Originally, I was invited for a day.,Tomorrow at noon.,But I suddenly found out,From now to tomorrow at noon,All have classes.,There are tasks.,And because the update time is advanced.,Then I actually have to stay up all night in a hurry to code words.,There's no time to sort out the plot at all.,So please do it another day.,Wednesday noon re-update.。

And let me tell you, we don't end the second volume.

From the end of the first volume to the present, the original purpose of creation is the first volume of the end of the low, relaxed and cool, the first time I wrote a book I really thought about it for a long time, I still remember the same feeling as Carvin - how to write a simple pretending to be cool?

I really analyzed it like a problem solving, for the plot of Wubi, to be cool is to pave the way from both internal and external aspects, that is, first, the protagonist needs this champion very much, such as .......; Second, external circumstances urgently require him to win this championship, such as ......

But obviously, all the contradictions I planned at the beginning were not achieved in the outbreak of Wubi, and before Wubi, our contradictions had been almost resolved, so we had to take another path, another emotion.

However, I did write a pretending slap in the face in this plot in a solid and positive way, and I believe it will be helpful for the later writing.

Of course, many problems in the creative process can be analyzed, but I won't go into a long story, just a brief summary, that is, Wubi is an emotionally driven plot, and it takes a lot of brains to design and pave emotions, and sometimes I have to give up some plot logic.

And now that I'm done, I think it's still not as emotionally driven as the plot, that is, in terms of my own writing feeling, sometimes I don't like the emotions I put on my own, and I feel better when I write the plot.

Perhaps, it will be easier too?

Of course, it is not to go to the two extremes, the mood and the plot must be fused together, but one is to focus on laying the emotions in the relatively simple plot, and some small plots also serve the emotions to pave the way; One is to write a more proud plot, try to be complex and reasonable, pay attention to the logic and explosion of the plot itself, and then the emotions will come out naturally.

Of course, it's just a superficial and current experience after I wrote just 700,000 words, and I will briefly share it.

And then the later plot hasn't been thought about yet, I really feel that after 4,000 words a day, I don't have the time and energy to think about the next plot at all. I remember a very old golden finger, in which the main character has different time flow rates, different aura concentrations, etc., if only I had one of these.

(With this thing, you're just going to use it to write a book?) ）

Anyway, I'll take another day off to sort out the rest of my writing a bit, and then I'll take a break for myself.