I'm sorry first.

Before writing this story, I never thought that I could write so long and so much. It was only halfway through writing that I realized that the plot was too open and there were many holes dug. If you want to take it back not too abruptly and fill in the pit that should be filled, you can only lengthen the plot.

Writing it down like this, it is inevitable that there will be some dragging, some water. But I can't help it, the level is not enough, and if I want the story not to collapse, I can only write like this.

Fortunately, it's barely rounded. But in order to catch up with the schedule, many of them didn't dare to be too verbose, some of the twists and turns were more blunt, and there were many unexplained ones.

For example, there should be a plot in the middle where the protagonist finds antique porcelain in the Forbidden City, about 10,000 words. I wrote half of it, and found it too delayed, so I deleted it.

There is also a plot of dialogue between the protagonist and Zhang Hanguang or Feng Youran, explaining the role of these antique porcelains and the purpose of their letting the protagonist come to Shenyang. Again, I thought it was too procrastinating, so I deleted it.

So I swear that there is absolutely no deliberate water word count.

These two parts will be explained later, and next, the main line is still a treasure, and the branch line is antique porcelain. I try to avoid the problems that arise in this section and try to make the story as concise as possible.

Finally, I wish you all the old men who read the book a happy Mid-Autumn Festival in advance, the men are handsome, the women are beautiful, the body is great, and the money is busy!

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