He Ying, who was sitting in the taxi, didn't have the heart to review Fang Cai's emotions and what was wrong.

She buckled up her seat belt, and discussed with Tang Guoguo that she went to the school to go to Ye Fangyu's office to see if she could help Lou Xinyue and Chu Mingchen fight for leniency.

After reaching an agreement, the two felt that they had nothing to do on the way back, so they shared today's harvest in the group group.

Tang Guoguo was the first to ask: [He Ying~ I heard Cheng Bo say, you skipped class today to visit him to visit the film and television city, how is it, have you seen a big star? 】

He Ying sent an expression of spreading his hands: [I didn't see a star, I only saw some ancient buildings being built, I thought it would be helpful for us to make models, so I took pictures! ] 】

Then, she posted the photos she took today to the group.

It wasn't until she saw the photos of the internal structure of these ancient buildings that Gu Zhaodi, who had been silent, responded: [It's really helpful, I'll study it first. 】

Seeing that Gu Zhaodi no longer spoke, He Ying began to urge Tang Guoguo again: [Guoguo, where are you going to play today? Send pictures quickly, let me envy and envy! 】

Seeing Tang Guoguo post a series of small videos of Peking Opera scenes, He Ying thought that she would talk about what classic repertoire she had listened to today and what interesting ticket holders she had met, but she didn't expect Tang Guoguo to talk about Peking Opera masks next.

[You must not guess, I used to watch Peking Opera and couldn't tell whether the characters on the stage were good or bad! But since I visited the traditional Chinese color exhibition a few days ago, I have learned to distinguish faces! 】

He Ying was about to ask how to tell the difference, when he saw Tang Guoguo send a video of the staff introducing traditional Chinese colors.

[The narrator said that there are thousands of colors in nature, but for Chinese civilization, the five colors of blue, red, yellow, white, and black are the most special, because they are not only five colors, but also represent the five elements and the five spirits. And in the world of opera, these five colors of face makeup are also the most symbolic. 】

In the group's WeChat group, no one interrupted Tang Guoguo.

As a result, pictures of Peking Opera masks in various colors and notes that she carefully organized were sent to the dialog box one after another.

[Red symbolizes loyalty and bravery, and Guan Yu is the most representative. 】

[Yellow symbolizes courage and fierceness, which is the case with Yuwen Chengdu. 】

[White symbolizes insidious and treacherous, such as Cao Cao.] 】

[Black symbolizes uprightness, but I still can't tell the difference between Bao Zheng and Zhang Fei. 】

[Blue symbolizes courage and scheming, Dou Erdun is it! ] ～】

[Since I know this, I know what the character on the stage is, so when I watched "Walking Wheat City" today, even if I couldn't understand the lyrics, but as soon as that blue face came out, I knew that it was Lu Meng! You say, "Am I amazing?" Praise me, praise me! 】

Tang Guoguo's excitement was beyond words.

But when she found out that only she was talking endlessly in the entire group, and even He Ying disappeared, she finally made a puzzled expression:

[uh...... If you don't cheer, it looks like I'm bored! ~】

Seeing that there was still no one in the group replying, she had to put down her phone.

wanted to ask Gu Zhaodi beside him what was going on, but found that Gu Zhaodi had no time to pay attention to herself. Her slender fingers were typing rapidly on the screen of her mobile phone at this time, editing out lines of WeChat messages.

On the other end of the phone, He Ying is also doing the same thing.

Because the two of them discovered almost at the same time, there was a serious mistake in the Fengtian Temple in the film and television base of the crew of "Da Ming Craftsman".

At the same time, two messages appeared in the group's dialog.

Gu Zhaodi: [Xingshi, it is on the top of the heavy eaves hall of the Taihe Hall of the Forbidden City, behind each pendulum riding the phoenix immortal, in addition to the dragon, phoenix, lion, seahorse, heavenly horse, oshiyu, fox, hedgehog, bullfighting, the tenth beast. With the vertical ridge of ten beasts, the Taihe Hall is unique in the existing ancient Chinese architecture.

However, the beast of Xingshi is not recorded in the documents of the Ming Dynasty. According to the "Taihe Hall Chronicle", when Kangxi rebuilt the Taihe Hall in the 34th year, because he no longer burned the head tile, which was the largest tile in the Ming Dynasty, he chose two tube tiles, so if nine beasts were still installed on the vertical ridge, it would cause a vacancy in the back position, so the craftsman added a human monkey face in the back, which was very similar to Lei Zhenzi's line, and took the implication of lightning prevention and fire.

Therefore, Xingshi not only cannot appear on the roof of any ancient building except for the Taihe Palace, but also cannot appear on the Fengtian Hall of the crew of "Da Ming Craftsman". 】

He Ying: [The golden dragon and the seal color painting are the highest level among the various official color paintings of the Qing Dynasty. Because of this kind of color painting, in the heart of the fang, find the head and the box and other parts are filled with a large number of dragon patterns such as ascending dragon, descending dragon, group dragon, walking dragon and other postures, the dragon pattern is usually surrounded by orbs, cloud patterns and flame patterns, and these dragon patterns and all the large lines of the paragraph need to be drained and pasted with gold, the color painting effect is brilliant, the most can highlight the royal style, so this kind of color painting is only used in the main buildings of the central axis of the palace, such as the Forbidden City's Taihe Gate, Taihe Palace, Qianqing Palace and Yangxin Palace.

However, in the Ming Dynasty, it is inferred from the existing examples that the rotor color painting is the main category. Although the original appearance of the Fengtian Temple in the Ming Dynasty has not been preserved, it can be inferred that in the Ming Dynasty, in the official style of the Ming Dynasty, there is a color painting called the gold line and the big point of gold, which is the highest level of color painting at that time, which is suitable for decorating the main hall in the palace and the main hall of the main altar temple. And this kind of color painting, the heart of the fang is mostly a flowerless plain fang heart, at most some dragon patterns are drawn in it. Its main frame line and the center of the flower, the water chestnut ground for the practice of leaching powder and gold, and the dougong is the practice of green and green retreat.

Therefore, although the crew has just filmed the score, and they have not yet been painted with gold and tiled paving, just looking at the pattern of the double dragon playing with pearls on the heart, it can be concluded that these colorful paintings are golden dragons and seal color paintings that only appeared in the Qing Dynasty, and they must not appear on the Fengtian Hall of the film and television base of "Daming Craftsman God". 】

Immediately afterwards, He Ying and Gu Zhaodi discussed it again, and sent a picture of the vertical ridge of the encircled beast and a picture of Liang Fangcai's color painting score magnified several times to the group.

Looking at a large list of text explanations quoting scriptures, as well as those pictures that were not inappropriate on the surface, Tang Guoguo couldn't understand it at all.

I can only bite the bullet and ask: [You two...... Can you put it more simply? 】

[Simple? 】

Gu Zhaodi thought about it for a long time and put down her mobile phone, planning to explain it to Tang Guoguo on the spot.

But I saw He Ying send a message: [To put it simply, the Fengtian Temple of the film and television base of "Daming Craftsman" does not conform to the real situation in history, and I think I need to give the crew some suggestions for rectification. 】

[That's right. Gu Zhaodi agreed.

[Huh?! Tang Guoguo looked at the news repeatedly, and recalled that in the ancient puppet dramas he chased, the filming venue was generally shared by multiple crews, and the costumes and props were not so particular, so he asked again, [Do you need to be so serious?] Aren't those shots just flashing by? That's pretty much it, right? 】

He Ying doesn't think so: [But this drama is about the life of Kuai Xiang, the designer of the Forbidden City and the architect of the Ming Dynasty, and it can be regarded as a historical drama. Fengtian Temple is a milestone building, but also a very important set construction, if even the original appearance of the Ming Dynasty architecture can not be restored, then what is the point of shooting the craftsmen of the Ming Dynasty? 】

[That's what I said......] Tang Guoguo was thoughtful, [But we are just a few students, how can we give advice to the crew? ] Even if they do, they won't necessarily listen, right? 】

This gets to the point.

He Ying ran out of ideas.

After thinking about it, I can only discuss it with Cheng Bo again.

But Tang Guoguo's words reminded her at the right time; [If you ask Cheng Bo for help, will it cause him trouble? ] 】

He Ying knew that if they wanted to visit the film and television base of "Daming Craftsman", Cheng Bo would definitely do his best to help. But if it's to find fault and dismantle the table, it's not necessarily.

Maybe Tang Guoguo is right.

It's just a fleeting shot, and most of the audience can't see the difference between the ancient buildings of the Ming and Qing dynasties, so why should the crew bother to change it? What's more, changing these details not only requires a construction period, but also requires capital investment!

Since there is no good solution. At this point in the discussion, there is no further article.

The three girls had no choice but to put down their mobile phones, each in the taxi, and silently looked out the window.