It may not have been a long time since he stepped into the transcendent world, but Lin An seems to have come a long way.

Everything on the otherworldly path is so gorgeous and magical.

There is witchcraft with high-dimensional and powerful power, there is a furnace that focuses on and enhances the breath of self-life, and there is a decoction that is miraculous enough to be reborn from broken bones......

Even Lin An was still in the inheritance of his master Professor Cao, and he was better than blue to figure out the ability of witchcraft and furnace to mobilize and superimpose spells at the same time.

But if you talk about Lin An's favorite and best technique, it is still spiritual drawing.

It's like the code name he gave himself when he first joined the 'Mad Witch's Tree Hole' organization - The Painter.

The desire in the heart can really affect the path of people's life invisibly.

Walking on the path of transcendence and the path of game development in the world of ordinary people at the same time, spiritual drawing really plays a huge role.

Maybe that's what spirituality is all about?

The tracks that people walk on may be the traces of this world that extend because of their own spirituality.

Lin An didn't have much motivation for the practice of witchcraft, otherwise whether he asked Chen Shuyun and the little boss, or went to the warehouse of the antlers to look for it, he would still be able to find more powerful witchcraft.

The same is true of the practice of the Melting Pot.

He often passively improves his strength and cultivates because of some kind of crisis.

Only the spiritual drawing, from beginning to end, is full of enthusiasm.

From the beginning of drawing Chen Xinmi's black cat, to the multi-handed frog skin of Lao Liu's body, to the spirituality of the tired souls in the city in a large number of drawings some time ago, and finally the environmental traces of the body submerged into the spirit world to absorb the spiritual energy, Lin An has never needed to be urged in this regard.

Feel the rhythm of spirituality, draw it in your mind, and finally put it into writing, a total of three steps.

He has a lot of accumulation every step of the way.

And now, the tyrannical and arrogant want to stay where and stare at the god-making ritual of the 'Abbey of St. Carol', and it is not because he wants to practice the antlers to protect the world of ordinary people, and beware of the other party's responsibility to let the spirit lich descend.

It's greed.

The ritual magic that connects the real world and the spiritual world in front of him, the rhythm of this ritual magic, the traces of the spirituality wandering in the two environments, he named it the 'Bridge of Heaven and Earth'.

The way of practice of St. Carroll's monastery, whether it is applied to the weapon of faith or the idea of god-making, the way of mobilizing the spirit (lich) to descend on itself, contains a certain way of merging the two individuals based on the environment, which he named 'God's descent'.

In addition, now the monastery is transforming the monster that the doppelganger of the spirit lich 'descends on' the body of, and the collective will contained in it is the discipline of the individual, which Lin An named 'Collective Consciousness Representation'.

Yes, in Lin An's eyes, the god-making ritual in front of him was especially like the method of the furnace running and condensing the core of the furnace.

However, whether it is a deer antler or a rabbit's eye, these different forms of 'dragons', the 'collective consciousness embodied' is the collective humanistic inheritance environment of the Dongtu Empire's thousands of years of cultural inheritance.

And the 'deity' in front of us, the 'embodiment of the 'collective consciousness', is the collective belief of the Abbey of St. Carroll.

That's the way it goes.

'The Bridge of Heaven and Earth', 'The Divine Descending Bearing', and 'The Embodiment of Collective Consciousness', these three spiritual drawings are what Lin An is doing.

The reason why he wants to show the antlers is that, on the one hand, he is influenced by his uncles and uncles, and is accustomed to continuing the domineering and arrogant side of the antlers in front of the 'external forces', and putting a lot of stereotypes on his own power.

At the same time, he also has to use this pair of antlers to enter the spiritual realm to pry the aura, so as to assist himself in drawing the rhythm of these three spirits with high intensity.

Lin An could even imagine how much magical power he would bring when he thoroughly studied these three things.

This power is not blessed by him as an individual.

Rather, it applies to game development.

The 'Bridge of Heaven and Earth' connects the real world and the spiritual world with traces of spirituality, and the materials of his game are constructed of spiritual portraits.

The 'Divine Descent Bearing', combined with the fact that his previous body was submerged in the spirit realm to pry the aura enhancement, was enough to make the players of the game, at the moment when their emotions burst out, they invisibly entered a unique strengthening state.

Other words!

Play the game, as long as you have emotions, you can become stronger!

As for what emotions to make players, this requires Lin An, the game producer, to coordinate the planning department and the art department to guide the game content.

Finally, this reinforcement is disciplined in the form of 'collective consciousness figuration'.

So does it mean that if the games developed by Lin An become popular, there will be tens of thousands of 'antlers'.

No!

More than!

It is said that the most powerful game in China has nearly 200 million players around the world.

What kind of concept would that be?

Lin An, who gradually regarded himself as a standard antlers, was equally strong in his desire to open up a path for the world.

He didn't have much ambition either.

There was no intention of doing anything to guide these players.

He just thinks it's awesome, it's a dick, and the dick is exploding!

That's enough, isn't it?

At this moment, at the scene, no one noticed that Lin An was staring at everything in front of him with such burning eyes.

Under the vision of the spiritual purpose, one by one, in piles, all kinds of spirituality surged.

Wizarding Organizations, Witch Hunters, Consumable Wizards' Twisted Souls Leveraged by Ritual Magic, and Clones of Spirit Lichs......

The hairy heart in his hand is running quietly.

This is his forged weapon, an extension of his own will, and more magically than the regular antler's forged weapon, it also possesses the properties of sorcery extradimensional spellcasting.

No one can notice.

Green rays of light stretched from the heart of Mao in his hand to the individuals.

The wool on the heart fluttered.

Lin An was like a spider on a huge spider web, gently plucking the lines on the spider web, feeling the rhythm on it.

Soon, the spiritual drawing of the rhythm of 'Divine Descent' was completed first.

There were so many examples in front of him that there were witch hunters in the monastery, a few special examples of wizard forces, and the monster bodies of lich clones that were enough for him to compare sideways and figure out from all angles.

The rhythmic drawing of 'collective consciousness concreteness' is also halfway through.

The full-form idol in the sky, the lich clone on the ground under the influence of discipline, and his own furnace core antlers gave him the possibility of vertical comparison.

This required him to go through the entire process of the 'god-making ritual' in its entirety to capture more details.

Only the most fundamental 'bridge between heaven and earth' is not progressing well.

It's too complicated.

The witchcraft ritual itself is paradoxical, not to mention that there are so many consumable wizards involved in the ritual itself.

Not to mention, the subtlety of this sewer space that sustains the witchcraft ritual itself, and the various links that drive it, are out of sight.

Judging by the situation at hand.

The 'divine descent' and 'collective consciousness embodiment' applied by the forces of St. Carlore's monastery are easier to understand because of the furnace cultivation method that Lin An himself has learned.

And Lin An's lack of knowledge of witchcraft and witchcraft rituals caused difficulties on the 'Bridge of Heaven and Earth'.

In the part of the 'Bridge of Heaven and Earth', it may be necessary to go deep into the local wizarding organization and find a way to see the true nature of the other party's specific operation of this witchcraft ritual.

Thinking of this, Lin An raised his eyebrows and looked thoughtfully at Mrs. Sally Bird beside her.

This lady was distressed by the consumption of witchcraft ritual consumables by the 'god-making ritual' in front of her.

The Elder family, the Goblin Castle Wizard Organization, and the Transcendent Trade Market may have to find a better entry point to get in touch with it.

And this entry point, perhaps the dean of 'the only wizarding academy in China', will be a very good name.

(End of chapter)