These murals on the wall have a slightly weird painting style.

But the weirdness is not that there is anything scary on it, but that a group of people dressed in ancient costumes are doing scientific research like modern scientists.

And the costumes these people wear are like the costumes of the Warring States period.

In order to learn more about the Mohists, I have read a lot of books in the Warring States Period, and I have a certain superficial understanding of some of the humanistic features of the Warring States Period.

And on one of the murals, it is written: "Force, the punishment of the struggle, force, the heavy, the bottom and the heavy, the struggle." ”

This sentence is actually from the first part of the Book of Ink.

The general meaning is that the force is what makes the object move, it is the cause of the acceleration of the object, and when the object is subjected to the force, it also produces a reaction force.

This is the ancestor of the Mohists, and Mozi's definition of "force" is called Mohist mechanics.

And two thousand years later, a foreign physicist, named Newton, put forward the same idea, which is called 'Newton's first law of mechanics'. Xiushu.com

Or maybe it's a coincidence.

I remember reading in a book in the Qingyang Guanjing Pavilion that Mozi and his disciples had studied hard for many years before they came to Mojia mechanics.

And this foreign physicist made Apple smash his head and comprehended the first law of Newtonian mechanics, as well as the second and third laws later.

Or, the physicist is the chosen one and has turned on the strongest genes of humanity from the moment he is born.

Either that, the story of Newton smashing the apple on the head is false, in order to cover up the real reason why Newton understood the view of mechanics.

However, the process of scientific research is a great move that benefits the country and the people, and even the development of all mankind, so why should it be covered up?

I remember that in the study of the Seventh Master, I saw a lot of records about the study of astronomy in ancient China, because China was a large agricultural country in ancient times, so all dynasties and dynasties had a department called 'Qin Tianjian', or similar to Qin Tianjian.

What does this department do, that is, it is responsible for observing celestial phenomena, compiling solar terms, calculating calendars, etc., which are used to guide agricultural development.

The ancient Qin Tianjian is equivalent to the current observatory.

Because of the existence of Qin Tianjian, astronomy in ancient China has developed extremely high and rapidly.

If you look at astronomy abroad, they have many excellent and very famous astronomers.

And these astronomers have a common characteristic, they, like Newton, have comprehended what can only be studied by hundreds or even generations of Qin Tianjian by themselves, and there is no large amount of literature left.

In addition, these astronomers are also involved in other fields of scientific research, and have extremely high achievements in various fields, that is, the IQ of one of them is equal to the sum of the IQ of hundreds of ancient scientific researchers in China, or even several generations.

One of the most famous foreign scientists, named Leonardo da Vinci, is known as the greatest man in the history of mankind.

This man is a miracle, and he is proficient in the seventeen realms, and he has reached the pinnacle level in these seventeen realms, and has studied all kinds of things.

I'm wondering, is this God eccentric and makes foreigners so awesome?

Is this something that humans can do?

I shifted my footsteps and moved on to the next mural.

On this mural, the painting is very intuitive, it is a group of ancient people studying the image of small holes.

And who studied the small hole imaging in ancient times, it was also studied by the Mohists.

Therefore, these two murals are about the Mo family.

I shifted again and looked at the third mural.

This mural is a bit abstract, and I can't understand it for a while.

But on this mural, there is also a note, which reads: "Speaking of the end, it is the same, saying the body, if one of the two, the end of the ruler; or not a ruler, there is poverty, there is no ruler, there is no limit, there is no limit. "Xiu Shushu

Due to my limited level of education, I couldn't read the annotations......

But there are two sentences in it, that is, the last two sentences, which I have seen in detail in Mohist books.

The general meaning is that Mozi called time 'long' and space 'yu', believing that time and space are inseparable relations, and that time and space can be both infinite and infinite.

When is there poverty and when is infinity, i.e., for the 'whole', space-time is infinite, and for the 'parts', space-time is poor.

Therefore, in the "Book of Ink", he expounded the view that the universe is a continuous whole, and individuals or parts are separated from this unified whole. There is an inevitable organic connection between the whole and the individual, and from this continuous view of the universe, Mozi went on to establish a theory of time and space.

And two thousand years later, there is a similar idea born abroad, called the theory of relativity. It's just that Mozi's view only overlaps with some of the views of the theory of relativity.

In the view of relativity, if you follow the theory, as long as a person's speed reaches a certain speed, a person can travel back to the past time, that is, go back in time.

Of course, this is just theory.

But in reality, not long ago, Zhang Rong and I had just experienced 'time and space chaos'.

This has to make me think about it very carefully, I doubt that the Mo family has discovered that time and space can be traveled two thousand years ago?

Especially when I read Mozi's detailed exposition of the universe and time and space from that book before, I couldn't even believe that it was actually the understanding that people should have had 2,000 years ago.

And I didn't understand much about the detailed explanations in the book.

Like now, even though there are murals underneath, I still can't read them.

I can't read this one, so I can only go to the next one.

In the next mural, the scene becomes intuitive. Ь.

There is a passage drawn on it, and in this passage, there are five people walking, and these five people are drawn very simply, just made up of a few circles.

The five men were halfway through the passage when they suddenly turned around and began to run back, escaping the passage.

Seeing this, my pupils dilated, a cold sweat broke out, and then I looked down again.

Below, an identical passage was drawn, and this time, only one person came, and this person walked to the point near the end of the passage.

At the end, a huge circle is drawn, and inside this circle, the word 'nothing' is written.