Hao Yun and director Gu Changwei walked on the red carpet together with his wife Jiang Minli, screenwriter Li Wall, "brother" Feng Li, and "sister" Zhang Jingchu as the main creators.

Berlin, like Cannes, has a red carpet all day long.

Even if it's a movie premiere, it's just that people who walk the red carpet have to see the attraction of the movie.

"The Peacock" is an award-winning hit film.

Gu Changwei is also a frequent visitor to the European Film Festival, and he has long been mixed with Zhang Yimou, Jiang Wen and others.

Therefore, the red carpet of "Peacock" is very lively.

There are many filmmakers at home and abroad, and various media are also pouring out.

After walking for the first part, everyone dispersed and took a brief interview or photo.

With Jiang Minli, a tigress, Gu Changwei definitely didn't dare to make a mistake.

I didn't dare to look at Zhang Jingzhi more.

The couple went to take pictures alone, and Hao Yun and his brother and sister also took pictures, and the three of them took a few photos and then dispersed.

Hao Yun felt quite lonely alone.

Fortunately, he is also a sweet and sweet in the eyes of the on-site media, even more eye-catching than Zhang Jing, who is dressed up.

Whether it's taking a picture of him or wanting to interview, it's all about killing Zhang Jing.

This made Zhang Jingzhi quite uncomfortable.

She was dressed like this, and she was not as good as Hao Yun, who was almost in civilian clothes.

"It's a pleasure to see you at the Berlinale, if you have anything you want to ask, you can ask slowly, and when the film is over, I will give a concentrated interview."

Hao Yun is very polite to the media.

"Why didn't you have any works in the exhibition this time, I heard that you completed a film last year." That's what journalists are most concerned about.

With a self-directed movie a year, this oriental young man can be regarded as diligent.

It's much better than his mentor Jiang Wen.

However, there are also concerns about whether over-frequency production will cause quality defects.

"This film is a youth romance film, and I am also interested in this kind of film, so I tried it, and used this relatively easy time to focus on planning my upcoming "Burst Drummer" this year, which was inspired by my identity as a music creator......

Hao Yun quickly brought the conversation to his new film.

It can also be regarded as creating momentum for the new movie, increasing some popularity, and paving the way for future awards.

However, the European sisters did not forget to care about his private life, and asked: "Do you make any progress in your relationship after work, and will you bring your girlfriend to the Berlin Film Festival next year?" ”

"This sister, if you want to find out about my singleness, I can tell you that I am still single, but because I am so busy with work, I regret that I can't date a beautiful girl like you." Hao Yun is very good at coaxing girls to be happy.

Even if it is refusal, it is hateful to refuse.

"I heard that your Chinese film industry has doubts about being able to make "Heart Labyrinth", and even an award-winning director of the Tokyo International Film Festival has publicly expressed a similar opinion, do you have anything to say about the Berlin Film Festival?" The reporter asked a sensitive question.

"My mentor Jiang Wen has also been questioned by many people, I think it may be the fate of every film artist to be questioned, filmmakers who really understand movies and can see the essence through the form of film, in fact, they can see the difference between me and my mentor, and our two films have completely different two cores......"

Hao Yun secretly belittled Lu Jin.

But he did not scold directly, but guided the reporters to scold.

smeared Lu Jin's image in the foreign film industry.

Anyway, he has to lie dormant for two years, and he can't come out to defend himself, and when he comes out, he will find that he has been ruined by Hao Yun.

If there is no Hao Yun, or there is no Lu Yun, Hao Yun's "Heart Labyrinth" was not filmed by Hao Yun himself, which annoyed Hao Yun by sending the paper and tearing off Lu Yun's fig leaf, and Lu Yun and his "Ke Ke Xili" are going to premiere again at the Berlin Film Festival.

It's my first time.

Me too, my first time today.

That's probably what it means, the domestic release should be over, and Tokyo has also gone, and he can still say that he premiered it.

Lu Jin only needs to brush her face in Berlin and have a meal with the presidents of major film festivals from Europe and the Americas - just a group of people eating, you get in and eat two bites, accept live interviews on major media radio stations, and then you can hype up a big wave.

Not only can you gain fame, but you can also sell the overseas rights of the film.

In this way, he will be able to give an explanation to the producer Aunt Hua - what else is there to explain now, a total of more than 6 million box office sales, and the film festival took 30,000 US dollars in Tokyo, and he put it in his own pocket.

Compared to the cost of more than 10 million, it must be a loss of money.

Hao Yun was not afraid of Aunt Hua's opinions on him.

The money that Lu Jin lost, he Hao Batian could earn back.

Who is the uncle, it is clear at a glance.

And Aunt Hua's "No Thieves in the World" and "Kung Fu" produced this year are both movies with good box office, and she doesn't care about the money Lu Jin loses at all.

It's just that this account will definitely be recorded for Lu Jin.

If Lu Jin makes another movie, it is estimated that it will be difficult to attract investment with his own ability, and it is estimated that he will have to fight for his father.

After a brief interview, I went in to watch the movie.

This film is Gu Changwei's directorial debut.

The theme of the movie is more literary and artistic, and the box office has not been considered at all, but on an occasion like today, literature and art are in line with the tastes of these audiences.

Hao Yun has not seen the finished version.

After he finished filming, he had little connection with the movie.

I saw the feature film today.

Others watch movies, but Hao Yun watches photography and editing.

There are more than 300 shots in the whole film, including a large number of long shots, which dilutes the director's personal perspective and keeps the whole film calm and objective.

The individual scenes throughout the film are almost all stop-motion mimetic style, as if placing the viewer in the center of the stage play.

Gu Changwei extended stop-motion photography to the film, subtly reflecting the relationship between the characters and the direction of the plot through the arrangement of the positions of each character.

Hao Yun followed Gu Changwei to make this movie, and now watching this movie, what touches him the most is the various photography techniques.

Gu Changwei is definitely among the best photographers in the mainland.

There are other more powerful ones, such as Zhao Xiaoding, Zhao Fei, etc., but unfortunately Hao Yun can't afford to make a movie.

They're all big productions now.

The editing aspect is also very distinctive.

Everyone's story is a connection between fragments, and the causal relationship in it is used as a blank space for the audience to imagine. For example, why his younger brother broke a finger, why Wei Hong was not selected as a paratrooper, etc...

Hao Yunxiang took some of Gu Changwei's attributes on his body, and quietly learned by watching movies.

He found a problem, that is, after filming a person's attributes, he would go to watch the movies he made, and the effect would be very good.

At the end of the movie, Hao Gong was one of the actors, and together with the other main creators, he accepted congratulations and questions from the audience.

It is clear that the film was recognized.

After the end of "Peacock", Hao Yun also accepted a media interview alone.

This interview has nothing to do with "Peacock", he didn't bring his own film to Berlin for the exhibition, and he was still able to organize media interviews.

It's all about the Best Screenplay award at the Cannes Film Festival.

Hao Yun has not won an actual award even since then, as long as there is an occasional exhibition and a nomination in the future, he can become a judge of an international film festival at the age of thirty or forty by constantly brushing his face like this.

And his exposition of his film concept in media interviews is the fastest way to establish his film authority.

It's just that this method is only suitable for a small number of people.

You've got to have it in your head.

Otherwise, if you are in front of many media, you might as well not be embarrassed in this way.

Hao Yun slapped attributes on his body while answering questions from reporters.

It's a pity that he is still not high-grade enough, otherwise he can organize a film seminar of his own, which is called really pretending.

After the interview, the next day, Hao Yun and Gu Changwei attended the red carpet of the closing ceremony of the film festival together.

This one is more lively.

The award ceremony went smoothly, and the answers to the awards were announced one by one.

South African director Mark Donford May's Carmen of Cayalisha won the Golden Bear for Best Picture.

"Peacock" won the Silver Bear Award, the Grand Jury Award.

This is the second-ranked jackpot, and Gu Changwei won it very beautifully.

After returning to China, it was another sensation.

But Hao Yun returned to the crew of "The Condor Heroes" early, and Hao Yun hoped that this TV series could be filmed earlier.

It's best to finish shooting at the end of March.

Three groups started filming in October last year, and it has not been filmed for more than four months now, so it can only be said that the effect needs to be improved.

If he could have drawn the storyboard first like him, even if there were subsequent changes, the shooting would have been completed long ago.