[Some people in the industry shouted, the wolf is coming!] 】

[But you quickly noticed that something was wrong, as the so-called Chunjiang plumbing duck prophet, every industry, even if it takes public opinion propaganda to the extreme, needs substantial results to support the good reputation of the product]

[The possibility of the void touting, the probability is to kill, is to hope that you will die]

[Boasting about how good the quality of a product that has not yet been produced is often your opponent, which you know very well if you worked in a leading condiment company in your previous life]

[The real business war is always so unpretentious, such as slandering a processing plant that is isolated and transported through pipelines almost the entire process except for the initial feeding stage, saying that there are employees who and pee in food and condiments]

[For example, deliberately buying off the marketing director of a competitor, quietly channeling goods, and disrupting the company's local market layout]

[For example, when directly talking about the direct connotation when introducing to consumers, does "full XX days" mean that the light situation of each batch is different, and the product quality is uncontrollable]

[These are all examples that you have seen with your own eyes]

[For large companies, the easiest way is to use absolute marketing expenses, large-scale distribution and even stable quality to tell their opponents how vulnerable they are]

[But small companies can't afford this risk, because small companies don't have the ability to do this under normal circumstances]

【Unless...... Someone was hanging at the beginning]

[Without the life crisis, you don't have the idea of putting all your energy on biomedicine, you begin to confidently learn the relevant knowledge of your future industrial layout, and with the help of your talent, you can quickly advance in this area]

[In this battle, you can be sure that you will be able to slap everyone in the face]

[At the same time, you decided on a new project for the animation studio]

The scene unfolds.

At the animation studio company meeting, Asaba Kazama sat in the middle position, and Ishihara Rina sat timidly in the position closest to Asaba Kazama.

"Don't be nervous, it's all your own people in the meeting." Kazama Asaba whispered.

Compared with when she first came to the company, Rina is a little less panicked, and her words and deeds give people a feeling of more shyness, rather than the previous posture of being afraid of contact with outsiders.

This made Kazama Asaba happy from the bottom of his heart.

Although in this way, Rina is not a treasure that belongs only to herself, but a treasure that belongs to the company and more fans who love the animation industry, and sometimes it makes Kazuma Asaba a little disappointed, but he will still be happy to see that she can really embrace the world.

"As for the new project, really, really, it's really decided like this?"

Rina Ishihara was a little uneasy.

The animation studio is now in a period of rapid development, and every time a card is played, it gives people a general feeling of doing their best, with a deep sense of gambling.

Kazama Asaba wasn't so scared.

The relevant experience of his previous life gave him the courage to compete with everyone, and the results obtained from each love simulation also gave Asa Hakazama the ability to achieve everything.

Soon, Daisuke Hiramaki walked in with a document: "Kazama, have you brought something over, and send it directly?" ”

"Send it." Kazama Asaba said.

Sitting in this conference room now are the core members of the animation studio.

He has served as the general supervisor, painting supervisor, music supervisor and other core members of the animation production project team, such as the general director, painting supervisor, and music supervisor of various works in the past.

Kazama Asaba patted the documents on the table and said calmly, "From last year to this year, our animation studio has played a perfect opening, which may be the most lively time since the establishment of the animation studio, and all the eyes of industry peers are focused on us."

But it's not enough, it's far from enough, I won't say anything superfluous, in recent times, our company has more than doubled, from the most basic original artists, the core members of the project team, the number has doubled, the purpose is to prepare for today's several projects. ”

Asaba Kazama's hand patted the documents on the table, and said with a smile:

"In the next three quarters, we will release a total of 12 works in the animation studio, which means that there will be as few as three and as many as five projects in parallel within the company.

This is undoubtedly a big project, and the shepherd overseer ......."

Daisuke Hiraki got up and said, "Yes." ”

"This quarter, the company's "Angel Came to Me" project, I have sent it to you before, and the most common small and beautiful light lily works in our animation studio, you as the general supervisor, can watch it here.

I'm going to let the art supervisor take on more responsibility, and I'm also going to train new people who can take over the position of chief supervisor, so I don't have to worry about not having a good plan when it comes to publishing works.

And the focus you need to be responsible for is the project to be released in the middle of the year, "Rebellious Lelouch", this ...... You need to be careful, it's not easy to deal with. ”

Daisuke Heimaki nodded, his expression extremely serious.

Only the shallow feather Kazama himself knows,What's really hard to deal with this one is,It's because of the generation gap.。

It is true that "Lelouch the Rebellious" is already an old work, and even in the eyes of many people who have chased it back then, this animation can be said to be a god among gods.

But after all, the years are unforgiving, so many years have passed, the audience's aesthetic vision has changed again and again, although the world view of "Lelouch the Rebellious" is not completely backward, but after all, it ...... It's not the same time anymore.

The core of the story is good, but how to use the core of the story to give a more perfect answer to the background that can better adapt to the audience's preferences is another matter.

Not to mention anything else, just the operation method of the related mecha in Lelouch really gives people the feeling of 20 years ago, and if you look back, you will find that some of the operation methods in it are very similar to the feeling of playing a motorcycle in a video game city.

This kind of content that is easy to play at the moment must be slightly adjusted.

Why do you want to do Cyberpunk Edgerunner?

To a large extent, it is to accumulate experience in this area, and try to make the work look more fashionable.

Asaba Kazama has high expectations for this work.,Some people may think that this animation is second.,There may be old viewers who look back and look back.,I feel that the story content is relatively thin.,Although the proportions of the characters are beautiful.,But if you look at it a few more times.,You will feel that it's not so harmonious.。

But it is undeniable that none of the works that could become hegemonic back then were simply darlings of the times.

Even if the disc sales of a certain garlic are quite good, it is also because the content of other people is very suitable for promotion on the Internet.

A few thin clips attract a group of people to watch a movie, which is not so easy to do.

Not to mention, in the era when the Internet was not so developed, "Rebellious Lelouch" became popular more by word of mouth!

Kazama Asaba still remembers that before "Lelouch the Rebellious" appeared, there were few animations between students that could be used to talk about each other.

In the era of "watching animation is equal to naivety", it is really possible for some people to be ridiculed by some people when they are still young and second-time old people watch an animation.

There were not many works that could break out of this invisible circle in the past.

The Sea of Dead Fire can become one of the three major migrant workers, relying on this kind of circle-breaking influence, and among the short works, "Rebellious Lelouch" can definitely be regarded as one of the several key node works that the two-dimensional circle on the side of Daxia can expand rapidly.

Such a work is handed over to Daisuke Hiramoki to deal with, and it is conceivable that Asaba Kazama is loyal to him.

Kazama Asaba coughed lightly, and then said: "Then I will introduce to you the project leader of another new project to be done this time, she is a newcomer in terms of general supervision, and I also need everyone to take care of our newcomers here." ”

Kazama Asaba looked at Rina Ishihara.

Ishihara Rina's expression froze a little, but after a while, I didn't know what came to mind, the stiffness on my face gradually dissipated, stood up, and said softly:

"After the planning of "K-ON", please take care of it."

After speaking, there was a small burst of surprised voices below.

Some people have hesitant expressions on their faces, some people are thoughtful, and there are people like Daisuke Hiraimu, who look like everything was expected.

"K-ON", a classic masterpiece of waste cuteness, light lilies and music, has never appeared in Dongying in this world.

Asa Kazama thought about it for a while, but he still decided on this drama.

"K-ON", or another more famous name, "Light Girl", I don't know how much of a sensation it caused in the industry back then, and even to some extent, it can be regarded as one of the sources of the explosive growth of the waste budding style.

To tell a joke, until the time of the light feather Kazama crossing, there were friends who admired it to make up for it, and after watching the light girl, they were excited to replace their emojis with a large number of character emoticons.

Of course, this is not the most important thing.

What's more, the style of "Light Voice Girl" is actually easier for the old employees who started construction, and its story is told with music, which gives people a really different look.

However, seeing that some people at the scene had doubts, he still knocked on the table and said in a deep voice: "K-ON is a pre-preparation for me to create an evergreen tree for the animation studio.

In the future, Rina Ishihara will be the main person in charge of this project, with the aim of helping us create a group of 'music fans' that can leave a deep enough impression on the audience.

Because of the attention, I will also spare some energy to pay attention, but don't slack off just because Rina is the chief overseer. ”

Kazama Asaba's expression was serious.

The people present are also old people in the workplace, how can they not understand that their boss has made up his mind to let Rina Ishihara serve as the chief supervisor.

And this is a project that the boss will also devote his energy to paying attention to personally......

Many people already have some kind of judgment in their minds.

It's true to pay attention to it personally, and it's true to train Rina Ishihara, a newcomer.

Looking at the attitude of the boss, the importance of this project is absolutely ridiculously high, and to some extent it may even exceed the attention to Daisuke Hirumaki.

Other words...... This animation,I'm afraid it will be more full of the color of Kazama Asaba.。

It reassured them a lot.

Although there are many people in the company who know that Rina Ishihara is very good at original painting, and she has a full sense of camera, but without an actual attempt, who dares to say that she will be able to do it?

Let's take the simplest example, a rookie general supervisor who made "Chainsaw Man" mediocre, don't look at the fact that he is a newcomer in the industry of chief supervision, but he has left the position of general supervisor and moved to the field of original artists, and he originally belonged to the big guy.

But what's the use?

Didn't you take a big production and finally hit the street?

Kazama Asaba understands their concerns, but won't change his decision.

Because only he can understand that Rina's talent for modeling and the ability to grasp the end brought to her are really not like a talent that normal people can do.

Kazama Asaba himself also has this ability, and he knows very well that after having this ability, the understanding of the storyboard and the control of distance and proximity are really terrifying.

Whether it's a simple 2D animation, or a 3D animation, or a character design for a 3A masterpiece...... can produce a lot of bonuses.

The most exaggerated thing is that after having an inadvertent experience of a flight simulator, Kazama suddenly discovered this ability, which may have a bonus to distance perception in space.

In terms of the world view of Gundam UC, it seems to have a bit of a spatial perception bonus.

can only be said to be one of the king's heroines of love simulation, and there is a lot of potential for this talent to be developed.

And Ishihara Rina also looked at Kazama Asaba gratefully.

She wouldn't think that Asa Feather Kazama was robbing her of her credit, Kazama was a foreign aid that the animation studio asked for at that time, so everyone would be more tolerant of him at that time.

But now that the animation studio has passed the dangerous period, it can even be said that this time has shone brightly, and I don't know how many people in the company want to be able to start a project on their own, and there are many people who are more qualified than themselves.

"But I'm not going to let it go so easily."

Rina Ishihara loves the story of K-ON, but more importantly, she wants to be able to help him instead of being a burden to him.

For this purpose, she has to do everything she can, even if it's through Kazama's seedlings, to make herself stronger.

Quietly, Rina Ishihara's mentality has undergone some subtle changes.

"Come on, Rina, prove it to everyone, Kazama didn't see the wrong person!"

Just as he was thinking this, the phone that Asaba Kazama had placed on the table suddenly vibrate.

Kazama Asaba frowned, picked up his phone and glanced at it.

"Huh?"

Asa Kazama let out a cry of surprise.

Everyone's eyes looked at him, and Asaba Kazama thought for a moment, and finally said:

"Someone is going to pull a stool over, and our investors who have never met before want to come and hear about the company's next plans."

Everyone was stunned for a moment.

If it weren't for Kazama Asaba mentioning this, they would have almost forgotten that there were investors in the animation studio.

Suddenly, Asaba Kazama added: "The stool is placed next to Rina, and if she has a problem, don't say more, I'll just talk to her." ”

(End of chapter)