"Hahahaha!"

A burst of laughter rang out.

With the bright light of the screen, Zhang Yi glanced at Feng Xiaogang next to him, and found that Xiaogang was leaning forward, with a serious expression, a tense face, and a fist.

The air conditioner was turned on in the theater, and a slightly cool cold wind blew down and fell on the arms, and the hairs were raised.

Zhang Yi was already a little coughing today, and he couldn't help but want to cough even more.

He wanted to hold on, but he got up and went out, considering that the coughing would disturb the others.

After sitting in the rest room for a while, drinking a cup of hot water, feeling slightly better, I returned to the theater.

Before he could sit down, he heard a lot of sniffing.

Is the air conditioner too cold, does everyone catch a cold?

Zhang Yi glanced back.

Deng Chao and Li Lianhua, as well as many audience artists, had red eyes, and they obviously shed tears.

He nodded and smiled, and couldn't help but look at Feng Xiaogang again.

The little steel cannon leaned back on the seat at this time, looking limp and weak.

Zhang Yi smiled secretly in his heart.

After another while, Feng Xiaogang got up, bent over and left.

At this time, the movie was almost over, and in the dim theater, the figure of the little steel cannon looked thin and lonely.

Zhang Yi probably understood what was going on, and sighed in his heart.

As soon as "Punch, Dad" came out, the most panicked person was not him, not Jiang Wen, not Chen Shiren, but Xiao Gangcang.

Although he is not a professional film critic, he can see that Lee Shengyao is definitely powerful.

If he were asked to write a film review, he would be able to make the following analysis.

First, "Punch, Dad" has a lot of lens language.

Lee used a lot of wide-angle shots, medium shots, especially in the game scenes.

The benefits of the actors' training for a few months are apparent, and during the competition, the overall editing is very small, and you can see the fight scenes similar to Li Lianjie's kung fu films, which are visually very smooth.

In addition, the camera position is always moving, but it is very stable, often pushing and pulling, giving people the feeling of breathing, the lens is near and far, it is vitality, and it will not be dull and boring.

The second point is that the picture is clear and real, the set is very old, and the pursuit is a sense of substitution.

It is different from his love of red, green, and rhubarb to guide emotions with strong colors.

"Punch, Dad" basically restores the original color and brightness of the object.

In terms of the structure of the shooting, there is a clear theme.

For example, when the heroine wins, she is in the most central position of the shot, and the audience can lock on to her at a glance.

For example, when his father was defeated by the heroine, he looked small and frustrated at the edge of the frame.

Thirdly, the story is well-paced.

From the time the heroine was a child to the time she won the World Cup, the overall narrative was flat and straightforward, without much suspense.

But the story is complete and clear, the emotions are high and low, funny and warm, very smooth, and there are almost no abrupt nodes.

Fourth, the editing is natural, smooth and sophisticated.

In the whole film, there will be no uncomfortable cuts, and there will be no places that make the audience's eyes tired.

If it's fast, it's fast, and when it's slow, it's slow.

In the last final, the heroine of the third round attacked wildly at the beginning, very quickly.

When it came to the last punch, it instantly zoomed in, and the explosiveness and importance of this punch were pointed out at once.

The disposition here can be said to be very mature and sophisticated.

The above four points are advantages.

If you insist on finding shortcomings, you can only consider it from the perspective of film art.

"Punch, Dad" does not have particularly eye-catching elements, such as his color, the light and shadow of Wang's sunglasses.

There are no repeated close-ups, no highlighting of a particular point.

The light and shadow, the picture, the soundtrack, and the narrative are not breakthroughs.

There is no innovation in aesthetics, artistic expression, no unique cinematic style.

These advantages, disadvantages are summed up, and that is one meaning.

"Punch, Dad" is a very good and mature commercial film, but it is still almost meaningless in terms of artistry.

Although Lao Mouzi has made a few commercial films, on the whole, he still feels that he is a director of literary films.

He felt that Li Shengyao could not threaten him, Jiang Wen, Chen Kaige, and Feng Xiaogang was the biggest threat.

The label of Xiaogang Cannon is an excellent commercial film director, unlike a director like Lao Mouzi who tells more complicated stories, Xiao Gangcang's movie has a clear theme and is an excellent commercial film.

This is the reason why the little steel cannon was in the same state as he had just watched the movie.

At this time, the movie came to a finale, and the heroine became the champion of the Women's Boxing World Cup, and she gave the gold medal to her father.

Father hugged.

The scene resounded with enthusiastic cheers and thunderous applause.

And Feng Xiaogang came back step by step.

Zhang Yi glanced at the small steel cannon, smiled and nodded.

Although he secretly sympathized with Little Steel Cannon in his heart, he was not the kind of person who would say it directly.

Feng Xiaogang is not very happy.

Zhang Yi peeked at him several times just now, and he actually felt it.

He naturally knows the reason, it is nothing more than that "Punch, Dad" proves the strength of Li Shengyao, who is an excellent commercial film director.

Among the big mainland directors, he is the first commercial film director to bear the brunt.

Lee Shengyao was the first to threaten his position in the future.

Although these are all facts, Lao Mouzi's vision made Xiao Gang Cannon very uncomfortable, he rolled his eyes, and then said in a low voice: "Director Zhang, this movie is really good." ”

Zhang Yimou nodded, "It's really good." ”

"Alas, I'm really old, no, I guess I'm the first to shoot him off."

Feng Xiaogang is younger than Zhang Yi, and he said that he was old in front of Zhang Yi, which is a bit murderous.

And he said that he was the first, so who is the second, the third?

Zhang Yi quickly understood the meaning of the small steel cannon.

That is, Li Shengyao is so young, then there are infinite possibilities.

He Feng Xiaogang will be photographed, but the others will not be spared.

Immediately, they will all be defeated by Li Shengyao.

Zhang Yi glanced at Li Shengyao, who took the lead role on stage.

At this time, the lights of the theater were turned on, and Li Shengyao and the leading actors stood in front, so dazzling, he was obviously a director, but he attracted attention like a star.

The audience cheered constantly, and many people shouted "Director Li".

Zhang Yi's nose was itchy and cold, and he couldn't help but sneeze.

Lee Shengyao's first film is so mature and sophisticated, it doesn't look like a debut film, and such a talent is indeed amazing.

He is now making commercial films, and if he has an artistic pursuit in the future and wants to make literary films, will he win awards in the three major ones, and will he threaten the status of Lao Mouzi Kaizige.

It's really hard to say.

After all, he was really too young.

Being young means limitless possibilities.

Zhang Yi was still a little sympathetic to Xiao Gangcang before, but at this time he felt that he didn't need to be like this.

The back wave is so fierce, it's really hard to say who is the front wave that died on the beach.

(End of chapter)