Chapter 11 Photography Department [Ask for Recommendation Votes, Ask for Follow-up]

Two days later, Hayabusa Kimura knocked on the door of Yui Koike's office again.

After a familiar voice agreed, Hayaya Kimura pushed open the door and walked inside.

Yui Koike was sitting at his desk, turning on his computer and looking at something.

Compared with other old men in the directing department, Yui Koike is undoubtedly the most popular teacher in the directing department.

However, Yui Koike, who can teach at a university at a young age, doesn't believe it when he says he doesn't have a background.

But overall, Yui Koike is still a very gentle and considerate teacher.

"Mr. Koike, I'll hand in the script."

Hayabusa Kimura was carrying a black backpack.

Walking over to his desk, he pulled out a thick stack of papers from his backpack.

He printed and bound all the scripts last night.

"It's Hayabusa-kun!"

Koike Yui looked up and said with a smile.

Since the last time she learned about Hayabusa Kimura's living conditions, she was still full of affection for the young man in front of her.

I thought it was a young man who was passive and slack about the future, but I didn't expect it to be an aspiring young man who actively faced the hard life.

In the current lifeless neon, it is rare for a young man with such quality to be found.

Hayabusa Kimura put the script on his desk and stood quietly waiting for a rebuttal.

Yui Koike picked up the script on the table, and the name of the script was written on the cover.

"Tonightใ€ไธ–็•Œใ‹ใ‚‰ใ“ใฎๆ‹ใŒๆถˆใˆใฆใ‚‚?"

Yui Koike read out the title in his mouth, "Is it a work on the theme of youth love?" โ€

"Hey."

Hayabusa Kimura nodded.

"Huh~ It's really a bold theme." Yui Koike commented.

The neon in this world, like the previous life, is also two-dimensional, and various brain-themed film and television dramas emerge in endlessly.

However, the slight difference is that film and television dramas with the theme of pure love do not have as many classic works as in their previous lives.

It can be said that the pure love film and television works in this world have been in a state of extinction...... Very unpleasant.

Kimura Hayato speculates that perhaps it is the huge survival pressure of neon and the heavy burden of a low-desire society that inhibits the development of pure love film and television dramas.

Although there are some, most of them are not very well-known.

As the graduation work of the directing students, the most popular among students is the brain-burning themes such as suspense and reasoning.

And that kind of subject matter is also more likely to give the audience a sense of brightness, and the score will generally be higher.

The theme of pure love can easily enter the same routine, so it is not enthusiastic among students.

Yui Koike flipped through the script in front of him.

Although I was a little surprised by the type of subject matter chosen by Hayabusa Kimura, I didn't feel much about it.

The fact that there are few people who shoot does not mean that no one shoots, and it is the norm to encounter a few every year.

Let alone......

"Hayabusa-kun chose this theme because of the cost, right?" Yui Koike asked.

Hayabusa Kimura replied, "There is a little reason for this, but not all. โ€

Sure enough?

Yui Koike nodded and did not speak.

For a student with conditions like Hayaya Kimura, the work of this theme is undoubtedly the lowest cost.

There was silence in the office, and Hayabusa Kimura stood by and waited quietly.

His gaze swept over the computer on Yui Koike's desk, which was stuck on a single page.

T Station Film Festival Newcomer Competition Unit.

There are a lot of videos below, and each video is marked with the corresponding name and the director's name.

["The Sixth Shadow", Director: Keizaburo Natsume]

["Inheritance of the Cowherd Shop", Director: Qing Yuan Sha]

["The Villager Who Was Reincarnated as a Demon King", Director: Shoji Yagi]

ใ€โ€ฆโ€ฆใ€‘

Among the list of names, Hayabusa Kimura unexpectedly saw a few familiar names.

is also a classmate of the directing department of Qiyu University of the Arts.

"Mr. Koike, what is this T Station Film Festival?"

Kimura asked curiously.

Yui Koike looked up and looked at the computer screen.

"Oh, this. It is a film festival jointly organized by Station T and several film and television clubs...... There are several competition sections, and I heard that the most popular works in the final will be invested by several clubs behind them. โ€

"That's right." Hayabusa Kimura nodded abruptly.

"This one is a newcomer competition unit, and many students upload their graduation works to get investment."

Yui Koike said, pausing for a moment, then turning his head to look at Hayata Kimura, "If Hayabusa-kun's graduation work is photographed, you can also try it." โ€

Hayaya Kimura nodded: "I'll think about it." โ€

Seeing this, Koike Yui didn't say much, and continued to look down at the script.

In the office, one stands and one sits, inexplicably harmonious.

I don't know how long it has been, Koike Yui suddenly looked up at Hayabusa Kimura, and said in surprise: "Hayabusa-kun can leave, I will read the script as soon as possible today, and if there is a place that needs to rest, I will send a message to tell you tomorrow." โ€

"Huh?" Hayabusa Kimura smiled too awkwardly, he thought he would have to stay here until Yui Koike finished reading the script before leaving.

"Then Mr. Koike, I'll leave first."

"Okay."

Watching Hayata Kimura leave the office, Yui Koike refocused her gaze on the script on the table.

"What's this script ...... So thick? โ€

Yui Koike looked at the script on the table in disbelief, she remembered that the script of other students' graduation works was at most more than half of the script on the table.

What the hell is this guy writing, there is so much to it.

I thought I would finish reading it soon, but it looks like I've been watching it for a long time.

โ€ฆโ€ฆ

After leaving the office, Hayabusa Kimura didn't go back immediately, but took out his mobile phone and typed in the number on the note that Yui Koike wrote for him last time.

After a short wait for the bell to ring, the phone was connected.

"Moxi, Moxi?"

A crisp male voice came from the other side.

"Is it Kochi Koike's junior? I'm Hayata Kimura, a senior in the directing department, and it was Yui Koike who recommended me to you. โ€

Kimura was too quick to identify himself to the other party.

After the phone fell silent for a moment, Koike's voice rang again.

"Hello Kimura-senpai, I'm Kochi Koike. If anything, Mr. Kimura can come to the photography department to find me, and I'm in the photography department right now...... Does Mr. Kimura know where the photography department is? โ€

"I know, Mr. Koike wrote me the address."

"Okay, I'll see you in a minute."

"See you later."

Hayaya Kimura hung up the phone and brought the note to his eyes, on which was the location of the photography department marked by Yui Koike.

After remembering the address, he put the note back in his pocket.

To be honest, I'm not sure that Koichi Koike will definitely help him shoot.

The only connection between the two is Yui Koike's recommendation.

I don't know if Mr. Koike's relationship is strong enough, and whether he can successfully persuade Koiichi Koike to help him complete the shooting of his work.

Although he is very confident in the script, it is obviously unrealistic to let Koike Koichi read the script in a short time.

It's really troublesome enough.

Hayabusa Kimura sighed helplessly, knowing that he would know more classmates from other majors in four years of college.

Now it doesn't have to be so troublesome to go around in circles.