After finishing the day's live broadcast task, Zhang Yang drove straight to the Linhai Art Museum.

There's a bustling show over there.

There was a very important person waiting for him there.

She is, Shen Shuyu.

I haven't seen her for a month, and Miss Shen has come to the sea.

She works at the National Museum's cultural relics store, and this time her company is coming to Linhai to participate in the annual "New Year's Traditional Chinese Painting Exhibition".

Of course, Shen Shuyu would not miss such an opportunity, and she took the initiative to invite Ying to come to the sea on a business trip.

When Zhang Yang arrived at the scene, it was already half past five in the afternoon, and the exhibition was about to end in an hour and a half.

But the scene was still crowded.

There are paintings and calligraphy works everywhere, covering various types of Chinese paintings from the Ming Dynasty to the present day.

Although this calligraphy and painting exhibition is hung with the prefix of "Happy New Year", it looks like a fair, but on the way here, Zhang Yang took a look at the participating art companies and cultural relics stores in various places, which are relatively famous in the industry.

The exhibits brought are naturally not bad.

Lovers of calligraphy and painting in Linhai will certainly not let go of such an opportunity.

Zhang Yang saw a lot of old people wearing reading glasses at the scene, and their faces were almost pasted on the paper, which was called concentration.

Especially in the exhibition hall of the National Museum Cultural Relics General Store, there are people standing in front of almost every painting.

There are even paintings that you have to queue up to admire.

Zhang Yang just walked around the exhibition hall for half a circle, and saw Shen Shuyu in front of the crowd at a glance.

However, Miss Shen is very busy at this time, and she is working with her colleagues to introduce the calligraphy and painting works in the exhibition hall to the visitors at the scene.

In this situation, Zhang Yang was embarrassed to disturb her, so he lowered his head directly and blended into the crowd.

“…… Chen Hongshou, a painter, does anyone know about it? ”

Zhang Yang came at a very coincidental time, and Shen Shuyu just started to introduce a painting.

The painting depicts a literati lying on a stone table, holding his chin and thinking about how to paint on the paper in front of him.

As a layman, what Zhang Yang can see, except for the age of the painting, is its subject matter.

This is the Ming Dynasty's [Gao Shi Tu].

It is a painting used by ancient painters to reflect the life of literati and scholars, and it is opposite to the picture of a lady.

This kind of painting often has only one requirement, that is, to be "elegant".

The most elegant realm is so elegant that the laity is allergic, and it makes me uncomfortable at a glance.

A little later, it is also necessary to draw the free and free artistic conception of the Seven Sages of the Bamboo Forest.

The painting of Chen Hongshou in front of him obviously only achieved the second-class effect.

Because Zhang Yang can still watch this layman.

Seeing that no one answered, Shen Shuyu began to introduce the painter to everyone:

"Friends who are familiar with the history of late Ming painting should know [South Chen and North Cui], Cui is Cui Zizhong, and Chen is Chen Hongshou."

"Chen Hongshou was born in the Wanli period of the Ming Dynasty, died in the ninth year of Shunzhi in the Qing Dynasty, called himself Lao Lian, the lotus, out of the mud but not stained, Chen Hongshou's conduct is the same......"

"Everyone should have seen that the inscription on this painting is [Lao Lianhongshou Painting], which is Chen Hongshou's iconic inscription."

The characters he painted have the characteristics of Li Gonglin and Zhao Mengfu...... His coloring is Wu Daozi, and his attainments in coloring alone are recognized as above Tang Yin and Qiu Ying, and are ranked among the top names in the entire Ming Dynasty painting history......"

Shen Shuyu is like a few treasures, and introduces the characteristics of the paintings clearly.

It's very smooth, but I don't know if it's a memorized manuscript.

After introducing the paintings, she also had to introduce the collection seals.

It is the seal of the former collector of the painting.

This thing is rarely said when Zhang Yang appraisals calligraphy and paintings.

Because except for Qianlong's seal, I can't read anything else.

But for a painting to be truly circulated in order, it is necessary to study these seals, and these connoisseurship seals can outline a complete timeline.

This painting is a typical example.

There are three seals of connoisseurship with a traceable provenance.

The first one is written "Zengguan of the Forest", and the owner of the seal is called Liang Zhangju, who was the governor of Jiangsu during the Jiaqing period of the Qing Dynasty, and was a great collector at that time;

The second is the "Song Weng Collection", from Luo Zhenyu, the founder of modern Chinese archaeology, who was responsible for the preservation of Ming and Qing archives in the last years of the Qing Dynasty;

The third is the "Jin Ming Zhai Collection of Calligraphy and Painting Seal", and the person who stamped it is Jin Jian, who is a famous collector in modern times.

The painting was painted in the late Ming Dynasty, and the collectors successively served in the middle of the Qing Dynasty, the late Qing Dynasty, and the modern era, and the timeline is very clear.

After Shen Shuyu's introduction, the next step should be the audience's question time.

But no one raised a hand at all.

First, Shen Shuyu has already made it very clear;

Second, everyone was in a hurry, and the old gentlemen at the scene were urging to hurry up and talk about the next painting, and they would go to the nursery to pick up their grandson home later.

"Alright, please move to the painting next to you."

Shen Shuyu's colleague led everyone to the side.

Seeing that Miss Shen didn't move, Zhang Yang didn't rush to move.

After the crowd dispersed, the two looked at each other unexpectedly, and after looking at each other for half a second, they smiled in unison.

"Director Zhang, what did I just say? Rate it. ”

"Perfect." Zhang Yang walked up to Shen Shuyu and praised, "My uncle just now kept saying that the little girl who explained this is not very old, she has a really good memory, and she is so skilled in memorizing the manuscript." ”

"I didn't memorize a manuscript." Shen Shuyu raised his chin slightly, and said with some arrogance, "I have seen these paintings dozens of times, just like you identified Yuan Datou, the knowledge points have long been familiar and can no longer be familiar." ”

"That's what I told my uncle."

"But Uncle said again, you always introduce seals or something, and ordinary people can't understand it."

"Director Zhang, you are not an ordinary person." Shen Shuyu smiled, pulled Zhang Yang's arm and said, "Hurry up and tell the truth, what's wrong with my explanation just now?" ”

"Are you sure you want to tell the truth?"

"Sure, yes, yes."

"Hmm...... All right. If I had to find fault with it, I missed a point, and that was the paper of this painting. ”

"Paper?" The expression on Shen Shuyu's face was full of curiosity, "Quick, from the perspective of your cultural relics identification, introduce me to the paper." ”

"It's the ratskin gray paper commonly used in the late Ming and early Qing dynasties."

"If you go to see Cui Zizhong's paintings, or other Gongbi paintings of this period, the paper they use is all of this color."

"At that time, the conditions of the Ming Dynasty were not very good, and the color of cooked rice paper was like this, gray like mouse hair, which was a small knowledge point for identifying the Gongbi paintings in the late Ming and early Qing dynasties."

"I see." Shen Shuyu nodded in realization.

"Wait for me in a while, I'll come when I go."

"Where?"

"Find my leader."

Shen Shuyu temporarily put aside Zhang Yang and walked quickly to the staff rest desk in the exhibition hall, where a middle-aged woman was recording something.

After Miss Shen passed, she chatted with the woman for a while, and the other party raised her head to look at Zhang Yang.

Of course, Master Zhang greeted her with a smile.

The other smiled back.

Two minutes later, Miss Shen came back with her small backpack on her back.

"Let's go, I took an hour off and walked around with Director Zhang of the Hailin Museum."

"On what grounds?" Zhang Yang raised his eyebrows and asked, "Did you tell your leader to accompany your boyfriend?" ”

"How is it possible, am I such an irresponsible employee? I want to learn from you, Master Zhang, the most advanced treasure appreciation knowledge. ”

(End of chapter)