills and directly overturned his imagination, making him even willing to give up thinking.

It's all just horrible, and just as well, it's so funny.

When Fu finished playing, he immediately looked through the comments below.

The first one is Fao's.

"My favorite pianist played my favorite piece, what does it mean to go both ways? It's called going both ways! I really like this version, and if you're a fan of Kapustin, or a fan of Fu tunes, you should definitely listen to this version he plays, and I declare him a god! ”

Below a whole bunch of various master balls to catch Fao Piano.

And further down, there are other people's comments.

"Fu Tune's interpretation of this work is really divine, and it is completely different from Kapustin's, compared to Kapustin's version, I prefer Fu Tune's this."

"It's true that a lot of the details are handled very well, and it's a really good feeling, I like it, and I wish he could play all eight concert pieces."

"What is eight songs enough? Speaking out makes others think that we can't afford to listen to music, and directly interpret all of Kapustin's works! ”

"Passionate, delicate, sunny, free, perfect playing!"

"I watched Fu tune's performance, well, I will, and then picked up the score...... Eh, these two are the same song? ”

"I'm blowing up the Fu tune!"

“……”

All praise, even if it is shot from a very bad perspective, you still need to tilt your head to watch it, this video has more than 10,000 plays.

You must know that piano performance videos themselves are niche, and Kapustin is a niche of niches.

This kind of video can have eight or nine thousand views, which is already very good.

Now it can reach 10,000 views in less than a day, which may already be driven by Fu Tune's own popularity.

Looking at all this, for some reason, Zhu Wenliang suddenly became excited, and he immediately sent a message to Fao Piano.

Yan Chou: "Awesome! Where did you get the video? How do you know that Fu played this encore? Damn, this is really amazing! ”

Yan Chou: "Seriously, I trembled when I listened to Fu Tune's performance, I really didn't expect Fu Tune's jazz performance to be so good......"

Yan Chou: "Fao, do you have any other videos over there, Fu tune playing, I want to see it!" Recommend me a couple of versions! ”

Fao Piano: "I can search for Fu Diao Encore, and all the jazz of Fu Diao are Encore, except for the one in Amsterdam, every other station is fine." ”

Yan Chou: "Thank you! The jazz of Fu Tune is really knighted, and Fu Tune is the first in the world! ”

Fao Piano: "Well said, Fu is the best in the world!" ”

After Zhu Wenliang and Fao went crazy together, they went their own way.

But what is the same is the slightly excited mood of the two.

Fao continued to look at Fu's work, and he planned to study how Fu's tune was played to see if he could make a video.

Zhu Wenliang, on the other hand, kept flipping through the works in his hand, listening to the performance of Fu Tune, and was ready to start practicing.

At the same time, he did not forget to send the fragment of Fu Tune's performance to his teacher and tell the teacher his reference.

I don't know if his teacher will read it, but anyway, he has to send a copy.

He kept dragging the Kapustin playing in the Fu tune, began to listen carefully to the details of the Fu tune music, and then began to practice.

If this work was simply discussed and practiced, he would probably have used it more than a dozen times to understand it.

The focus is on how to interpret the piece itself.

He slowly played the work in his hand, his mind constantly thinking about his own performance, and there was no stagnation in his hands to practice.

Once, twice, three times......

Ten times, twenty times, thirty times......

The more he listened, the more shocked and frightened he became.

I don't know why, obviously I just had goosebumps when I heard it before, but now listening to the details of Fu Tune's performance, he inexplicably feels that he can't play the piano.

Why does he feel the same speed and strength of the same note, but he always plays it not as well as Fu Tune?

Fu tunes him......

How much work has been done on those details?

Why did I listen to it so many times and imitate it so many times experimentally, but I didn't even imitate one percent of Fu Tune's Shen Yun?

Fu tune playing......

It's terrifying, isn't it?

Zhu Wenliang looked at the piano in front of him, listened to the comparison between himself and Fu Tune's performance recording, and couldn't help but swallow a mouthful of saliva.

Cold hands and feet.

(End of chapter)