It's easy to understand.

The total amount of the overall market cake that can be divided is small, and the average price cannot go up.

Oil painters who can sell for $200,000 per painting abound. Every year, the European Art Annual Conference throws a stone into the guest area, and I can't wait to hit two.

But any watercolor painter who can sell for $100,000 for a single work is a super top performer in the watercolor field.

There is no way to count the number of hands in the international market.

At the very least, Uncle Sakai's status in the oil painting circle is analogous to the watercolor circle.

Gu Weijing and even the value of the detective cat can't support this price.

It has nothing to do with the quality of the painting, only with professional status.

Anyway, he can't do it now.

Even if art is priceless.

The sky-high cost of burning skills for two hours is enough for him to sketch, oil painting, and Chinese painting, and any of the three will be upgraded to the third level of the profession.

than to use it to paint a one-off watercolor. This is obviously much more attractive to Gu Weijing.

"It seems that if you want to send your paintings to a gallery or sell them on an online store, it must not be cost-effective to use the real world. This skill is intended for use in key situations where there are high returns. ”

Gu Weijing calculated in his heart.

Only important occasions where the final word is final are worth the expensive cost of using the [real world].

When I remembered that he had just burned hundreds of dollars because of his daze.

Gu Weijing is still more or less heartbroken.

In addition to burning too much money.

I don't say anything about the painting effect under the blessing of skills.

Gu Weijing's fingertip watercolor pen can always draw the most delicate and accurate lines.

The brushes are like thousands of strands of gold and silver threads winding and entwined, and the color of each squirrel hair on the tip of the pen is highly controlled.

What pushes this technique to a deeper dimension and brings all the nibs of the narrative to life is his mastery of watercolor.

Just like how he used to sketch when he activated Menzel's Basic Drawing Skill...... It's not quite the same.

More accurately, much better than that.

Better doesn't mean that the skill level is higher.

Before and after his leveling, his skill level was Perfect.

Menzel's sketching ability is Lv.9 Master 3rd in the system classification.

Gu Weijing's enlightening sense of thoroughness when he painted watercolors was similar to that when he first sketched with a pencil.

It should all be skills around the limit of level 9.

In other words, it is a painting technique that can only be possessed by the world's top artists.

But when he activated the skill, Gu Weijing always seemed to be dragged by a galloping horse.

In the past, when he used sketching skills, he had a rigid sense of computer programming.

Although Gu Weijing is still painting with a pen, he can also gain a lot of experience and painting experience.

But it's more like Gu Weijing telling the system what he wants to draw.

Whether it's a figure or a cat's eyes, and then he seems to have boarded a sleeper train to a distant place.

As soon as my eyes were closed and opened, I finished painting and stood up.

It is the system skills that dominate the creation.

He does not have much autonomy in the whole process of painting, just as the tourists on the train have no right to interfere with the operation of the train.

And now.

The word "basic" in the skill is gone.

The key is not whether the drawing method has become more advanced, the key is that Gu Weijing is no longer a puppet acting as a carrier of skills.

The moment he activated the skill, he really had the illusion that he was Menzel.

In the whole process of painting, his subjective desire to create can be intervened in the process.

As a result, when he opened the legendary knife painting skill, he had that sense of unbridled freedom.

This means that he has more room to create.

Even if there is no expansion of the watercolor section, it is simply Menzel's sketching technique, and the scope of application of Gu Weijing's current skills is much larger than before.

"Perhaps...... When using skills, the restrictions that are constantly solidified in [Simple Works] have disappeared? ”

Gu Weijing's heart jumped.

He savored the feeling he had just felt when he first painted, and came up with a guess that surprised him.

Gu Weijing returned his gaze to the work board.

He was quite curious, most of the canopy map in front of him was drawn at the level of Lv.3 semi-professional, and the remaining quarter or so was drawn with the first level of Lv.4 profession.

In the end, there are still two strokes, and the most critical ones, which are erased with the master's third-order technique that may be as high as Lv.9.

These three very different techniques are combined in a single painting.

What kind of comprehensive evaluation will be given by the system?

Lv.3 or Lv.9?

It is of course uncommon for two painters with many different skill levels to create the same work.

It's not too rare.

One is a collaboration between two or more artists, creative art exhibitions, and large-scale murals.

The Repin Academy of Fine Arts has been undertaking Orthodox mural projects all year round.

For a long time, some bosses in Dongxia Jiangnan liked to do these things on the walls of the hotel.

Generally, seven or eight million can be connected.

According to the article, the size of the wall is high or not, whether it is a dome painting.

Budgets can range from 30 million to 40 million or even hundreds of millions.

In these days, large-scale dome paintings are rarely like those of the Middle Renaissance, when a painter painted for ten years.

Basically, a large team of painters is sent over for super-large works.

Multiple people work together, each completing a portion of the work.

There are a dozen people who are small, and hundreds of people who are eager to pack up all the teachers and students of an academy.

Outside of the large murals.

Another type of painting that tends to the gray field, but is also part of the "glorious tradition" of art history, is the painting of teachers and students.

The teacher and brother undertook the job of painting portraits of wealthy businessmen at a high price, and in front of others, they made a draft and put on the background.

Sick, busy with affairs, or simply "Hmph, Lao Tzu wants to go out with his sister, I don't want to draw", throw it to the disciple to finish drawing, sign the name and close the payment.

Turn.

Young painters participate in art exhibitions and painting salons, but they are not confident in their painting skills, so they hand over their works to their elders for "polishing".

This practice has been practiced for thousands of years.

To be reasonable, those who are willing to draw half of each are very conscientious behaviors.

When Titian entered the studio, he ghost-painted for his brother Giorgione and his teacher Giovanni.

The wealthy businessman back then must know that he spent dozens of gold coins, and the family portrait he carefully took back was painted by a little-known child's representative, and he must have spurted out a mouthful of old blood directly, shouting RNM to return the money!

But if it's today.

Whoever can find accurate and convincing proof of the work co-created by Titian Giorgione must be an astronomical price.

The price of art is so wonderfully unpredictable.

Gu Weijing threw an identification technique on the drawing paper, opened the panel and glanced at it.

Unexpectedly.

The evaluation of this painting on the system panel is neither a super-awesome semi-professional, nor a defective Lv.9, but-

[Works: "Clouds in the Sky"]

[Sketch Technique: Lv.5 Class 2nd Order]

[Watercolor Technique: Lv.6 Class 3rd Rank (Color Enhancement)]

[Mood: Simple work]

"Is that so?"

Gu Weijing examined the comments on the panel.

The sentiment rating of the unpretentious work is nothing.

It's not a reason to use skills, his painting is a practice piece.

In the process of painting, the mind of painting is used to figure out the taste of the technique, and there is a lot more mind used to create itself.

It's pretty good to be able to get [Simple Works].

On the contrary, the note "Color" at the end of the watercolor technique is a new content that has never been displayed in the system panel before.

When Gu Weijing looked at the past.

I found that a line of small print annotations automatically popped up on the panel.

He read it for a moment, and he roughly understood how these two words should be interpreted.

According to the system.

Painters with higher painting skills, when polishing the works of low-level painters, can completely change the temperament of the old works, grinding stone into jade, and turning iron into gold.

Easy two.

The mediocre work has been transformed into an excellent masterpiece with a steep rise in grade and level.

It's like the ancients wrote poetry.

The triad of the head, jaw and neck is unremarkable.

Later, with the guidance of the masters, only a sentence of the tail couplet of the stroke of genius was added, and even only a few words were revised and scrutinized, and the overall momentum of the poem changed abruptly, majestic and magical.

It's for the wonderful pen to make flowers.

The same goes for poetry and painting.

Painters can also move thousands of pounds in twos and fours.

The master only mentions the most important point in the painting, which can make the momentum and pattern of the whole work unique.

To that extent.

A little higher than the level of the original artist will definitely not be able to do it.

It must be one dimension higher, at least one full level, preferably a large stage higher, in order to achieve the magic power of turning decay into divine energy.

The polishing of the picture as a whole is divided into three realms -

Color, eye, and spirit.

The most basic and simple thing is color lifting.

It is okay to increase the atmosphere of the picture, and it is also possible to add eye-catching features to the whole picture.

Just like the cloud on the last point of Gu Weijing, it adds three points of color to the entire watercolor painting, so that this painting, which is between amateur and professional entry, brings the audience an overall comprehensive visual effect that is close to the limit of professional painters.

As long as you have enough experience with the painting techniques in your hand, it is not difficult to do this.

The finishing touch is amazing.

The finishing touch, the finishing touch.

A stroke falls, and the paper is full of flowers.

In front of Gu Weijing, the old man Cao used dotted brushwork to point out the eyes of Guanyin on the mural of the Shwedagon Pagoda, even if it was a "finishing touch" to some extent.

The whole painting is instantly zen-like.

In addition to the requirements of technical level, it is necessary to have a sufficient understanding of the context of the painting, and find the "eye point" where the most critical and condensed divine will of the whole painting is.

In order to write the following knife.

A whip and a mark, a slap and a palm of blood.

It is no longer a simple addition of bright colors, but a fusion with the mellow temperament of the whole painting.

Let the feeling of the whole painting expand with your brushwork.

With a few strokes of understatement, the whole painting is suddenly vivid and has a soul.

This kind of almost pure giving is also different from the advice and help of the superior who is just a painting skill to the lower level of the painting skill.

You can see the master putting the finishing touch on the scene.

Not only is it a rare learning process for the creator of the original painting, but also a rare understanding and improvement for the person who puts the finishing touch on the brush.

Grasp the breath of a painting, like a famous doctor asking for a pulse.

It can hit the key with one needle.

It requires more than just technique.

It is also a process in which the master relies on his own macro insights on the entire technique to examine and sort out the painting and composition of the whole painting.

It is extremely important to test the depth of the theoretical skills of fire and painting.

Four or two dial a thousand catties, you have to make a clever move to move.

It is useless to practice painting skills to the death.

And the most difficult thing is the so-called "birth god".

Oriental painting pays attention to spirit, shape, qi and rhyme.

God comes first.

On the ancestral tree of Gu Tongxiang's family, there is a high probability that he is far-fetched to put gold on their own faces, and he recognizes the ancestor Gu Kaizhi.

When people summed up the theory of painting, they once said, "All paintings, the divine will is the most difficult, the second figure, the second landscape, the second dog and the horse, the Taixie must have ears, it is difficult to achieve but easy to be good."

Later generations praised Gu Kaizhi's wonderful painting skills, and commented that his works have reached the point of depicting gods in form.

The divine sense of painting is never confined to one stroke.

Everywhere, but also formless and substantial.

After a painting is raised by the master, it can be elevated in essence.

This is a reinterpretation of the original painting's incomparably precious.

The original painting gives the body, and his pen and ink give the soul.

Brought to life ever since.

Even the small print on the system panel does not explain what kind of polish is considered alive.

Only mentioned the legendary Liang Dynasty painter Zhang Sengqiu, the finishing touch, lightning and thunder in an instant, two dragons broke through the wall and flew.

This statement is, of course, a myth and legend.

However, this kind of painting gives people the feeling of atmosphere in their hearts, and although the last few strokes are called "dots", they actually have the meaning of "living gods".

Touch-up at the level of the god is no longer polishing, it is a joint creation of two people.

It's not just the masters who are very demanding.

Suitable creators and original paintings are both available but not sought.

Painted into a puddle of mud, Gu Kaizhi, Wu Daozi, and Yan Liben all came over to give you hard polish.

I can't have both god and form.

The dog's tail continues to mink, and it only adds to the laughter.

While Gu Weijing was reading the instructions on the system, he estimated that it was because today he had finally successfully equipped and mastered the bonus skills provided by the second step of the chain of tasks.

He heard a hint in his ear that a new quest was activated.

[Serial Mission: Fusion Painting - Embrace the Rivers (3/3 Final Mission)]

[Current task content: Learning, improving, and inheriting are the endless roots of the fire of art, and it is also a process of a person with a broad mind and a wide range of rivers. Give people roses, and there is a lingering fragrance in your hands. Instructing others is the most effective way to summarize and learn from yourself. Please complete six guided paintings for other creators, including at least five works at the "Color" level and one at the "Accent" level. 】

[Current Quest Progress: Color Enhancement (0/5)/Finishing Touch (0/1)]

[Ultimate reward for chain quests: One random legendary skill (this reward is only available for print classification)]

"The ultimate reward this time is finally a legendary skill again!"

Gu Weijing saw the prompt on the system and couldn't help but be slightly moved.

(End of chapter)