"What are you doing?"

Old man Wu was a little impatient at the gate of the courtyard, pacing.

Fortunately, a cigar can be smoked for a long time, and he doesn't feel too bored, so he smokes.

"Lao Gu should want to give the name of researching Lang Shining's painting style to his grandson. This is really pitiful for the hearts of parents in the world, only a grandfather would do this. As for the reason...... In order to take this opportunity to make Xiao Gu famous? ”

Old man Wu thought for a moment, and then he thought that he had grasped Gu Tongxiang's mental journey.

"It's good to just say it, and you're still playing this in front of me."

He was a little funny, but also a little poignant.

The artists seem to be very high-class, but when they really look at them one by one with a magnifying glass, they are actually ordinary people.

Everybody lives very really,

This business is full of shameless villains, and there are also real moral gentlemen.

It was not uncommon for teachers to steal the inspiration of their apprentices and snatch from their students the precious opportunity to become famous as painting for noble lords and archbishops.

Someone who is a little ruthless.

not only took away the opportunity of the disciple, but also put him to death, treated the students like slaves, pressed the other party to suck blood, and did not give him any chance to get out of the teacher's control.

On the other hand, a master who is willing to lie on the ground and let the juniors step on his own fame can also be met in the industry.

When you meet the former as a teacher, you can only say that you are lucky.

Encountering the latter is a blessing that has been cultivated for several lifetimes.

And this kind of willingness to give up the scenery brought by the painting experience he has studied to the younger generations is equivalent to the professor himself writing a heavyweight paper, and the result is your name.

Normally,

It's the only answer that the professor is your own father.

It's really not easy to do art here in Myanmar.

The elders have worked hard all their lives and left all the good things to the younger generations, hoping that future generations can take advantage of this shareholder wind to rush out of this chaotic land.

"Lao Gu is also a lot of hard work."

Old man Wu thought of this section, and gradually got a little involved, and his nose began to feel sour.

It took about a few minutes.

He saw that Gu Weijing seemed to have finally finished pretending to point, and even pretended to hold a brush and draw two strokes on the unfinished peony picture.

"Cut, it's the same as the real thing."

Seeing this, Old Man Wu walked back again.

He decided to rely on the hard work of Lao Gu, no matter how bad Gu Weijing's painting was, he would not break it, and he would praise it in the past.

"Lao Gu, you have a heart, you really want Sun Jackie Chan to be a dragon."

Old man Wu is moving himself.

He sighed and said, "But Xiao Gu's level can accept your gift?" At this age, even if you learn one stroke at a time, I'm afraid the gap with your level is quite obvious. Even if you impose this limelight on your grandson, outsiders may not believe it. ”

Old man Wu lowered his head, pointed to the table in front of Gu Weijing, and said, "Look at this brush, look at this painting skill, can reach half of your level...... Fuck me! ”

He glanced at the peony on the rice paper written by Gu Weijing, and almost threw out the cigar in his hand.

He saw that Gu Weijing's pen tip was light,

Sheep's hair is adjusted to titanium white, the tip of the pen is covered with rouge, and the side of the brush is skimmed and picked up, and a piece of red and white petals with pink appears on the paper.

Large petals, small petals, head receptacles, staggered.

Rich and elegant, easy and noble.

Almost only a minute or two, after Gu Weijing changed a few brushes of different sizes, and pointed out the pale golden stamens and the thin leaves of garcinia yellow.

A complete peony picture jumped on the paper, during which he did not even delay his movements, and the painting was called a living color.

"Grandpa Wu, look, isn't it better?"

Gu Weijing put down his pen and smiled politely at the old neighbor who was stammering on the side.

Old man Wu was still stunned next to him.

He stared at the rice paper in front of Gu Weijing for a long time, like a stone statue, until Gu Tongxiang patted him on the shoulder, and then he came back to his senses.

"How?"

Gu Tongxiang didn't care about Old Man Wu watching his grandson draw.

There are a lot of experiential things in painting, and I don't have a teacher who breaks down the main points in great detail, and I will explain it to you from beginning to end.

Just watching other people draw, there are very few things that can be stolen.

This is a bit similar to watching the pilot fly the plane in the YouTube video, but it is a step-by-step push and push lever and turn on the switch on the panel.

It seems very simple, but it needs to be studied professionally according to the textbook.

Otherwise, even if you draw in front of you, you won't even understand why the painter uses the pen like this, why he sketches the line like this, and why he sketches the line like this.

And

Old man Wu is not a professional painter either.

Laymen look at it this way, and for the most quintessential ways and methods, it is almost hilarious.

Old man Gu Tongxiang looked at Old Man Wu with a stupid look of surprise rather enjoyable.

Two days ago, he had just been so shocked by his grandson.

Now that Gu Weijing shocked others, he, a grandfather, had a completely different feeling.

Is...... It's so cool!

Old man Wu still didn't speak.

At this time, he looked at Gu Weijing's eyes, not only did he feel that he didn't know this young man, but he was simply looking at aliens.

It's like a big living person at the end of the day, "Bang! All of a sudden, it became a monster directly around you.

"Outrageous...... Damn, it's outrageous......"

His eyes widened like brass bells, and he muttered a few words in his mouth.

Old man Wu's worldview has been impacted.

He didn't care about the habit of smoking a cigar without passing his lungs, so he took a vicious puff and calmed his mood with the surging nicotine concentration in his blood.

"Unbelievable."

Waiting until two long smokes came out of his nose with the smell of burning plants, he spoke softly and slowly.

"Old Gu, you're right. Why do you teach others this way of drawing......

Old man Wu shrugged his shoulders, was silent for a few seconds, and said, "This is a rice bowl that can be eaten by children and grandchildren for generations." You didn't mention the lecture as me. ”

"Awesome, old Gu, awesome."

"It's not that I'm awesome, it's my grandson who has a chance."

"It's all the same."

Old man Wu shook his head: "If my grandson has the ability to take care of this, I will be happier than myself." ”

Gu Tongxiang didn't deny it, he put his hand in his hand and smiled like a Maitreya Buddha: "Brother, now you can take it." ”

Old man Wu didn't even have the heart to quarrel with Gu Tongxiang at this time.

If Lao Gu figured out something, to be honest, driven by vanity, he was still a little jealous.

But now it looks like it's really someone else's grandson Gu Weijing...... The old man Wu couldn't even be jealous, only real envy remained.

When people reach their age, their greatest wish is not to hope that their children and grandchildren will be promising.

Who told people to have grandchildren?

Look at the grandsons of the old Gu family, and then look at the children and grandchildren of their own families who brush Douyin pan bracelets all day long and write bad words.

"This grandson, it's really competitive!"

Old man Wu rubbed his chin fiercely with the back of his hand, and said with great envy.

"Fortunately, there is no need for my brother to praise him so much, young people are easy to be proud and complacent. I think there is still a lot of room for my grandson to improve. Gu Tongxiang shook his head and said.

Old man Wu licked his lips, and he didn't bother to look at the disgusting appearance of Gu Tongxiang, who was obviously proud next to him, was about to rise to the sky, and was still forcibly pretending to be a strict teacher.

He came to Gu Weijing's side by himself, with an extremely kind smile on his face.

"Xiao Gu, uh, for the scriptures...... Grandpa Wu has always been interesting to you, I will paint two paintings for Grandpa Wu, I will take it home, and wait for the future to make a fortune with this. ”

——

Old man Wu, who wanted to ask for the painting, didn't quite get his wish,

Gu Tongxiang believes that his grandson Gu Weijing has not yet officially sold paintings to others, after all, he is too young.

Although the old man felt from the bottom of his heart,

In many ways, his grandson's painting skills are no longer below him, but it should be best to precipitate and brew for another two years, and try to think about it on a larger stage as much as possible.

On the grounds that his grandson was busy with his studies during his graduation season, he politely refused Old Man Wu's request.

But

Under the soft grinding and hard bubble of the old man Wu's crying, making trouble and hanging himself, the bean flower sketch painting of "Fairy Calyx Changchun Bean Flower Picture" that Sun Gu Weijing imitated at the beginning was taken away by the old man Wu.

Gu Tongxiang originally proposed to paint a few paintings for Old Man Wu by himself.

However, with Gu Weijing Zhuyu in front, especially when he is still so young, in the eyes of Old Man Wu, he no longer looks down on the level of Old Gu.

He's not stupid,

Which one has a lot of room for appreciation, think about it with your ass Old man Wu also knows.

Gu Tongxiang's life should be like this, and at Gu Weijing's age, it seems that he really has an unlimited future.

took the "Douhua Picture", and he walked around the yard several times without giving up.

The one on the long table is half of Gu Tongxiang's painting, and half of it is a peony picture painted by Gu Weijing. The old man also smacked his lips and unceremoniously took the sheep away.

Old man Wu thought far away.

He also waved his pen on the spot, and wrote at the end of the cut rice paper-

"The wonder of painting, the interest is long, the master is the first, and the grandson does not have to be inferior to the ancestor. On the twenty-third day of the peach moon, on the banks of the Yangon River, the warm spring is melting. Gu's son taught his elders......"

This large line of inscriptions is cloudy.

This is the background story used to record the creation of the peony on this painting, and to teach his grandfather Gu Tongxiang to paint this elegant and interesting story for Gu Weijing.

Old man Wu recorded in detail all the events that happened today, and also secretly focused on describing a few words of his own discernment and decided to collect this work.

He mentioned hundreds of words, and the space occupied more than the peony flowers on the main body next to him.

In Chinese painting, this line of characters is called "inscription", which is a document file specially used to record the background story of creation and the identity of the creator and collector on the calligraphy and painting artworks.

Modern people can see a lot of Su Shi, Mi Fu's calligraphy masterpieces, is from their original Chinese painting silk or the end of the paper to mention the word, and finally by later generations of calligraphers alone to copy down the imitation.

The "Orchid Pavilion Preface" memorized by middle school students also has a similar meaning, and the stamped mad demon Qianlong has mentioned thousands of this thing in his life.

With these records.

Gu Weijing will really become famous in the future.

The thing in his hand is inherited in an orderly manner, and when it is sold in the future, it will be more valuable.

Old man Wu also asked Lao Gu to use his private seal with the name of [Gu Tongxiang] on it to stamp a stamp on this line of words.

"Xiao Gu, work hard and paint! When you become a great painter in the future, Grandpa Wu will rely on him to change into a big villa for the elderly by the sea! ”

Old man Wu was half joking, half expectant, and told Gu Weijing.

Then he didn't even want the portable lunch box he brought.

The old man and Gu Tongxiang made an appointment for the next time they played chess, so they carefully held the two paintings, and walked home satisfied, ready to frame them.

By the time Gu Weijing sent Old Man Wu out, it was already noon.

He had eaten a few bowls of soup noodles in the morning, and now he was quite full, so he didn't eat lunch and went straight back to the room where he was painting.

He adjusted his mood a little, and when he was completely calm, he pulled out the base map of "Good Luck Orphanage in the Sun", which he had finished typing yesterday, from the scroll.

Considering these two days,

The church renovation construction team should seize the time to do some electrical equipment and pipe erection, which may be noisy.

After Gu Weijing said goodbye to Katsuko Sakai last night, he brought this base map back in a painting bucket before returning home.

He plans to take advantage of the free days of the Farmer's Day holiday to complete this work thoroughly.

Gu Weijing stretched the canvas on the easel,

Before I start writing,

He looked at the prototype of the painting on the base map in front of him, and went through the main points of the pen in his mind from beginning to end.

Sharpen the knife and do not cut firewood,

Gu Weijing's simulation in his mind was extremely delicate.

All the theoretical details of the new style painting, in fact, he has repeatedly browsed in his heart.

The next thing he wants to do is to be like a chef who cooks Xiaoxian – simmering sketches, oil paintings, and Chinese paintings together according to this recipe.

If it succeeds, the fragrance characteristics can penetrate each other, bring out the flavor of each other, make people refreshed, and integrate the oriental temperament into the western style.

Failed, just like his last painting "Good Luck Orphanage in the Sun", it turned into a dark dish that looked upsetting and irritable.

And if you want to stew this pot of food,

In addition to the recipe of knowledge cards, it is also necessary to test the skills of the chef.

The next part of the painting is not like drawing a base map, just using the most concise way to roughly express the meaning and spirit.

Every detail must not be sloppy.

He needs to give full play to the delicate modeling curves and light and dark effects of the sketch, so that the objects in the picture have a strong sense of concave and convex three-dimensionality.

In addition, the use of oil painting jumping and warm colors, perfect highlights and shadows, enrich the visual focus, and use the principle of color perspective to make the picture real and spacious.

Finally, the ancient and elegant craftsmanship is used to make the artistic conception of the picture far-reaching and full of divine meaning.

The three techniques are constantly interspersed, mixed with each other, and refined to the end.

"First draw the long shot, then the close-up, and finally the details of the color layers on the surface of the figure."

Gu Weijing thought about it for a long time, and finally felt that he had made all the preparations.

Only then did he pick up his brush and begin to mix colors, draw lines, and draw, covering the blueprint with finer color details.

As soon as you get started,

Gu Weijing obviously felt the pressure.

He used the pen very heavily, and as the tip of the pen turned, a large amount of information about the painting poured out in his mind.

If in the past, the amount of information in his mind was [1], then the amount of information he needs to process now is [3].

Approximately three times the information density.

It is necessary to pay attention to the difference in the contrast and saturation of the pigments between oil painting and Chinese painting, and also to bridge the difference between the lines of Chinese painting and sketching, and use the practice ideas of line drawing and sketching to draw lines.

Even in the line drawing technique invented by Lang Shining, the use of oil painting and sketching techniques is not exactly the same as that of traditional oil painting, and special fine-tuning is required according to the different pictures.

Gu Weijing painted, and fine beads of sweat seeped out of his forehead little by little.

He had to devote himself to control the brush in his hand and follow the trajectory in his mind, drawing one by one without making any major mistakes.

"Steady, draw carefully, and take your time." He muttered in his mouth.

Stress is pressure.

Unlike painting flowers and plants, line drawings that include depicting and capturing the demeanor of the characters are the most complicated part of the new style painting technique.

Such a difficult way to draw,

It would be a strange thing if he could do it easily.

Lang Shining's own painting skills may not be at the peak, but they are also compared with the top few masters in the world.

Even the relatively weak third-order Chinese painting techniques are enough to kill themselves easily.

Therefore, the painting is under pressure, which is completely expected by Gu Weijing.

"That's a good thing." Gu Weijing comforted himself.

No matter how stressful it is, it's better than the weirdness of separation.

Being able to feel the pressure is an improvement in itself.

When Gu Weijing originally painted the first "Good Luck Orphanage in the Sun", he was extremely upset by the sense of separation from beginning to end.

I can't calm down at all, and it's a little difficult to draw even if I want to concentrate on it, so it's all about relying on one breath to hold on.

Compared with that time, the situation is more than a star and a half stronger.

Gu Weijing was already very content.

When he first started drawing, he occasionally thought about the second step of [Serial Quest - Embrace All Rivers] on the system panel.

Later,

Gu Weijing has forgotten about these things that he has and don't have, and he has no distractions, only the canvas and canvas in front of him.

He felt that he was painting now.

It's like driving a truck with a heavy mud wheel downhill to a target down the hill.

And Gu Weijing is the driver who used all his strength and tried his best to fight with the steering wheel.

He had to be careful and careful to control the car on the track it should be.

While painting, Gu Weijing also found something different.

He was dealing with the parts related to the two techniques of Chinese painting and drawing, and the tip of the brush would be heavy and sluggish. In many cases, Gu Weijing had to think for a few seconds before he had the confidence to write.

However, if he were to deal with the parts that were more related to oil painting, he would feel much less pressure, and he would feel more relaxed in his thoughts and wrist muscles.

He quickly realized that this was probably because the oil painting technique had just broken through the second level of the profession, and the ability to control the pen was much higher than the previous two.

(End of chapter)