"Wu is out, it's reasonable to have this result."

"Now Director Wu has never been defeated, right? Zhang Yimou's "Three Guns Shooting Surprise" is not also messed up. ”

"Don't mention it, director Yimou's new movie "The Love of the Hawthorn Tree" will be on the National Day file, I don't know if it will miss again this time."

"This year's National Day file is really intense, in order to avoid "Interstellar", the movies that were originally scheduled for September have been moved to the National Day file."

"Starting from "Di Renjie's Tongtian Empire" on September 29, Wu Yusen's "Sword Rain", Donnie Yen and Su Qi's "Jingwu Fengyun", as well as the Hollywood blockbuster "The Expendables", plus "The Love of the Hawthorn Tree" directed by Yimou, this is a big battle!"

"I don't know who can kill it, I'm optimistic about "Tongtian Empire"!"

"Wouldn't it be that "Interstellar" will still be able to penetrate other movies in the same period until the National Day?"

"It's possible to be ashamed of a director."

Looking at the discussion of these netizens, Wu Yuan, who was holding his mobile phone, was happy.

After entering the era of smart phones, he finally found a bit of the feeling of the mobile Internet era in his dreams, which is much more convenient than the previous need to carry a laptop with him.

"Because of the appearance of "Interstellar", this year's National Day file is really bloody."

Wu Yuan said to Liu Yifei, who was doing yoga, with some schadenfreude: ""Sword Rain" and "Jingwu Fengyun" are estimated to be cannon fodder. ”

"The Expendables" has Li Lianjie's appeal, it should be stronger, but it is not much stronger."

"The market still has to watch "The Love of the Hawthorn Tree" and "The Empire of Babel", but the premise is that by that time, they can grab food from the mouth of "Interstellar"."

A batch of movies that were originally to be released in mid-to-late September were all moved to the National Day file for release, and fortunately, there were no gift films released in this year's National Day file, which happened to be a window period.

But there was enough pressure from "Interstellar" in the front, and "The Empire of Babel" was menacing, and these movies that were sandwiched in the middle were also under great pressure.

Including Zhang Yimou's "The Love of the Hawthorn Tree", although this time he returned to the field of literary romance films that he is best at, but in the face of such a luxurious competitive lineup, coupled with the decline of literary films in recent years, this movie is the most unoptimistic thing on the Internet now.

Two pure newcomers, plus one Zhang Yimou, can they create miracles?

Compared with "Tongtian Empire", which has a number of superstars such as Liu Dehua, Liu Jialin, Li Binbin, Liang Jiahui, Deng Chao, etc., it is really not enough to watch!

However, Wu Yuan felt that "The Love of the Hawthorn Tree" had the power to fight.

In the eyes of mainland fans who have just experienced the double baptism of "Inception" and "Interstellar", the special effects scenes of "Tongtian Empire" may not be able to meet the audience's expectations, and it will inevitably bring some psychological gaps to mainland audiences who have just watched Hollywood's sci-fi blockbuster.

And this psychological gap, when put into box office performance, will give a lot of negative reactions.

In contrast, "The Love of the Hawthorn Tree" is a very pure love drama film, which completely relies on stories and characters to unfold the plot of the movie.

"Senior brother, are you more optimistic about "The Love of the Hawthorn Tree"?" Liu Yifei, who was doing yoga, heard Wu Yuan's self-talk, stopped what he was doing, and asked curiously: "Senior brother, now the media is saying that the era of literary films is about to pass." ”

"Is this true?"

In the past two years, on the mainland Internet, there are still very turbulent claims that the era of literary films has passed.

From the mainstream media to netizens and fans, many people are singing about literary films, feeling that the glorious era of mainland literary films in the nineties to the beginning of the 21st century is gone.

The era of the fifth and sixth generations of directors has withered, and now it is the era when the box office is king, and the era of the seventh generation of directors (represented by Wu Yuan).

Rather than making a movie that can win awards but doesn't have a high box office, everyone is now more happy to see blockbusters that receive high box office.

Regarding this "impetuous" view, Liu Yifei didn't say anything, but he was still a little unhappy in his heart.

She loves literary films very much, and she is counting on acting in some literary films to win awards in the future.

Why can't literary films?

"No, I can't." Wu Yuan shook his head: "The era when the award was king has passed. ”

"It's like the economic wave set off by reform and opening up."

"After the mainland films are completely commercialized, they are now fully on par with the economy, and everything is inferior, only the box office is high."

"In the past two years, the attention of the three major European films in the mainland has obviously dropped by several orders of magnitude, and the participation in the three major European mainland films is no longer so concerned."

"Back then, I went to the Berlin Film Festival with Senior Brother Wang Xiaoshuai, and I just won the Best Newcomer award, and major domestic media rushed to report it."

"Now? Even if someone wins the best director, it is estimated that it will be three or two days of popularity, and only if they get the Palme d'Or, Golden Bear, and Golden Lion may they get attention. ”

"However, literary films will not die, whether it is in China or the global film market, there will always be a need for literary films, and the spiritual touch and soul baptism brought by literary films to people are not something that commercial films can replace."

"I believe that there will still be excellent literary films emerging in the future, and there will also be excellent literary films that have received higher attention and popularity than commercial films."

Well, such as "Hello Mr. Tree" and "Hidden in the Dust".

"This has nothing to do with you, and you don't have to worry about it." Wu Yuan sighed: "The general environment is not something that one or two of us can change. ”

"Sissi, I know you like to watch literary films, and you also want to make literary films."

"In the future, even if you have a good book, you can shoot it, and you don't need to think about the market environment."

"You're qualified to do everything you want."

"I've got your back behind you."

"Hmm!" Liu Yifei smiled with satisfaction, nodded his head heavily, and then stuck out his tongue and said: "Hehe, it's too early to say this, I'd better do the movie "Young You" in front of me." ”

"Young You" has already been established within the company, and Li Yang, who has read the script, is also happy to take over this movie, and is even a little ashamed, Wu De's move is really extraordinary.

Now Li Yang is already making preliminary preparations for this movie and looking for actors.

Although Wu Yuan made some deletions and changes in the script, which made the heroine's shining point even more important, the male protagonist of this movie is also very important.

But it is really not easy to find an actor suitable for "Young Ling" in the current mainland film industry.

Don't look at Prince Qianxi's mixed reputation in later generations, but it is really not easy to find an actor of the same age as him who can replace the opportunity to star in "Young You".

It can be seen that Prince Qianxi still has two brushes.

(End of chapter)