Gu Weijing was stunned for a moment.

He was slightly surprised.

He just wants to teach his grandfather how to improve, and the experience points fed back by this system are quite a lot!

1. The harvest of 200 painting experience points does not sound like much.

That's worth thousands of dollars.

I caught up with him to draw a few Chinese paintings seriously, or listened to Professor Lin Tao talk about the harvest of a WeChat online class.

If the latter were not for Cao Lao's relationship.

Normally.

The class fee of one or two thousand dollars per hour should not be able to buy a 1V1 master experience class for a painter of Lin Tao's magnitude.

It turns out that not only listening to the master's lectures, but also receiving a reward of painting experience points.

Lecture to others, and you can also have experience value in your account?

The introduction of the system task, the process of drawing the guide is also an explanation of the process of sorting out the knowledge system, which is not a lie.

Gu Weijing stared at the sketch on the paper, thought about it carefully, and found that the process of training Old Man Gu did provide him with an unprecedented perspective for thinking about art.

In the past, the process of painting was often a matter of trust, allowing the desire to create and the muscle memory honed by his fingertips to dominate the shaping of the details of the picture.

The process of painting the "Museum" island is like forming a unique soul bond with the artists in history.

He temporarily borrowed the greatness of the great masters, and appreciated the excellence of the great painters,

It seems to be a Milky Way hanging upside down in my heart.

Therefore, the hand-to-hand and the heart-to-heart are all starlight.

There's no need to think about it at all.

The best color expression and the most skillful brushstroke techniques naturally appear on the paper in front of you.

Relaxed, like Ngawang next to him, biting off a piece of sawdust on the old man's tea mound.

The process of his painting, whether he has the skill or not, seems to be dominated by a subtle "meaning" in his chest.

Of course, this process has a kind of elegance of "the article is made by nature, and the clever hand is even obtained".

However, it also lacks the sense of steadiness that comes from splitting the entire painting into thousands of independent pen and ink dots, carefully polishing and scrutinizing.

Think about it.

Gu Weijing's painting techniques improved too quickly and too violently during this time.

Except when he painted wisteria flowers on the lakeside of the Royal Botanic Gardens, he tried to grasp the essence of the petal strokes, but was quickly knocked down by the state of confusion.

In fact, the whole process of improving his painting skills is quite stream-of-consciousness.

It seems to have been empowered by the "old monk" of the system.

If you can draw, you can draw.

However, there is not enough thinking and scrutiny, and this is the first time that he has drawn a single stroke of his work from the perspective of a complete theory of knowledge.

Why so skimming? Why?

The process of telling it to others in its entirety.

He is not only telling Gu Tongxiang, but also telling his former self.

Give people roses.

There is a lingering fragrance in the hands.

"Oh oh! And then—"

Gu Tongxiang listened there and was fascinated.

The old man has always felt that the main gap between himself and a really good painter is in the style, in the gesture, and in the simple and atmospheric spirit.

are concentrated in these places of comparative metaphysics.

At least in the subtle control of the heat and the shaping of the lines of the techniques of dry and wet burning, shading and rubbing.

A simple method of outlining – to put it bluntly, it's just a small porcelain vase.

Just that inch of stuff belly.

He is not born with a beautiful person, and he learns to be like a whale absorbing water. You can use hard work, drop a drop of ink into it every day, and if you drip it for fifty or sixty years in a row, it should have been full long ago.

People who have played with brushes for most of their lives, who can be worse than whom!

But the quaint theory of "not rotten, not delicate" in the mouth of Sun Tzu, and the random change of single and double hooks in the pen, seem to be a slap in the face.

The door to a new world was opened to itself.

In the eyes of the masters.

A small ink line, there are also hundreds of articles.

In a trance, the small porcelain bottle that was already dripping in his heart became a 30,000-jin jade net bottle in the hand of Sister Guanyin, which made Gu Tongxiang feel unfathomable.

Gu Tongxiang was hovering between discovering that there was a different world, and the impact of a large amount of information, almost burning the old man's CPU in a daze, and trying to stretch out his arms to look through the crack in the door.

Suddenly, I found that my grandson was a little distracted and stopped talking.

The door that had just been pushed open was stuck there with a "click" and was no longer open.

This made how could Old Man Gu, who had just tried to poke his head, be satisfied.

"Hurry up, hurry up and continue, what kind of bridge to take, I'm still hiding with your grandfather!"

Old man Gu was very unhappy.

As soon as he said that, Gu Tongxiang felt that he was too eager to say this, and he lost his identity in front of his grandson.

"Ahem, I'll help you check and see if your idea makes sense." He cleared his throat and coughed heavily.

"That's not what I think. Many predecessors have already summed it up. Professor Lin Tao said that Chinese painting is good for flowers and birds, and the words can not be jumped, and the flowers and leaves should be complicated, even if they are as many as dozens of branches, hundreds of leaves, every trace of leaf outline must be hooked to be delicate and vibrant, not chaotic, and can not appear mixed and unclear entanglement. The time should also be simple, a few strokes, three or five branches and leaves, a hook of ink, the charm is fluttering......"

Gu Weijing was too lazy to puncture the old man's careful thoughts.

While drawing, he divided his painting brushwork into what Gu Tongxiang's level could understand as much as possible, and decomposed it for the other party.

The more Gu Weijing spoke, the more surprised he became.

Not surprised by the constant hints of experience gain on the panel, but surprised that he was able to say these words.

Don't look at the way he's talking there right now.

Even if it's Gu Weijing himself.

Before he sat here today and forced himself to explain the principles of painting to his grandfather, he actually didn't closely associate these words in his mind with the lines in his brush.

The book, Professor Lin Tao asked him to read, he read it carefully.

In class, what Professor Lin Tao said, and Gu Weijing also listened carefully.

But after a while, Gu Weijing also felt it in a flash, not to mention that the left ear entered, the right ear came out, and at most it absorbed one or two percent.

Now.

Gu Weijing felt that he might have been abrupt in the past, and he didn't realize Lin Tao's awesomeness.

Lin Tao and Zhou Ming, among Cao Lao's disciples, are two who have received relatively low attention.

It can even be said that it is quite ignored by the media.

These words sound enough to make the vast majority of art students in the world want to vomit blood with grief and indignation.

Both of them are big names on the Hurun Artist Rich List.

The price of a single work has also exceeded one million yuan.

Awesome can't be more awesome.

It's just that it depends on what standard you look at.

Schumacher's son and Senna's nephew will be scolded by the media for not being able to perform far beyond others in F1.

No one cares that everyone in the cockpit of the formula is a supermaster, one of the 20 best drivers on the planet.

Whoever gives you the surname Schumacher, this result is not qualified.

Because Lin Tao is the oldest disciple of Cao Lao.

So even if he reached this value, he took it for granted in the eyes of critics, and even did not meet the expected standards, which is a little disappointing.

When the article mentions him, he often sighs frequently that he failed to sign in to Gagosian back then. Missed the possibility of unfolding a different world in life.

Downing's kind is in line with society's expectations.

In the mural project at the beginning of the year, Lin Tao seemed to be about as popular as Uncle Sakai, mainly because he was a disciple of Cao Lao.

In front of the awesome father, who can't boast about his son?

It's a bit strange to describe a sixty-seven-year-old "son" with gray hair, but it's not rough.

Purely on the value and the degree of attention on seniority.

Strictly speaking, only Tang Ning after the auction of Xiangjiang is on the same level as Sakai Issei, and they are the top 50 in the whole world, regardless of race, country, and tens of millions of industry practitioners.

Lin Tao is still a step behind.

If you look at his oil paintings, they may only sell for one-fifth or even one-seventh of Sakai's price.

On the monument built by the last government tourism department on the side of the Shwedagon Pagoda, the name of Uncle Sakai must also be ranked in front of Lin Tao.

Even Gu Weijing himself, after realizing that Mr. Cao Xuan might have moved the idea of recruiting himself as a disciple, he is not a sage, he must have very, very respect for Professor Lin Tao, but it is inevitable that he will regard the other party as a ladder leading to a higher art hall in his heart.

I didn't realize what a rare opportunity it was to have a master of this level take time out of his week to give him one-on-one lessons.

Lin Tao said that artists can only rely on their own perceptions and thinking to change their style and overcome bottlenecks.

Outside forces can't help him.

The master leads the door, and the cultivation is in the individual, and the only thing where is the point is raised, pointed, and whether you can open the mind, it all depends on the individual's comprehension.

However, in fact, Professor Lin Tao gave the lecture from a commanding height, with a majestic momentum and a great pattern.

The truth that should be taught, the higher-level pen and ink skills, everyone has told themselves, but at that time, Gu Weijing's level was still not thorough, and he couldn't understand it, and he didn't know Baoshan like Gu Tongxiang.

Listening to the teacher's lecture at the level of level 4 is a feeling.

When I waited for Lv.5, I thought about those words again, and it was a completely different feeling.

What Lin Tao taught is the essence of the Southern Painting Sect that has been passed down from generation to generation for thousands of years, and it is also the most orthodox experience and art philosophy.

In ancient times, if you want to hear these knowledge, it is difficult to climb to the sky without Wang Xizhi's top-level family background.

With the improvement of Gu Weijing's skill level, the most quintessential and obscure divine consciousness in those ancient art classics began to open his arms to him little by little.

The other party seemed to have planted a seed and a key in his heart.

With the improvement of his skills, he also grew up naturally, and every time he tasted it, there was a new layer of world.

This is the benefit of the master's personal enlightenment and teaching, the foothold is too high, and the high enough allows many people to spend their lives to understand and grow.

There will always be something to think about.

Just like Guo Jing has been exposed to countless unfathomable martial arts classics in his life, but the martial arts that really turned his fate around in his life may not be the peerless martial arts such as the Eighteen Palms of the Dragon Descent, but the internal power breathing method taught to him by Ma Yu, the head of the Quanzhen Dao in the desert.

This is the first Zhengda and peaceful Xuanmen authentic mental method that he has come into contact with in his life, which has allowed him to distinguish the second-rate martial arts of the half-hung master Jiangnan Seven Monsters, and see the real world.

It also became the basis for him to be able to read the "Nine Yin True Scripture" and practice those truly advanced martial arts.

"Perspective, perspective, perspective."

Gu Weijing recalled the knowledge he had learned in class, imagining how Lin Tao would guide Gu Tongxiang if he was here.

"You have to remember that perspective is important in any painting, and only perspective relationships can depict the three-dimensionality of space. The perspective system of Chinese painting is different from that of oil painting, and the whole shaping is biased towards the flat style, but Chinese painting is definitely not without perspective......

"In modern textbooks, the perspective system of oriental painting is called the scattered perspective system. However, when Professor Lin Tao taught me, he liked to ......use the ten words of "lofty", "far-reaching", "flat", "mysterious", "far-reaching", "far-reaching",

"Look here......"

In the quiet room study.

Gu Weijing began to draw while talking, and after three minutes, Gu Tongxiang listened stupidly, the old man no longer talked about the difference between grandfather and grandson.

Inside, he lowered his eyebrows and was pleasing to his eyes, nodding his head there.

Later, the tone of "oh oh ahhhhh

Gu Weijing felt as if he had entered a wonderful state.

In the past two or three months, the content of more than a dozen lectures, the books he has read, and the content of the knowledge cards provided by the system have all slowly regurgitated in the course of his lectures.

Many key difficulties that I hadn't figured out before turned around and suddenly dissipated invisibly.

Those incomprehensible theories and the content that fall into the pen are very perfectly rounded together.

It's like the mantra that middle school math teachers often like to say - if you know it, you don't really know, if you can say it, you can really know it.

[Chinese Painting Technique +71!] 】

[Chinese Painting Technique +63!] 】

[Chinese Painting Technique +121!] 】

【……】

The knowledge that was chewed up was integrated in his body, and in the sound of the system ding dong and ding dong, it became the skeleton and cornerstone of Gu Weijing's Chinese painting path.

In the twinkling of an eye.

After he broke through the second rank of the Lv.5 class, the second wave of skill improvement suddenly came.

The column of Chinese painting techniques on the system panel began to fill in a not-so-fast, but stable and long-lasting state, like the end of an experience bar.

In the twinkling of an eye.

The experience points that were originally in the early 6,000s reached 7,000 and soared towards the value of 8,000.

I was bored there, and I was thinking about whether to sneak out and bully the butterfly, or continue to lie here and wait for Ngawang to cook on time at noon.

It seems that he also senses that Xiao Guzi, the shoveling officer, is a little strange now.

It didn't harm Lao Guzi's teapot anymore, and raised his round head lazily, and let out a little confused "meow".

(End of chapter)