This volume will end in England for the time being, but it can't be called a complete end, to be precise, but I want to divide the volume in this place.

First, because 2015 is over, and the next year is 2016, just to start a new chapter.

Second, because I wrote too much about the touring part, to be honest, I seem to have written almost all of Chopin's works, but I didn't write some small works such as mazurka and boat songs.

I'm going to put these things at the beginning of the next volume, which is the fourth volume, the music festival chapter, there will be about 5-10 chapters, do a process of connecting the previous and the next, and then open the fourth volume, the music festival chapter.

In fact, at the beginning, the content of the third volume was originally planned to open a small volume, which was expected to end in about 2-50,000 yuan, and I was thinking, what is there to write about this tour? As you can see, that's what I said at the end of the second volume.

As a result, I didn't expect that as I wrote, all kinds of plots emerged, and then it became what it is now, about the same length as the Xiao Sai volume (the main competition chapter) of the second volume.

However, the overall completion of this volume is not bad for me.

A total of five cities were written: Berlin, Amsterdam, Brussels, Paris, and London.

If according to the original plan, I have to write a tour of 12 cities + 2 domestic performances, this number will explode directly, maybe a million words will not be enough, it will be too long, and it will be extremely crowded for the whole book.

So after I finished in Paris, I cut off the performances in Portugal and Spain and went straight to London.

Hawkers,What about the effect?,Dropped 20% of the follow-up.,The new additions have also become stretched.,I can only say that it's hard to say.,For the book that didn't have many people reading in the first place.,It's even worse.。

Forget it, let's not talk about the content of this volume, let's briefly preview the content of the next volume here.

As I said earlier, the next volume begins with the end of the volume, followed by the festival volume.

The festival is one of the more interesting volumes for me, because in this volume, the main character is no longer dealing with people of the same rank, such as Cho Sung-jin, but with Argerich, Zimmermann, Kissin, Schiff, Hammerlin, Sokolov, Barenboim, and other top characters.

At the world's top music festivals, talk, communicate, compare, and compete with these top masters.

The signing of the Berliner Philharmoniker mentioned at the end of this volume will be placed in the next volume.

The global tour signed by the world's famous groups will be more extensive, and the music will not be limited to the piano, but will be in collaboration with other instruments.

Of course, the protagonist should not be the conductor, there is too much to learn about the conductor, if the protagonist is the conductor, I think I can write a separate book, write it in the way of farming, slowly pocket some band talents, lead the team to sweep through East Asia now, and then fly to Europe to study, fight the world, get a separate station, derive from a certain place, and take that kind of bloody way.

Ahem, it's a bit too much, let's stop here for the time being, this is my current idea, if you have the chance, you can try how to write.

Then I'll try to see if I can try Riwan this month, there are a lot of things I want to write out and share with you, but I'm just a little lazy......

Forget it, all in all, in a word, welcome to the next volume, the European Music Festival volume.

[In addition, the main character's study in Udk also begins in the next volume]

Volume 4: The Legend of the Ruhr