Dangdang......

Two soft C-liters pressed hard,

The sound didn't stop as Fu Tune's feet pressed against the piano's pedals.

Before the sound completely dissipated, he pressed the main chord in C sharp minor with both hands at the same time.

Bangbang.

The heavy chords are cut to the core, leaving no room for manoeuvre.

When dripping when dripping......

Fu Tune's feet are slightly raised, and after releasing some of the dissonant tones in the chords, he continues to press the pedal, allowing the remaining tones to blend into the music of the next section.

Bangbang!

Two more unequivocal harmonies cut off the music.

Fu Tiao's feet did not lift at this moment.

Because the back brings a string of weird melodies.

Gotta drip...... Gotta get it.

Here, the D sharp is restored, and it seems to change the tonality.

But it doesn't seem to be the case.

Fu Tiao's feet lifted at this moment.

The dissonance in the music frantically escaped at this moment, rising from the piano into the air, and then gradually dissipated.

Fu Tune grabbed the remaining harmony of the music and pressed his feet down.

Again, a chord that truncated the music sounds.

Bangbang.

With such a simple beginning, it seems that anyone can do it, even cats have no problems.

But at this moment, Fu Tiao has done many, many small details.

Make your music perfect.

These details are so small that the average viewer can't pay attention to them.

The pedal under Fu Tuo's feet showed a completely different charm at this time.

There seems to be a slight difference from the pedals used by Chopin before.

At that time, Chopin used more of a delay pedal, or syncopated pedal.

The normal pedals go down with the tone.

However, the syncopated pedal is pedal first, and when the tone is played, the pedal is released before pressing.

The main purpose of this pedal is to make the music appear cleaner.

The main purpose of the pedal is actually to mix.

A lot of people like to add a little pedal when they play the piano.

This way, no matter how garbage is played, it will sound like it can be listened to a little bit.

Of course, in the conservatory, it's easy for you to get sprayed by the teacher when you do this.

And this kind of mixing naturally makes the music as a whole muddy.

Especially when dissonant intervals appear.

That is, when it is transposed.

If you keep pedaling, the original character of the music is erased.

So, the syncopated pedal was developed.

Unleash the dissonance of the intervals, allowing the music to maintain its overall purity while still having the quality of the mix.

There's so much that can be said on pedals, but most of the tricks are derived from both the whole pedal and the syncopated pedal.

At this moment, the same is true of the pedal technique used by Fu Tuo.

His pedals were barely loosened, which is a technique for syncopated pedals, but he did it in a finer way than syncopated pedals.

He didn't play the music at all.

Rather, it's a little more nuanced in the music.

He deliberately retains a little bit of dissonant intervals, which stretches away the tension of the original musical characteristics.

This thread brings more fun to the music without making it seem so muddy.

A lot of people don't notice this, but that's what Fu Tiao expected.

He doesn't want a lot of people to focus on his technique, but on music.

Therefore, the audience sitting on the stage, whether it is a group of music critics or ordinary audiences.

All they can feel is that the music is beautiful.

Hungarian Rhapsody No. 2 is powerful.

That's all.

There's not much else in it.

That is, one or two people feel a little bit of skill.

In this atmosphere, Fu tune's fingers interlaced on the piano to play the melody.

With each chord, Fu changes the mood in it.

Emotions are moving, they are flowing.

And the same timbre, from the beginning of the categorical highlight, gradually became a little gray.

The mood in the music also became low.

Such a subtle division of emotional changes is as natural as a matter of course, and there is no trace of artificiality in it.

Horror, shock.

Even not many people can hear the techniques that Fu Tune uses in it.

But they could all hear the silky smooth change in the mood of the music.

With the end of the opening melody, the music also comes to the part of the real main theme.

Fu Tuo's right hand was withdrawn, leaving only his left hand still on the keyboard.

The little finger is gently pressed down, like a scale, through the index finger, to the thumb.

Or rather, like a clock.

The tone has a hint of grayness.

Fu Tune's feet lightly pedaled, with a low echo.

It's like an old-fashioned hanging bell in the middle of the night, ringing lonely.

Under the sound of this bell, Fu Tune's right hand was raised with great grace and landed on the piano keyboard.

A dull tone rings in the midrange.

A mournful melody rises slowly through the piano.

It's like dancing on a stage in the twilight.

Lassan, lasu, means slow.

It's a slow solo.

It's a sad solo.

She danced as if she were being held back on the empty stage.

The passion in my heart is suppressed, but the fire in my heart keeps boiling.

Memories of the sad past flow out beneath the music.

Singing slowly under the sound of the main melody.

Against the backdrop of the sluggish rhythm, the low and depressed melody contains great grief and anger, which is the people's grief and accusation of the nation's misfortune.

Such a painful interpretation becomes meaningful under Fu Tuo's fingers.

Shock.

Far beyond the shock of Chopin before.

Compared with Chopin's previous shock to Fu tune skills, here, everyone actually feels more shock at the expression of Fu tune music.

I don't hear a lot of tricks, because Fu Tune hides the musical technique.

But they are able to hear the expression of the music.

Musical emotional expression.

As a world famous song, I don't know how many times this piece has been performed by many pianists.

For example, Valentina, known as the woman of Sister Wa, plays Liszt as one of the best Liszt players, and her interpretation of this musical version is also extremely good.

Another example is Lang Liangyue.

As his enlightenment music, Lang Liangyue's interpretation of this work can definitely be called perfect.

And such a work is not only interpreted by a few people, but by countless musicians.

From ordinary music lovers, to conservatory students, to professors.

Everyone is interpreting such works.

Like Chopin's etudes, there are countless versions.

Under so many versions, the version shown by Fu Tune is particularly dazzling.

Like his Chopin, there is no ordinary.

In all the versions, you know that when you hear the music played in the tune of Fu, you can definitely feel the difference.

That's ......

"As deep as the sea."

A critic listened to the music played by Fu Tune and couldn't help but whisper in shock.

He took out a set of pen and paper from the side, tangled on it for a long time, and finally wrote down the first word.

Ocean.

Then comes the second word.

Deep.

The slow movement is the most technically prominent.

In fact, whether the slow movement is played well or not is the best way to judge a person's understanding of the beauty of music.

Because of the slow speed, many things will be relatively open.

It's like a high-speed train.

The train slowly moves on the ground at a speed of more than 20 kilometers per hour, and you can see the scenery more clearly and in more detail.

Or high-speed rail three or four hundred kilometers per hour, you can see the details of the scenery more clearly.

Obviously, it's definitely what you can see more clearly as the train moves slowly.

When faced with that kind of high-speed movement, there are many places that are not played well, and you can just mix it up.

Musicians are human beings, and everyone makes mistakes.

The concert just needs to be as error-free as possible.

It's relatively acceptable to make mistakes in the fast movement.

But in slow movements, the details in the music are maximized, and if you make a mistake, it will be especially noticeable.

Even if your music is too ordinary, it will make people not so happy.

Therefore, the slow movement is the most technical test of a musician.

The first half of the Hungarian Rhapsody, on the other hand, is a very standard slow movement.

Fu Tune's fingers moved with difficulty on the piano, and the pain in the music was vividly interpreted.

The emotions in the music are pulled to the maximum.

It's as deep as the sea.

Almost everyone in the audience was shocked by the musical beauty interpreted by Fu Tune.

This Rasu.

It can only be said that it is worthy of Fu Tune.

He is the youngest top pianist now.

He is worthy of being a top pianist who can play a god-level scene.

The opening Lasu shows the style of Fu Diao, a top pianist, to the fullest.

Talented!

A true genius!

Someone suddenly thought of the title of a previous work by Fu Tuo.

Take off your hat and salute! Genius has appeared! 》

Fu not only excelled above Chopin, but also had a similar performance on Liszt.

His music is not limited to making the music express the feeling of Chopin.

It's about allowing all musicians to show their own characteristics while also having their own feelings.

The performance of this music......

"That's amazing!"

Someone couldn't help but be shocked.

"This timbre treatment is really beautiful, Dio Fu, is this Dior? This musical expression ......"

He didn't know what he should say, and he was completely shocked by Fu Tuo's interpretation.

The timbre is beautiful to the extreme.

Even the beauty with a hint of sorrow is so beautiful that it suffocates him.

He could feel the mood in the music very clearly.

Feel the beauty conveyed in the music.

Gentle, as silky as silky.

So soft that he couldn't help but get goosebumps.

It's not just one person, it's a common feeling of many people.

It's so beautiful.

If you ignore the sadness of Fu tune in the music.

Just focus on the beauty of the music.

The beauty of Fu Tiao's display occupies almost all the content in their brains.

When they hear Fu tune music, their brains have no energy to think about other content.

All they could do was listen carefully to Fu's interpretation.

Because it's so beautiful.

They can't bear to miss a single detail.

They don't know when the next time they'll hear a performance like this will be.

It may even be difficult to hear such a performance as Fu Tune in the future.

Because the performance of Fu tune is improvised.

At the beginning, it was already said on Fu Tune's notice.

Today's performance of Fu tunes is completely improvised.

That is, what to play is almost entirely up to Fu Tune himself.

Fu tunes him to play whatever he wants.

He did not prescribe an exact performance table for what he was going to play in this concert.

Then that means ......

They can't follow Fu Tune around the world and go to Fu Tune's concerts a few more times.

Because the next time I go to another place, the concert I hear will probably be something else.

Anyway, there is only a small chance that it will be a Hungarian rhapsody played by Fu Tune today.

In the face of such works, they have to admit one thing, that is......

They want to hear it again.

I want to listen to it a few times.

For the first time, they felt how sad it was that Fu Tiao didn't record much.

If they could sell Fu Diao's recordings today, they would definitely spend a lot of money to buy more than three records and take them home to listen to.

A collection, a listening to oneself, and a missionary.

This is the most basic purchase!

It's really beautiful.

It was difficult for them to think of anyone else who would be able to play such a Hungarian Rhapsody No. 2.

"Beautiful!"

Someone hammered his thigh hard, baring his teeth.

This is a person who has no way to control his emotions.

The particularly captivating details in the music struck him as if they were killing people.

He was thrilled with every change in detail.

"Good ......"

Someone squeezed his fists hard, his eyes locked on Fu Tuo, his expression was excited but extremely restrained.

This is a kind of self-restraint that is more able to restrain itself.

But they were still thrilled by Fu Tune's performance.

They can only keep their emotions from exploding too much.

But watching Fu tune's performance, they still couldn't help but clench their fists, trying to calm their mood.

This feeling is too explosive.

Fu tune's fingers gradually become lighter on the piano.

Show off your skills...... Start gradually.

The monophonic wheel fingers appear in an incomparably striking state on the piano.

The tricks of this place are exceptionally terrifying.

Because the monotone wheel finger is in the middle of the music.

During the performance of the main melody of the music, the fingers of the monophonic wheel fingers are constantly shaking between the melody and the accompaniment.

There was not a single hint of delay.

It's as if another hand appeared out of thin air in front of Fu Tune and helped Fu Tune play.

If played properly, this place can easily bring everyone into the musical spectacle.

After all, even if you listen to this place, you can hear that the show-off element in the music is extremely serious.

But......

Under Fu Diao's hands, there was no such thing at all.

No one can hear the showmanship in it.

Fu Tune uses the beauty of music to completely cover up the showmanship of music.

Even if the music is extraordinarily showy, the beauty in his music is even more obvious, obscuring the light of the showmanship.

Lift weights like light.

What is control!

It's called control!

When encountering that kind of particularly difficult place, many viewers can completely notice and hear that this place is particularly difficult.

After all, everyone is not deaf.

Especially when it is more dramatic, I just listen to the music more plainly, and I can even hear that the performer uses a lot of effort to show off.

But......

What if everyone was immersed in music?

What if they were all caught up in music and indulged in the beauty of music?

Their thoughts about music are limited to enjoyment, and there are no other superfluous thoughts.

So will they notice a skyrocketing in skill difficulty?

It's obvious......

They don't.

Fu tune controls the music, making the release of emotions in the music more violent.

Even though the speed of the music was gradually increasing, he still did not let the details of the music get out of control.

Clear and thorough.

You can hear all the details in the Fu tune music.

Interpretation of Fu tune music......

Reassuring.

No one notices the sense of skill in the music.

This is true for both music critics and ordinary people.

Such sad music, such a weeping music, pulls everyone's hearts under the music and cannot be separated.

They are willing to dedicate their whole body and soul to Fu Tiao.

Let Fu tune control their hearts and enjoy the feast of music.

After all, this is Fu tune.

In such a short period of time, just listened to Fu tune's music.

They had completely trusted Fu Tune.

They believe in Fu Tiao's strength.

They believed that Fu Tiao would not disappoint them.

They believe that today's concert will definitely satisfy them.

Such a sad Rasu gradually came to an end.

The main theme part sounded again.

The music seems to be a little different this time.

The fog of the music's low duffle gradually dissipates.

It's still extra heavy, though.

But the sadness above the music has completely drifted away.

The timbre of the music seems to be translucent under the depths.

With the end of the last chord, as if as a sad sigh, the first half of the music Lasu is completely mediated at this moment.

When the Rasu ends, it's the second part of the music.

Friska.

Friska, which translates to fresh.

The tempo is fast, exciting, and it is the music of the pas de deux.

The work is free form and is not limited by the general musical form, which is unique and unique.

At the same time, the main theme still uses the content of the first part, Lasu, which is in stark contrast to Lasu.

At the time of the last appearance of the main theme of the music in the Rasu section just now.

Although the sadness in the music is still there, it is clear that the emotions have gradually passed and things have been resolved.

And when all grief is removed, it will inevitably arise.

It's a celebration of revelry!

Every time I write a piece of music, I can write 5K words for 4 hours......

(End of chapter)