In 1979, because Liao Gong was very dissatisfied with the sample film of "Shaolin Temple", he ordered a reshoot.

By the beginning of 1980, according to the importance of director Xiangjiang to the theme song of film and television dramas.

Director Zhang Xinyan, who has just taken over the filming task, has come to Yanjing.

The person he wanted to meet this time was Wang Liping, the composer who wrote all 13 soundtracks for the TV series "Dream of Red Mansions" in the future.

Coincidentally, Wang Liping was sitting on the train to Pujiang with Wang Jieshi and Xie Lisi at the moment.

The purpose of their trip was to participate in Pujiang's "Rising Star Concert".

At this time, another director of Xiangjiang was accompanied by a friend, walking slowly to Peking University Hospital.

He is Li Hanxiang, the director of the earliest Qing Palace trilogy "Burning the Old Summer Palace", "Listening to Politics with the Curtain", and "A Generation of Demon Queens".

As early as 1975, director Li Hanxiang did his best and used all available resources to shoot two films about the First Sino-Japanese War and the Wuxu Change: "Alluring the Country and the City" and "Yingtai Weeping Blood".

After the release of the two masterpieces, overseas Chinese-speaking regions applauded.

When the two films entered the VIP screening room in the mainland, the senior management of the Ministry of Culture couldn't help but praise them one after another.

They really didn't expect that in a cultural desert like Xiangjiang, there would be capable artists who knew history.

And director Li Hanxiang also said that it would be the regret of his life that these two movies could not be filmed in the Forbidden City.

One party is invited, and one party is interested, so it's easy to say.

In 1978, Li Hanxiang, who was born in Baishan and Heishui and grew up on the Great Wall of Culture, started a secret trip under the guidance of "friends".

The north and south of the Great River, inside and outside the Great Wall...... have left his footprints.

During this period, it had contact with famous inland film studios such as Beiying, Shangying, and Xiying.

After a wave of excitement, Li Hanxiang decided to shoot a movie in the mainland.

But everything after that didn't seem to be as easy as he thought.

First of all, the choice of material for the film is a problem.

In 1980, when Li Hanxiang excitedly took a few themes and handed them over to the leaders of the Ministry of Culture.

was told that these options for him had already been accepted in advance.

Lao She's "Teahouse" was given to director Xie Tian.

Pu Yi's "The First Half of My Life", Italy has already bought it as "The Last Emperor".

The movie "Zhou Enlai" will definitely not be filmed for him......

After racking his brains, Li Hanxiang decided to return to his old business, and simply filmed the Qing palace drama.

Coincidentally, the Ministry of Culture also thinks so.

So the two sides hit it off and initially decided on the filming plan of "The Legend of Cixi".

But when Li Hanxiang made tea, lit a cigarette and was ready to start editing, he found that the more he went over, the more outrageous it became.

It turned out that his little historical knowledge reserve had already been consumed by the two Qing court dramas in Xiangjiang.

There was no choice but to ask for help from the top.

This request led to a series of feedings from the Ministry of Culture.

directly made Li Hanxiang's next works become classics that cannot be surpassed by later generations.

After the matchmaking of the Ministry of Culture, Li Hanxiang visited a number of Qing history experts.

After pestering Zhu Jiajun to study for a long time, he not only got his authoritative guidance, but also brought back a lot of historical materials.

In the end, Zhu Jiawei was simply the historical consultant of the play, and Hou Baolin was the folk customs consultant.

After the return of the gild, Li Hanxiang overturned the previous single copy of "The Biography of Cixi".

The five-part series of "Queen Mother of the West" was redrafted.

These five parts are "The Burning of the Old Summer Palace", "Listening to the Government with a Curtain", "Tongzhi Zhongxing", "Reform of the Law" and "The Eight-Nation Alliance".

However, the script, which was written as early as 1980, was postponed until October 1982.

If you ask the reason, a complicated one.

Since the news of Li Hanxiang's cooperation with the mainland came out, he first received interrogation and difficulties from the relevant departments of Xiangjiang, and then the contract pressure of Shaw Brothers.

What's even worse is that due to poor management, the filming funds have not been in place for a long time.

Then, after the more terrible, there is the most terrible.

The management in Xiangjiang has also withdrawn......

It was not until 1982 that Li Hanxiang co-founded the "New Kunlun" Film Industry, which continued to have a leading edge with the Ministry of Culture.

Li Hanxiang, who has been holding back for two years, has accumulated a lot of historical materials and wild materials.

The script that led to Director Li rewriting in 14 days was too strong.

directly finished the scripts of "Listening to Politics with a Curtain" and "Braised Old Summer Palace" together.

After that, Li Hanxiang, who was accustomed to the sudden changes in the situation, decided to take advantage of the happiness of the Ministry of Culture and simply shoot the two dramas together.

For the sake of the rich and earth-shattering service road, and the royal shooting location.

Today's Zhu Jiajun couldn't have imagined that the dragon chair that he and Huang Yongyu didn't dare to sit on would not only let others sit on, but he also had to personally guide others how to sit.

To say that the resources prepared by the Ministry of Culture for Li Hanxiang are really unprecedented and unprecedented.

Known as an epic trilogy, where is the epic?

In addition to the huge film crew composed of more than 60 units across the country,

The entire Forbidden City, the Summer Palace, and the Chengde Summer Resort...... The whole is open to the crew.

Everything you see in the camera is a genuine cultural relic.

But that's not the case.

As a palace-level service provider, Bo has supported these two movies.

According to the different characters and locations of the film, Bo opened different treasure chests.

When the female No. 1 Liu Xiaoqing came on the stage, so Bo took out the jewelry box of Cixi before her death, and the ring and necklace she was wearing...... to the phoenix chair and the jade bowl to clean the hands......

When the male No. 1 Liang Jiahui appeared, Xianfeng used pendants and folding fans...... sat on the shoulder, the dragon chair, and the dragon bed when he died......

The jade seal of Tongzhi when he ascended the throne, the nine-dragon crank cover, and the cultural relics carpet laid ......

Xianfeng closed his eyes in the "Yanbo Zhishuang Palace" in Chengde Villa, and this scene was filmed in the "Yanbo Zhishuang Palace".

Xiao Tongzhi ascended the throne in the Taihe Palace, and this scene went to the Taihe Palace.

Anyway, where it happens, it has to be filmed there.

In addition to the Forbidden City, the Summer Palace, and the Summer Resort, there are also the Temple of Heaven and the Eastern Tombs of the Qing Dynasty......

What should I do if the Old Summer Palace is gone, spend more than 600,000 to imitate one.

With the strong support of the Ministry of Culture of the mainland, not only did Li Hanxiang embark on the high-end game, but also opened the eyes of Ma Weidu, who was following Li Hanxiang.

It was precisely because of this feast of cultural relics that Ma Weidu embarked on the journey to see Wang Shixiang.

However, this time, they are still going their separate ways and have no intersection.

But if you look closely, it seems to be a little different.

Because in the first echelon of the expert group, there is a Jiang Shan who plays as an assistant.

So director Li Hanxiang at this meeting is standing impartially behind a bunch of little nurses.

Because Xu Bangda, who was the last to arrive in the ward, forgot to close the door.

At this time, in the first-class 5-bed ward, I didn't notice that I was in a state of live broadcasting.

Just because he listened to a few more words in the crowd, Li Hanxiang, who came to condolence the leader of the Ministry of Culture, immediately joined the angel pile at the door.

It's a pity that he came a step too late, and he didn't hear the part where Zhu Jiajun outwitted the golden carved dragon chair.

Several old experts in the ward, opening their mouths of national treasures and closing allusions.

Hearing Hu Yuan and Ma Yuan, I only felt that there was a legend in front of me.

Especially this old comrade who has just entered the door, even if he wears a gray coarse cloth cotton jacket, he can't cover the fairy wind of the Dao bones.

Dean Ma asked curiously, "Why do you all call Professor Xu Xu Banchi?" ”

"Dean Ma, you don't know," Zhu Jiajun said with a smile: "Lao Xu's appraisal skills in cultural relics, calligraphy and painting are not comparable to us. ”

Xu Bangda waved his hand modestly: "Qigong can still be compared." ”

Qi Gong smiled and switched back to the topic: "The reason why Brother Half a Foot has the nickname of Half a Foot is entirely because his eyesight is too good, usually speaking, as long as a calligraphy and painting is opened for half a foot, he can tell the truth from the false." ”

"Yes," Dean Ma really admired when he listened: "In my impression, it seems that you have to take a magnifying glass to look at the paintings little by little." ”

"This also depends on the situation," Xu Bangda also has such times: "When you encounter someone who can't make up your mind, or when you have a disagreement with other experts, you have to work hard." ”

Zhu Jiaming agreed: "But the most reassuring thing about Lao Xu is that he seeks truth from facts and does not follow the crowd. ”

In fact, Qi Gong is the same: "This is also the reason why we get along." ”

At this time, Wang Shixiang smiled: "I really admire Lao Xu's eyesight, let alone half a foot,

Once, I went to Brother Boju's house with him, and I just unfolded an inch of a scroll on the table.

Only then did he realize that it was a bamboo leaf, and he opened his mouth and said that it was Li Fangying, but when I opened it to see, it was really Li Fangying's painting. ”

In fact, Xu Bangda also has a time when he is eye-catching.

He was twenty-eight years old that year, and he took the liberty of collapse.

Without consulting anyone, he spent 20 taels of gold to buy one.

When I ran to show off to the teacher, I realized how worthwhile I was.

Since then, a thin teenager has begun to study and apprentice everywhere regardless of spring and summer.

Unlike his two grandchildren, he was born into an ancestral family of merchants.

Because he was too rich, he simply bought a piece of real and fake paintings.

Because only in this way can he intuitively feel the subtlety of the fake.

The main thing is an extreme high-end game.

After doing this, Xu Banchi finally got the title of grandmaster-level appraisal.

In the industry, Xie Zhiliu, the director of the Pujiang Museum, can argue with him.

……

Snowflakes flutter in the north, and cold winds howl in the south.

At this moment, Jiang Shan, who was standing next to the ticket window of the Pujiang Wanti Museum, was looking down at a manuscript.

As soon as he looked at half of it, he raised his head in surprise: "Big brother, where did you get this manuscript?" ”

Jiang Haiyuan looked at the long queue of buying tickets: "Why, you are only allowed to have friends in Yanjing, and I am not allowed to have acquaintances in Yanjing?" ”

Jiang Shan hehe: "You're an acquaintance, I'm afraid you're in trouble, right?" ”

Jiang Hai was taken aback, he thought that the third child was going to ask him a few words, but he didn't think: "What, do you know who this Xu Bangda is?" ”

"Who else?"

Jiang Shan glanced at the boss with disgust: "Now you are getting more and more like that!" ”

"What's the smell?"

"I won't tell you," Jiang Shan looked down at the time: "I have to hurry up to the train station to pick up someone." ”

In a while, the train taken by Wang Liping, Wang Jieshi and Xie Lisi will arrive in Pujiang.

Jiang Hai: "Then what does this manuscript say?" ”

"Out," Jiang Shantou waved his hand without looking back: "The draft must be made!" ”

Not to mention that he already knows what happened, even because of the friendship between Huang Yongyu and Xu Bangda, he also has to give this manuscript.

(End of chapter)

.