"Labyrinth of the Heart" premiered in Cannes on May 18.

As a rookie choreographer, Hao Yun is not very attractive in Cannes.

He and his team started handing out flyers early on, which was a must-have procedure.

In this way, people will know that there is such a work, and when and where the first screening of this work will be held.

Jiang Wen also came over, and the time he belonged to Zhou Yun was very short.

Jiang Wen even helped distribute a few flyers, but was soon stopped by acquaintances to chat.

Cannes during the festival, filmmakers are everywhere.

Hao Yun, the director, is very happy to hand out flyers everywhere.

Because you can pick up attributes.

Although Hao Yun was delayed for a few days when he went back to participate in the promotion of "New Police Story", his French level rose by handing out leaflets, shaking hands with others, and chatting briefly.

There are various other attributes as well.

There are many attributes, and Hao Yun has to shoot multiple attributes on his body at once.

The side effect was that his spirit was a little unbearable.

But he still kept smiling and cherished the opportunity of the Cannes Film Festival to be a wild attribute.

For films, the festival organizers will also help with promotion.

On some of the main occasions, they erected large posters with descriptions in at least four languages: English, French, German, and Chinese, and those who saw the introductions and were interested would choose to watch the films.

In addition, there is a group of filmmakers who are specially invited to participate in the premiere.

After the time was almost up, Hao Yun and the others appeared on the red carpet again.

In addition to the opening red carpet, the organizer will also arrange a red carpet session for each film shortlisted for the main competition unit and the screening film.

In fact, it is still the red carpet I walked a few days ago.

The red carpet distance of the Cannes Film Festival is short to refresh your cognition, and it is no wonder that many stars are urged not to leave, because if it is really just a trip, it will be over in dozens of seconds.

But it's one of the most watched movie red carpets in the world.

The guests invited to participate mainly include Quentin Tarantino, the competition unit of this film festival, and of course, the Chinese judge Xu Ke, and the other judges were also invited by Jiang Wen.

At this time, there is no need to avoid suspicion.

Because Quentin, they watch the premieres and screenings every day, and they have watched several films since the beginning of the film festival.

It's Jiang Wen's turn to produce a movie, but you can't come, that's called a weak heart.

Almost all the Chinese filmmakers who are still in Cannes have come.

Actor, director, film critic, capital ......

Wang Jiawei, who was wearing sunglasses, was particularly conspicuous in the crowd, and he was not so arrogant that he thought that the movie directed by Hao Yun, a newcomer, did not pose the slightest threat to him.

Moreover, people are not so stingy.

Even if Hao Yun wins the award, it will not be said that he will surpass Wang Jiawei.

There are also a lot of media from all walks of life.

The new director of the Cannes Film Festival, defined by the way, is the first time that a work has been shortlisted or exhibited.

Even if you are now 50 years old and have made 20 films, but you have never been shortlisted or exhibited before, then you are a new director.

But Hao Yun's new director is completely different.

He is new inside and out, because "Heart Labyrinth" is his first time as a screenwriter and director.

I haven't even made a short film to practice before.

This makes everyone very curious and wants to have a sneak peek.

At the end of the red carpet, the creator entered the theater lounge to wait, which was the last toilet time.

Time is very short.

Everyone was adjusting their emotions, except for Hao Yun, who looked indifferent, and even Zhou Yun was a little nervous.

She also has her participation in this film, and theoretically, any film that is shortlisted for competition has a chance to win any award.

She has a chance to win the actress......

Of course, that would be really ridiculous, her role is very few, and the performance style of "Heart Labyrinth" focuses on a natural one, and there is no depth at all.

As for why Hao Yun doesn't matter, everyone has no heart to explore.

This kid's brain circuit is different from that of normal people, and if there is something different from normal people, it's just a habit.

Everyone didn't speak, and after a short break, they entered the theater one after another.

When Hao Yun and them entered, the audience applauded them.

This has nothing to do with the film, any film exhibited here will follow this fixed process.

The main creator's seat is in the middle of the audience, and the name of the main creator will be on the chair.

Before Hao Yun and the others came to their seats, they first kept standing and signaled to the audience for the media to take pictures, and then sat down to watch the movie.

The movie is a dialogue in Chinese, and it is certainly impossible to match it in English.

It has nothing to do with kneeling or not licking.

Filmmakers feel that the original dialogue is more feeling.

In order to allow people from other countries to understand, they are generally in the form of subtitles, and these filmmakers have been on the battlefield for a long time, and reading subtitles will not delay understanding the plot of the movie.

In the movies he participated in before, Hao Yun didn't know what the finished movie looked like until after the movie was released.

This time it's a film he directed, and it's edited entirely according to his will.

He knows the movie inside out.

So, he had time to secretly observe other people's reactions to watching movies.

No one wept bitterly.

This is not a sensational movie in the first place, and there is no sensational place in the whole film.

If anyone cries, it is definitely a black tow invited by the family.

From Hao Yun's point of view, everyone is at least quite serious about watching the movie, and they are all working hard to watch it anyway.

At the end of the 110-minute film, the lights came back on, and Hao Yun and the others stood up to accept the audience's applause, once again feeling the world's respect for the film.

They then went to the stage of the screening room to take questions from the press and filmmakers.

"Heart Labyrinth" was screened at eleven o'clock, and it was almost one o'clock after the show.

It was the last session of the morning.

This is actually a very good time period, because you don't have to rush to make room for the next show, you can communicate with everyone more, so as to deepen their impression of the movie.

The staff of the organizing committee sent the microphone at the scene.

When a foreign reporter got the microphone, he immediately asked a question.

"The structure of the film is somewhat complicated, and I believe that many viewers today may not understand it - as a newcomer, why did you choose such a complex way of expression?"

"Do you mean non-linear storytelling, I think it's a tool for the author, I like this style of storytelling, and more importantly, the story is very suitable for this way of expression, I chose this style at the time......"

Hao Yun responded directly in English.

This kind of occasion does not involve Zheng Zhi, nor does it make people feel that they kneel and lick foreign countries, and it is more conducive to communication in English.

Most of the next questions were asked to him as a choreographer.

Here, I will not prefer to communicate with Jiang Wen because Jiang Wen is more famous, which is a respect for the movie itself.

Even if it is a reporter from China, the topic revolves around the movie, and there is no gossip asked.

At most, some media don't believe that Hao Yun can shoot such a thing as a newcomer, and there are doubts in and out of the words, suspecting that Jiang Wen is behind the scenes.

Chen Kaige was also treated similarly back then, and he suffered no less doubts than Hao Yun.

But this is a normal exchange.

It is precisely because of this kind of questioning that it shows the excellence of the movie.

It's so good that it doesn't look like it's shot by a newcomer.

In response to this skepticism, Jiang Shuwei gave Hao Yun a suggestion to show the comics he drew for "Heart Labyrinth" at the film festival, as well as the storyboard manuscripts used in filming.

Now......

Everyone knows what Jiang Wen's storyboard manuscript looks like, and if you look at Hao Yun's again, most of the doubts on the scene suddenly dissipated.

The conversation revolved around "Heart Labyrinth", but it quickly diverged into all aspects of the movie.

A normal rookie director may not have so much stock in his stomach at all, and he is quickly emptied by tricky filmmakers in the process.

But Hao Yun won't.

He has acquired too many attributes, and he has never been short of them.

These attributes come from international directors, screenwriters, actors, and film critics, and with their blessings, Hao Yun can not only answer questions appropriately, but also have contacts with live filmmakers to discuss with them.

This process speeds up his absorption of attributes and deepens his understanding of them.

Even if it's a temporary attribute, it can improve his film skills.

It was so pleasant to chat.

It wasn't until half past two, when the next show was about to start, that the film exchange ended.

This kind of fast pace is what everyone is used to at the film festival.

As long as you eat two pieces of bread and drink some water, you can walk the next red carpet and continue the crazy but enjoyable movie watching journey.

Once a year, tired and happy.

Hao Yun is no exception.

He hurriedly ate something, ran to walk the red carpet of the awesome movie "Old Boy", and then followed everyone in to watch the film as an audience.