Chopin's second scherzo is the most well-known of all Chopin's scherzos, and the only one in the true sense of the word.

Maybe it's because he likes women, and the overall music is not complicated.

It may be precisely because of this uncomplicated feeling that the music itself as a whole has been more widely disseminated.

But all this has nothing to do with Fu Tuo, what he cares about most is how to interpret this work.

His mind quickly swept over the music, and then he leaned forward slowly, his eyes tilted as if listening to the sound of the piano, and the corners of his mouth curled slightly, gently hooking the keys.

Buzz, buzz......

Two soft questions in a row appeared on the piano, not exploding, very soft.

It's like asking yourself.

Filled with anxiety and uneasiness, it seems to be thinking about something.

It is still the kind of feeling that Fu Tune is good at, and he will not pause for a long time in the music, but let the music directly grab people as soon as it comes out, and completely attract everyone's attention.

And the octave in the back is a completely different feeling.

Bright, magnificent, and filled with a sense of power.

As if questioning the bass, it was extremely serious.

Everyone's eyes couldn't help but light up.

The feeling of this question is really amazing, the contrast in the timbre, the powerful and powerful language in the music, and the shocking language seem to have completely erected two completely different images in front of them.

You can use the relationship between the self and the self to distinguish between it, or you can analyze it with other completely different musical colors.

What everyone hears and thinks in their heads is completely different, but ...... What they feel is indeed exactly the same.

In just a few bars, the two most important musical images in music have already jumped into the score.

"Wow......"

There are many people who don't really understand the first movement, after all, the first part of Chopin's scherzo is not so famous compared to the second piece, even if everyone can listen to it with excitement, but there is always a little bit of something missing.

And now the second piece of Chopin's piano scherzo feels completely different, completely different.

Because this work is really famous compared to other works, so famous that even if you haven't heard the original name of this work, you can know this work.

They've heard an unknown number of extremely good, very beautiful interpretations.

Maybe inadvertently, I have already heard Argerich, Zimmerman, Ashkenazi, Pollini, Li Diyun, and even Lang Liangyue's performance.

These musical moments will be etched in their minds, like the judges of the Chopin International Piano Competition, comparing the music of Fu Tune with the music in their heads.

If it were the judges, they might be kinder, and they wouldn't beautify the memories in their heads, but analyze them.

As for these ordinary people, especially some of them who have only heard the other great gods play, it is very likely that they will beautify the music of those people and modify it in the way they want.

Therefore, compared to the competition, it takes more strength to perform in front of the general audience, and even if there is no way to play the most perfect work, at least it needs to achieve the appearance of the music that everyone imagined.

But it's obvious......

At the first note, Fu Tune has already reached the shape that everyone thinks, that music.

Everyone's eyes lit up, and they couldn't help but look at Fu Diao's face full of surprise, they glanced at each other, and it was obvious that they found the light in each other's eyes.

The feeling of playing Fu tune......

It's really good!

It perfectly fits their imagination of Chopin's second piano scherzo.

Scherzo in the truest sense of the word.

Especially the singing section, the beauty given in the music is simply amazing.

The person in charge who was standing backstage at this moment was also a little excited, he jumped forward two steps, released his inner emotions, turned his head to look at the other staff who were staring at the stage door, and couldn't help but smile.

"Did you hear that? Just played Fu tune? His playing ...... It's really amazing! ”

He walked lightly around the backstage of the concert hall, unable to bear to disturb Fu Tune's music, but he had no way to calm his heart, so he could only make his movements as careful as possible.

He said slowly.

"The melodic expression of this singing is one of the strongest people I have ever heard, it is really too stable, he does not let his music be completely limited to the beauty of the music, he is using this singing section to deepen the two completely different musical images under the music, very interesting, very powerful......"

"We listen to his development department, the music image in his development department is more interesting, really, very interesting, you must know that the main and secondary sections of the development part of this work are a basic tonality formed by the same major and minor keys, Fu key gives this music more thoughts, surprises, and longing for the musical image, making the music performance particularly interesting."

"No, not only that, but he doesn't just make the image of the music interesting, he uses this relationship with the major and minor keys to once again deepen the level of contrast in the music just now, and the specificity of the musical image......"

"Wait, it doesn't seem like that, wait, wait, let me hear, wait! What are the details of this place? No, no, and the musical image of this place? My God, God...... Awesome, awesome, really awesome! ”

The more he listened, the more he felt that something was wrong, and he turned his head sharply to look at the staff behind him, asked the person at the back, and suddenly asked.

"Camilo, did you record the music over there, did you record Fu Tune's music?"

In the distance, Camilo, who was wearing headphones, was stunned, looked suspiciously at the tape recorder that was working in front of him, and nodded slowly.

"It's recorded, and I remember what you and I said before, that all performances need to be backed up, in case a player suddenly wants their live recording but doesn't, so the recording is always there."

"All the time? That's good, that's good......"

He exhaled slowly, looked at the closed stage, listened to the performance of Fu tunes on the stage, and the corners of his mouth couldn't help but rise.

"Really, it's really amazing, I just suddenly found out that Fu Diao's layering effect on music is too strong, powerful to the point of horror."

With that, he looked at the others and asked.

"Do you know why I was so excited?"

Everyone shook their heads, no one knew why the person in charge was so excited, and the person in charge was not curious, just turned around and sat down, pointing to Fu Tuo in the distance and said slowly.

"The change in the musical image of the music, have you noticed the change in the musical details of the Fu tune?"

The crowd shook their heads again, and they didn't notice.

Now Fu has just finished playing the development section and is ready to enter the reproduction section.

They don't understand why the person in charge said that there was a change in Fu tune's music.

The person in charge didn't say anything when he saw it, just pointed to his ear, and then pointed to the backstage door in front of him, and said slowly.

"Listen, listen carefully, and hear what the difference is from before."

"The difference?"

After hearing the words of the person in charge, everyone couldn't help but be curious, and began to listen seriously, analyzing the difference between Fu Tune and the previous performance.

They thought it might be hard to hear, but they just listened a little bit and they found out.

That's ......

The musical image of Fu Tune has changed.

There is a clear difference from the previous one.

But why didn't they hear it? On the contrary, I subconsciously feel that Fu Tune's musical image has not changed?

No, that's not right......

The crowd shook their heads again.

If it hasn't changed, then the music played by Fu will definitely feel boring and boring.

After all, due to the limitations of the subject matter, it is inevitable that Chopin will use many, many repetitive passages to play.

And they didn't feel the slightest bit of boring, but felt that Fu Tune played very interestingly.

Then think about the change in the image of music that they feel now.

Everyone realized in an instant.

Fu's music is not without changes, on the contrary, he has changed too much.

It's just that in order to make the music less abrupt and mellow the music as a whole, he didn't use the usual way of playing, making the individual image of the music strange.

He uses gradients.

A little bit of change.

Just like the Bolero, you may not feel it yet, the image in the music has already begun to change, and the layering in the music is also presented under the performance of Fu Tune.

"This feeling...... It's amazing! ”

A person suddenly woke up and whispered to the people around him: "My God, how did he do the change in the small level of detail?" I feel like I didn't understand ...... at all."

"It's as if I understood what you said."

The other person on the side couldn't help but smile bitterly, with a helpless expression.

"It's amazing, like you, I didn't understand how he played at all, maybe it was already a gap in the level of strength, I didn't even understand it."

"Yes, if it weren't for the supervisor's reminder, we might not have been able to hear any details until the concert ended."

"That's right, the director is still amazing......"

The people backstage in the concert hall looked at the director who was enjoying the music with his eyes closed, and couldn't help but admire.

They didn't notice the change in the details of Fu tune's music at all, but the supervisor did.

The strength of the supervisor is really strong, and the strength of Fu Diao is even stronger.

Although they didn't have any idea of fighting, they inexplicably felt that if they could reach one percent of Fu Diao's strength in this life, it would be good.

As far as the content of Fu Tuo's current show, give them another ten years, and they won't be able to catch up.

Even after more than 20 years of hard work and more than 30 years of Chinese New Year's Eve, it is difficult to reach.

This is no longer a level that can be achieved by hard work.

This is already an area in which only geniuses can compete.

And Fu Tune is that musical genius.

Their attention was locked on Fu Tune's body, not allowing themselves to be half slack, and trying to distinguish the musical layers under each repetition of Fu Tune.

I was trying to figure out why Fu was playing it the way it did.

Compared with the serious emotions of the group of people backstage, the group of people under the stage didn't think about it so much.

After all, they didn't follow the director's reminder, they were just a group of people who appreciated music.

They completely immersed themselves in the music of Fu Tune, unwilling to detach themselves from it, but just smiled and enjoyed the beauty that the music brought to them.

Listen to familiar music and feel the beauty of music beyond their imagination.

Even if Chopin's Piano Scherzo No. 1 in Fu Tune may play better, they feel that Chopin's Piano Scherzo No. 2 in Fu Tune is more popular with them and more worthy of the ticket price.

Fu Tune's performance was really good, until the last note fell, they did not get rid of the music, and they were still immersed in it.

Not even a single person was clearing their throats or moving their seats at this time.

They are still immersed in the scherzo brought by Fu Tune.

Seeing everyone like this, Fu was not surprised, just smiled easily, turned his head to look at the keyboard in front of him, and took a deep breath.

He was not particularly satisfied with the second piano scherzo, perhaps because there were too many jewels in front of him, and his performance was better than that of the group of people, that is, he made a little more delicate in the layering of the musical image, and other than that, he did not completely surpass those who came before him.

So, he felt like he needed more effort.

Piano scherzo No. 3 that follows......

He was silent for a long time, then raised his head to look at the light above him, and slowly closed his eyes to sink his heart.

Chopin's scherzo No. 2 is arguably the most special of all scherzos, and the mood of this piece is completely different from the rest.

Therefore, I have to think more about how to play the third scherzo and how to return to my emotions.

Scherzo No. 3 in C sharp minor, composed in 1839, dedicated to Adolf Goodman.

Compared with the other scherzos, the theme of this work is more concise and the structure is more concise.

The whole piece is also based on the strong contrast between the theme and the two sub-themes.

Although the beginning is marked as a rapid movement, Fu Tune feels that he should not play it in a rapid manner.

Because the rapid movement he uses, in the sense of Fu tune, may be more suitable for the image expressed by the feeling of the ancient piano, if he uses a modern piano, especially a modern grand piano, the image in the music will become blurred and lose a lot of strength.

So instead of using a rush, you should use a slightly slower speed.

Unless......

The strength is strong to the top in the world, and you can crush it with your strength, especially the expression of finger speed.

Otherwise, at the end of the finale, it will be difficult to present the final contrast in the music.

Fu Tune is now thinking about how he should play in order to be able to express his thoughts perfectly.

He was silent for a long time, exhaled a long breath, and smiled easily.

If it was a performance elsewhere, he might have struggled for a long time, but he didn't care about the basic music skills and skill requirements.

So......

His gaze froze, he raised his hands and smashed them down.

Airplanes!

The piano sounded like a trumpet.

The resolute, upright theme melody roars in the form of a double octave.

This is a very rare part of Chopin's music, but on the contrary, it has a sense of Beethoven's majesty.

But this is not Beethoven, this is Chopin.

Fu Tune's fingers withdrew a little bit, and after reducing the dynamics a little, it didn't end there, he made the finger play a little more delicate.

Rumble!

What is ringing in everyone's ears at this moment is no longer a simple piano sound.

Under Fu Tune's fingers, everyone even had a hint of orchestral feeling.

It felt completely different from what they thought.

As if a simple piano could no longer satisfy Chopin or Fu, he had already begun to touch the orchestral palette.

Gorgeous, wild.

The piano in Fu's hand is like a baton, making the colors in the music more unrestrained.

It's more like an orchestral concert than just playing the piano.

Or the graffiti scene full of color conflicts.

It's like an overturned bucket of paint, sprinkled on the snow-white wall.

With Fu Tune's mood floating.

"Terror ......"

The person in charge of the backstage couldn't say anything, just swallowed a mouthful of saliva and continued to close his eyes and enjoy Fu Tune's performance.

The level of playing the scherzo in Fu Tune is really terrifying, and the clash of this timbre is not something that can be played simply, but requires extremely deep skill.

It's like a polyphonic work, where three or four voices merge with each other, and one hand needs to play two or three completely different melodies.

Under the performance of Fu tunes, the stacking of timbres is also like these works, not one timbre of one hand at all, but two or three timbres colliding with each other.

It may sound like a lot, but it doesn't seem obtrusive or cluttered.

On the contrary, under Fu Tuo's fingers, all this seems extraordinarily coordinated.

"How did Fu Diao's brain grow? Is this outrageous? ”

A staff member whispered in the distance, and he felt his head burn as well.

He just wanted to analyze the performance of Fu tunes, trying to substitute himself into the performance of Fu tunes.

As a result, he didn't have his turn to substitute it, just thinking about the timbre construction of Fu Tune, he was already confused.

Beneath the surface of Fu's extremely simple and clear timbre lines, there are countless clutters that they can't understand.

They started to get a little lost.

Fu tune, how terrifying is it?

Set off to Sokolov's concert, tomorrow it's Kissin's concert, happy

(End of chapter)