With the last few chord cascading roars, the first movement of Chopin's Piano Sonata No. 3 comes to an end in this place.

Without any surprise, thunderous applause rang out in the place.

In fact, the overly restrained character of Chinese people does not keep shouting "bravo" like foreign countries, nor do they shout some words like "", they just use their greatest strength to applaud and express their respect and admiration for the performers.

Fu Diao's mood of originally planning to play the second movement was interrupted, and he looked at the people under the stage for a while, but he had no choice but to bow and nod slightly to everyone, and then raised his hand again.

After all, what can you do? Can't you rush down to the stage and punch the crowd and tell them not to applaud in the middle of the movement, which will interrupt his thinking?

He certainly couldn't do that, so he had to restrain himself a little and wait for the applause to finish before moving on to the second movement.

After all, people have good intentions, not malicious applause.

While it may be a little harder to re-enter the mood, it's not a big deal.

The professor at Haicheng Conservatory of Music looked at the people around him, and his expression was not particularly pleasant.

Fu Diao is already the last stop of the global tour, and it seems that Fu Diao should not come out to perform in the next few years, and he may at least precipitate for three or four years.

In other words, this is the last public performance of Fu Tune in the past three or four years, and you guys just applaud and spoil Fu Tune's performance mood?

It's a terrible thing!

That is, he is just an ordinary concertgoer.

If he was the person in charge of the Haicheng Grand Theater, he would definitely go on stage and curse at the group of people, telling them to stop applauding, and wait until Fu Tiao signaled them to applaud.

The mood of the music is interrupted.

It's not just that it's a little more difficult to play the Fu tune, but it's also a lot that the old audience has a lot of interruptions about the music.

If you can hear Chopin's Piano Sonata No. 3 in full tune, it will be a unique treat.

It's a pity that now it's interrupted, and a complete sonata is forced to be listened to three or four times, and the mood is not coherent enough.

Fu's performance is still at the same level as before, but I always feel that something is missing, which makes the music incomplete and perfect.

Thinking of this, he looked at the others around him with some complaint, shook his head slightly, raised his neck, and didn't bother to pay attention.

After Fu Tune's concert is over, I wonder if Fu Tune will choose to release a record?

If he could make a record about Chopin, he would definitely buy out!

First buy a copy for your own collection, then buy a copy to listen to at home, and finally buy a copy to give to other people for missionary use.

What Fu Tune had just shown in the first movement was enough for him to do that.

And he felt that this approach was a bit conservative.

He also planned to buy a dozen or twenty copies of him directly, and put one copy in all the places he frequented.

For example, in your car, in your own home, in your piano room, in your little wife's house, and in your own ......

In short, you can put a copy everywhere and listen to it wherever you are.

As for why you don't use your phone to listen to it.

Nonsense, can the sound quality of a mobile phone be better than that of a disc specially used to listen to records?

The head of the department of Haicheng Conservatory of Music looked at the people who were applauding around him, and countless thoughts flashed through his head, but he didn't say anything, just applauded with everyone in the same way, put his hand down, and waited for the second movement of Fu Tune to appear.

The concert hall fell silent again, and after taking a deep breath, Fu Tuo slowly exhaled, his eyebrows slightly raised, and he put his hand on the keyboard and pressed it easily.

Wow......

The sound of the piano sounded, and it appeared in front of everyone with great ease and joy.

Unlike the foggy feeling at the beginning of the first movement, in the second movement it is a scherzo-style part, so Fu is also very scherzo.

No, if it's just a scherzo, it's not accurate.

If it were more accurate, the feeling of playing Fu should actually be ...... Lightweight.

Eighth notes run endlessly across the keyboard without any tired look.

It's like a kite.

Looming in the distance, it is not conspicuous, but there is always a wire that controls the keyboard in Fu Tiao's hand, so that it does not fly too far.

And this looming one is beyond everyone's imagination, and a very peculiar and ethereal image appears.

In the dark, this ethereal image has a slight connection with the image of the first movement that preceded it.

And it was this connection that blew up the head of the head of the piano department of Haicheng Conservatory of Music.

"Wait, this line?"

He originally had a little regret about the performance of Fu Tune, and he felt that the performance of Fu Tune was broken by the applause of the audience, and it was difficult to present the feeling that this piece should have.

So he listened to Fu Tune's performance with a relatively low attitude.

But now, he suddenly realized that something was wrong.

Fu's performance is not as he thought, and the whole seems to be a little broken.

To be precise, not only do you not hear any broken elements in the Fu tune, but you can even hear the connection between the first movement and the second movement.

It's as if there has never been any break between the two.

Not even the presence of applause?

This feeling directly made the head of the department stupid.

"This ...... How can it be? ”

He looked at Fu Tuo in disbelief, and muttered to himself at the corner of his mouth.

His voice was so small that only he could hear it, but he felt that he was talking too loudly, and he quickly covered his mouth.

The current Fu Tiao can no longer see the slightest hint of a student's appearance in front of him.

He had to face Fu Tune with the same attitude as a front-line pianist.

Even so, he felt that Fu's performance was a bit shocking.

This one is too awesome, and it can still be linked even if it is interrupted.

This link is not simply the player's own link, but the audience's emotions can be connected.

That's a lot of people, three or four stories high.

Even if it was him, after being interrupted by the audience, he couldn't guarantee that his emotions would be connected.

But Fu Tune ......

He didn't want to talk anymore, and he even felt like he had been practicing the piano for so many years.

Not to mention that they don't practice as well as those big pianists, after all, they may be among the top players in the world in the music performance profession.

But he's not as good as those who are smaller than him.

You must know that he has been growing up since he was a child, but he has basically crushed his peers and older people all the way.

Now I actually experience the feeling of being crushed.

For a while, he didn't know what he should say, and his emotions were a little confused, so he could only continue to listen to Fu Tune's performance silently, and listen to what kind of surprise Fu Tune could bring him later.

Under his gaze, Fu continued to play the second movement of the Third Piano Sonata without pause.

It's still a top-notch contrast that doesn't differ much from the first movement.

The rigorous and simple, chant-like harmony, the broad and solemn main melody section is contrasted with the soft and sincere inner vocal section.

It's not just a two-tone contrast here, it's a three-tone contrast here.

This piece is truly the pinnacle of Chopin's work, Chopin's greatest piano sonata, and there is no such thing.

In this piece, he imprinted everything he could express in front of everyone, completing this supernatural piano work.

And Fu Tune also uses his super technique to interpret this work.

The lines of the music are constantly flowing, changing in the air.

Fu Tiao thought for a moment, and then made a new construction of it.

Instead of making all the lines of the music the same, I chose to make constant changes to make the lines of the music more varied.

Subtle changes are being made every time.

And it is this treatment that directly makes the work that originally seemed a little monotonous, and at this moment there is no sense of monotony at all.

Every break changes, and even every breath changes.

Everything is changing, and it's shocking to listen to, and you can't say anything superfluous.

It just feels horrible, unbelievable.

It's really hard to believe that anyone can handle it like Fu Tune, so clean, so changeable, so interesting.

The uniqueness of the music, the feeling that belongs only to Chopin, as a limitation, completely restricts the music, and does not allow the music to develop unbridledly.

And it is precisely this limitation that makes Fu tune's thoughts about Chopin and his interpretation of himself all shrouded in music, making music more complex and more gorgeous.

This level of strength is really too strong.

The head of the department had nothing to say at this moment.

You can't teach these things at all, and you can't teach them.

At least that's how it was for him.

There are many things that you can only make progress by letting Fu Tiao understand, think, and dig into yourself.

And he didn't know how to teach these things.

Fu Tiao even exceeded his expectations a little bit.

Seeing Fu Tuo like this, he was a little silent.

Not only him, but also everyone else around him, the silent people make up the majority.

The second movement of Chopin's Piano Sonata No. 3 soon came to an end.

It is a work that is about three minutes long.

Perhaps because it was too brief, many passers-by didn't hear anything, and the performance of Fu Tune was over.

And just when they hesitated to applaud, Fu Tune opened the third movement of Chopin's Piano Sonata No. 3 without hesitation.

Largo movement, wide board movement.

The difficulty of this movement is completely different from the previous movement.

The difficulty of the previous movement may have been the contrast between the music, but the difficulty of this movement is the sense of direction.

Yes, it's the sense of direction of the music.

Music has a sense of direction.

For example, the simplest sense of direction is the simple standard of 1451, which is a simple harmony writing standard.

From level 5 to level 1, this feeling of tension and relief is the most standard sense of direction.

However, Chopin's third movement, as if to eliminate this sense of direction, does not give the chords of the music much of a progressive attribute, which, combined with the ultra-slow tempo of the broadboard, makes the music itself more complex.

The head of the department under the stage looked relaxed and smiling.

He trusts Fu Tiao to bring him a perfect enough expression.

As for the smile, it was because of Fu Tune's careful thinking, so that the second movement followed the third movement soon after the end, and did not give the audience time to applaud.

It's a really cool feeling, and it goes into the third movement without any distractions.

It's so cool that I can't extricate myself.

So......

What kind of work can Fu Tuo express this work into?

He couldn't wait for it.

Under his gaze, Fu Tiao stared at his hands and played the music softly in the hands of the player.

It looked like he was looking at something, but in fact......

He didn't look at anything at all.

He's listening.

Listen attentively to everything he plays.

Because the third movement of this work is the most important part of this work besides the first movement, and it also occupies the most important part.

Whether this place is played well or not is more important than the scherzo of the second movement and the epilogue of the fourth movement.

And this place is the part that Fu Tiao paid serious attention to.

In fact, he doesn't particularly care about the flow of music, because his own performance direction can solve this problem well.

He played not only Chopin, but also many, many of his own components.

These feelings come together to make the music swing at a point of balance.

And this swing will make the music naturally produce a unique sense of flow.

Therefore, he does not care about the stagnation in this work, but the mysterious chord of the left hand.

In the third movement, although the left hand exists as an accompaniment, there is a very mysterious chord above the left hand.

Each repetition makes the identity of the chord clearer.

Therefore, every time you play, you must make the chord change slightly, and you must not play it the same.

Fu Tune paid his attention entirely to his left hand, listening to his own performance with all his might, and listening to the unique and unique wonderful feeling that his left hand could express under his own playing.

Continuous soothing.

That's what everyone on the stage heard.

But under this continuous relief, everyone felt that something was wrong.

It seems that there is not only this soothing in the music, but also a completely different mood in the music.

As......

Fog at sea?

For some reason, everyone once again remembered the layer of sea fog that Fu Tune showed on the side of the first movement.

Layer after layer of fog emerged in front of everyone.

The music is moving slowly, like a wave, using the fusion of Chopin and Fu in the music to drive the music forward.

This feeling made everyone even more confused.

They felt as if they were even on a big ship, the fog in front of them was getting heavier and heavier, and they couldn't see everything around them more and more clearly.

Little by little, this fog is stacked upwards.

Moreover, each layer of fog is not simply superimposed, but is made up of slightly different variations.

All these expressions made everyone even feel a little confused, not knowing where they were now.

The fog grew heavier and heavier, and they couldn't even see their own presence.

Under this thick fog, they have produced a trace of chaos, and they can't figure out their heads.

And this is not the end of this wide board.

Beneath this music, in the mist, dreams emerge.

It is not as simple as appearing directly in front of everyone, but at the same time as slowly dissolving the fog, let that layer of dreams appear.

Remove a layer of fog and add a layer of dreams.

The fog was reduced layer by layer, and the dream enveloped everyone, and almost all of them were immersed in the dream and could not leave.

Whether it is Jiang Ruijia who sits at the front of the 1888 yuan gold supreme A area VVVIP, or the head of the piano department not far away.

They don't have any superfluous thoughts in their heads at this moment, and all they have to think about is one thing now.

That's appreciation.

Appreciate the performance of Fu tunes and appreciate the interpretation of Fu tunes.

I no longer think about how Fu Tiao did it, because I can't think of it even if I think about it.

Instead of worrying about yourself in this place, it is better to just let go of all the burdens and listen directly to and enjoy the performance of Fu Tune.

How good is that?

The concert hall was extremely quiet, and everyone listened to Fu Tune playing with a smile on their faces.

It's like flying into heaven.

It's all so beautiful, so beautiful that they can't put it into words.

Even until the last chord was pressed from Fu Tune's hand, there was no movement from the crowd.

Lingering sounds.

The strings tremble.

They listened greedily to the warmth of the piano strings in the air.

Enjoy the beauty of the music.

Reluctant to leave.

They even forgot about the clapping between the customary musical movements, and just sat there in a daze.

Whether it's a music lover, or a person joining in the fun, or something else, they just listen in a daze, unable to say anything.

They didn't know what kind of language they should use to express their inner emotions and express their shock at Fu Tune's performance.

This one is really beautiful, beautiful to the extreme.

They never imagined that classical music could be so beautiful.

But......

What they didn't expect was that Fu Tune seemed to be deliberately amusing them, and when they thought that the third movement was already over, he did not hesitate to open the fourth movement.

That is, the last movement.

His fingers are running fast, and his musical expression is extremely well expressed.

It's just that......

Before everyone could react, the fourth movement was over.

As Fu Tiao's hand moved away from the keyboard, he got up and stood in front of the piano and bowed slightly to everyone, and everyone suddenly remembered the applause.

Wow!

In an instant, the applause was thunderous, more intense and more enthusiastic than when Fu Tuo entered.

The crowd applauded vigorously, and some even stood up directly from their chairs.

Although there is no traditional "Bravo" to help the fun, there are many more unique Chinese admiration.

"Fu tune! Awesome! ”

Strive to update another chapter later

(End of chapter)