Landing in Cannes, there is a hint of coolness in the air, and the eyes are full of flowers.

This is not Hao Yun's first visit to the Cannes Film Festival.

Although he only came on the 23rd, Guangxian Media had already arranged everything, and even arranged someone to pick him up.

Hao Yun, Huang Bo, Yan Ni, plus Wang Changtian of Guangxian Media, the other actors have too few roles, so they are not invited.

Wang Changtian invested a lot of money in this movie, and he now feels that everything is worth it.

Regardless of whether the box office can recover its costs, and whether the film festival can win awards, anyway, as long as he is shortlisted for the main competition unit, he feels that it is very worthwhile.

Guangxian Media has locked its main opponents as veterans and rookies in the industry such as Aunt Hua and Berner, and its development is very fast, and it is a multi-line development.

But they don't have a lot of work to work with.

The main vote "Bullfight" was shortlisted for the main competition unit of the Cannes International Film Festival, and it can even boast that it was nominated for the Palme d'Or, which belongs to the most glorious moment.

Along the way, Wang Changtian was chatting with Hao Yun.

I hope that Hao Yun can create another award-winning blockbuster for Guangxian Media, and if he can win the Golden Palm or Golden Bear, Golden Lion and the like, they are willing to pay Hao Yun an additional 10 million personal rewards.

As for "Bullfighting", no matter whether he wins the award this time or not, Hao Yun will be given a red envelope of two million, and if he wins, he will add money according to the situation.

It's a special trench.

Hao Yun is very humble, you can despise my profession, but you can't insult my personality.

However, the other party was too enthusiastic.

Two million he thought for a while, he could buy a luxury car.

What man doesn't like cars?

At the Spring Festival, I said I wanted to buy it, but then I didn't see a suitable one, and I didn't have much spare money in my hand, and now I finally want to change the shotgun.

After checking into the hotel, Hao Yun began to "attract bees and butterflies" everywhere.

His name is quite loud, and he brought his works over, and many people are happy to communicate with him, asking him what new films he has made and what strange ideas he has.

That's right, people who have communicated with Hao Yun will be interested in his way of thinking.

And he speaks English, French, and German well, and there is no language barrier in communication.

I even went to a filmmaker's salon in the evening.

The initiator was Marco Berrocchio.

He is an Italian director, screenwriter and producer, and his film "China is a Neighbor" won the Jury Prize at the 32nd Venice International Film Festival.

Hao Yun's speech at the film salon was quite positive.

Talk to these foreigners about movies, Chinese movies, and China.

In fact, many foreign filmmakers' understanding of Huaxia is through Huaxia film works and Chinese filmmakers.

If they encounter a hater of the country, they will definitely see a bad side, and this side will be infinitely magnified, thus affecting the cultural attitudes of these people.

This attitude will not be easily changed, and prejudice will gradually form.

Therefore, cultural lackeys are the most hateful.

Marco Berocchio knows a lot about Huaxia, but his understanding is outdated.

Hao Yun was very objective—fanatics will be scrutinized, and objectivity is easier to convince people—so that many people in the salon know Huaxia better.

There are even quite a few people who plan to go to the Olympics next year.

Hao Yun said that he could be responsible for the reception, eating, drinking and having fun would not be a problem, and he could also form a filmmaker salon at that time.

Jiang Wen, Gu Changwei and anything can participate.

When it is time to be generous, we must be generous, and the status of the industry is slowly established in this way.

The rate of return was also very good, and there were a lot of filmmakers on the red carpet of "Bullfight" the next day.

Anyone who has communicated with Hao Yun will basically come to cheer.

Even the neon female director Naomi Kawase came.

Her film is called "Forest of Logs", and she is a director who likes to shoot forests and nature.

She was very interested in Hao Yun's "Little Forest".

Hao Yun invited her to attend the premiere of "Bullfighting", and did not hide it, making it clear that this was an anti-Japanese movie.

Inviting neon people to watch anti-Japanese war films is not a good or bad problem, because the movie is made for people to see, and if it is not shown to outsiders, it is simply self-congratulatory.

Hao Yun walked the red carpet with Huang Bo, Yan Ni, and Wang Changtian.

Huang Bo was visibly a little nervous.

He even showed Hao Yun the draft of his acceptance speech, which was written for the Cannes Best Actor.

Hao Yun felt that he was really thinking too much.

Before the movie starts, there will be an interview with the main creator.

Hao Yun became a temporary translator, and if he asked Huang Bo and Yan Ni any questions, Hao Yun would help translate them and explain them with his own understanding.

His demeanor and knowledge are impressive.

In fact, this is also a kind of elegance.

Elegance is not simply like a gentle and amiable reader.

Because of the subject matter, the media will definitely not let go of asking Hao Yun, the screenwriter and director, some questions about Zheng Zhi, this is actually very sensitive, and if it is not good, it is easy to have a big accident.

Fortunately, Hao Yun filmed "The Wind" and "Bullfighting" in a row, and because of "The Leader" and "Jinling", he consulted a lot of information, and he can be called an expert in this regard.

The answer can be described as generous and powerful, and it is not leaky.

The movie was officially screened, and people found out that the man who was standing next to Hao Yun just now, wearing five people and six people but looking very ugly, actually looked quite good.

Huang Bo's performance is indeed very infectious.

It's a pity that there is no dubbing at the film festival, and foreigners can only understand the lines through subtitles when watching movies.

However, the level of people who come to the festival is not ordinarily high.

The plot and characters are very good, and the language of the movie is also common, and there is almost no problem of not being able to understand it.

Niu Er stood up from the rubble and looked at the uninhabited villages around him, and he fell into a panic.

He didn't know where the people who were usually active in the village had gone.

He searched and searched and searched every room, but he found no one.

Eventually, he staggered to a large pit where he saw a large pile of charred corpses.

The scene was full of sighs.

This kind of thing is not an exaggeration, there were World War I and World War II, and it is not for nothing.

It's just that the weak eat the strong, and no one can do anything about him when his fist is big.

I just don't know what will happen to Neon's national fortune as China's national strength grows stronger and stronger.

The Oriental Dragon woke up from a deep sleep, and it would definitely not be a vegetarian.

In fact, Hao Yun's purpose of coming to Cannes has been achieved, he just wants to show the film to filmmakers from all over the world.

What is called cultural export is not to let more people know.

That's just too hard to do.

The output that really works is for those who should know.

As long as these filmmakers who come to see the movie today are successfully exported, their works, as well as the new generation influenced by them, will gradually be exported in place.

The clip at the end of the movie seems to be bland, but many moviegoers were shocked.

Some people who are usually immune to poison even began to wipe their tears.

For a contractual commitment, he has experienced all kinds of life and death.

The tomb of the second cow, the tomb of the second cow, the top of the mountain with biting cold winds, the silent old cow, the savage-like Huang Bo, and a bush of green seedlings.

I thought it was a war movie with a grand scene, but I didn't expect it to be so still.

It's a comedy, but it's the kind of comedy that smiles and laughs, and the smile gradually stiffens on the face.

There is certainly no shortage of applause.

Chinese director Hao Yun, who once won the Cannes Best Screenplay Award, once again proved his strength.

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"Why did you come up with the idea of making such a movie?"

"Thank you for watching the movie, making this movie, mainly to let more people know that such a bumpy life, such a miserable situation, in the land where we grow now, there have been thousands of people with the same blood as us, who are bearing with their lives, and they should not be forgotten and misinterpreted."

When Hao Yun was interviewed, his tone was very heavy.

"From the perspective of film style, is there any inheritance with Jiang Wen's "The Devil is Coming"?"

"Everyone knows that Jiang Wen is my master, and my favorite movie is not "Sunny Day", but "The Devil is Coming", this movie is my tribute to my master and handing in my homework. The style of the movie and Jiang Wen is indeed somewhat similar, and the black and white tones add a sense of heaviness to the film. ”

Hao Yun did not shy away from this kind of argument, and he was even happy to show it, which was in stark contrast to Lu Jue.

After Lu Jin "lost" Jinling, it seems that he still decided to make a war movie.

I don't know if he took on any task.

Huang Bo was also asked a lot of questions.

Before the film started, he was almost unattended, and after the movie ended, he answered several questions in a row.

Hao Yun was on the side to help him translate.

The next day, various media reported on "Bullfighting".

Director Hao Yun's new film "Bullfighting" visited Cannes.

seems to have a happy ending, but in fact it has a strong sense of sadness.

How to reflect on a war!

"Bullfighting" is a perfect combination of form and content.

Black, ironic, humorous, seems to be synonymous with this film, because of a cow, born and died.

From "Bullfighting", we can see the mature road of this young Chinese director.

"Alive", "The Devil is Coming" and "Bullfighting", the film expressions of the three Chinese directors are different.

There is so much news that I can't even watch it, compared to when Hao Yun first came, the treatment was more than a star and a half.

As long as it is the media that pays attention to Cannes, almost all of them have reported it.

Hao Yun is very relieved that these film critics have understood the movie, and he is also very happy that everyone has got what he wants to convey.

From the point of view of concept, the movie can be said to be just right.

From an artistic point of view, it is also generally accepted that "Bullfight" is a mature film.

That's enough.

Of course, Hao Yun still has to continue to expand the influence of "Bullfight".

On the one hand, there is a connection with the film festival to add a show.

If you can put a few more shows, you can put a few more shows, and you won't worry about no one coming to see it anyway.

On the other hand, he took Huang Bo and Yan Ni to participate in the premieres of other films as the crew of "Bullfighting", as well as various film activities.

The three even gave an interview to foreign media.

More specifically, we talked about some of the problems of the movie.

Of course, there is no shortage of doubtful voices, such as the Cannes selection with the Zheng Zhi factor.

Hao Yun's film is not very amazing, mainly relying on Zheng Zhi's factor to stand out.

Those who hold such statements are naturally either stupid or bad.

How can there be a stupid person on such an occasion, then it is naturally bad.

Bad guys are everywhere.

They don't necessarily feel that Hao Yun's attitude towards neon is problematic, but they are simply full of hostility towards Huaxia, a rising power.

Or jealousy and being a thief.

Hao Yun often fights at the Cannes Film Festival, whether it is Zheng Zhi or the movie, he copes with it decently.

In the words of the local media, there is already a master.

Hao Yun watched the movie for a few days.

My favorite is probably the Coen brothers' "No Country for Old Men".

This is definitely a fake Coen Brothers movie, the Coen brothers are good at plot layout, atmosphere creation, black humor, and high-IQ suspense, all of which are vividly reflected in this new work.

Under the framework of an absurd story, it is actually a sad story close to human nature itself.

Hao Yun also officially came into contact with the Coen brothers.

While talking happily, they also got a lot of attributes.

He, a Chinese director, is quite eye-catching, because he is too young.

Hao Yun has not yet passed his 25th birthday.

Ethan Cohen and Joel Cohen were probably still writing books for independent filmmakers when Hao Yun was his age.

In 1984, the two spent $800,000 and 2 months to shoot their debut film "Blood Labyrinth", when one was 27 and the other was 30.

And that year, Hao Yun was two years old.

Of course, Hao Yun also met several actors in "No Country for Old Men".

There are also a lot of acting attributes.

The villain of "No Country for Old Men" Javier Bardem is particularly impressive, and his wife Penelope Cruz was last year's Cannes actress.

If Javier Bardem can win the best actor, it will be a good story.

However, Javier Badenyu was destined to be disappointed.

On May 27th, the Cannes Film Festival closed and the awards ceremony came in the evening.

The Coen brothers' "No Country for Old Men" and Béla Tarr's "Winning Souls from London" were favored by industry insiders but did not succeed.

Award-winning winner Wang Jiawei's "Blueberry Night" and Kim Ki-duk's new work "Breathing" also did not win.

And Hao Yun's "Bullfighting" ......

"At the 60th Cannes International Film Festival, the winner of the Jury Prize was "I Grew Up in Iran" directed by Marja Shatabi and Vincent Palland......"

With the lights in focus, the two directors began to hug each other.

However, before everyone began to applaud, the award presenter hurriedly added: "There is also "Bullfighting" directed by Chinese director Hao Yun, congratulations to the above three directors......"

Then there is the jury's evaluation of these two films.

The jury's evaluation of "Bullfight" is that "this film shows the development and changes of society at that time with the joys, sorrows and sorrows experienced by a small person, so it is more real and reliable".

That is, the jury prize opened a double yolk egg.

Then Hao Yun was hit by one.

It was very unexpected, and it was not an ordinary accident, because Hao Yun didn't think about winning the award at all.

With Zheng Zhi elements, it does not mean that it is a plus.

The key is to see whether this "Zheng Zhi element" conforms to the mainstream Western thought, and must be correct within the scope of other people's rules.

Obviously, China's anti-Japanese resistance was not so compatible.

However, if you consider that "The Devil is Coming" can win the Jury Prize at the 53rd Cannes International Film Festival, it is not too strange that Hao Yun's "Bullfight" won an award several laps smaller than the Jury Award.

After Hao Yun heard his name, he shook hands with the people around him.

It's a pity that I didn't bring An Xiaoxi......

If I knew that I could win the award, I brought her over, and when the time came, I could be more excited, and I could do whatever I wanted, and everyone could understand it very well.

On stage, Hao Yun hugged and greeted the award presenter, as well as Marja Shatabi and Vincent Palland, who shared the "Jury Prize" with him.

Vincent Palland is French, and Hao Yun doesn't know much about it.

Maja Shatabi is an Iranian comic book writer and illustrator, and "I Grew Up in Iran" is her autobiographical illustrated comic book.

The three received the trophies and delivered their respective acceptance speeches.

Hao Yun didn't say anything radical on stage, and it wasn't a one-shot deal.

As a director, if you are too "not calm", it is not conducive to the audience looking at the work with a normal heart.

He hopes to bring more similar works to play in the future.

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