"It turns out that his life is like this......" Sun Yilin, who was squatting in front of his mobile phone, looked intently at Gan Hengxu who was rehearsing in the live broadcast room.

The sun was shining in the capital in March, and the teenagers in the live broadcast room were moving around under the scorching sun, and soon they were sweating profusely.

In fact, it is very rude for an opera actor to sweat rashly on stage.

If an actor with makeup performs on stage, if his head and face are sweating profusely, and the pastel is washed away, it is absolutely not allowed in the opera performance.

This kind of sweat is commonly known as 'rapid sweating', 'extreme sweating', 'false sweating', and 'panic sweating', which is a taboo on stage, and it also proves that the actor has not worked this scene, so he is flustered and causes his sweat glands to lose control.

"Performing sweat" on stage is also about "kung fu", a well-educated, well-rooted, and experienced actor should not sweat on stage.

Of course, these are just what she heard Gan Hengxu say casually, as for the authenticity of these words, Sun Yilin does not know......

You must know that in the past, the opera troupes were all open-air performances, and in that era of scarce resources, where did the air conditioners and electric fans come from?

It's easy to say without sweating, but how easy is it to actually do it?

How to achieve the realm of not sweating on stage in summer is a difficult problem that every opera actor needs to overcome, even famous actors.

Gan Hengxu's master said that the trick of "sweat control" is to memorize lines, think about the body, put yourself in the play, forget the form outside the play, and bring this sweatless appearance all the way to the stage.

During the performance, the opera actors wear such heavy makeup, the costumes are complicated, and the range of movements is not small, so it is obviously unreasonable to control the sweat......

Sweat control, for opera actors, and by extension, for all actors, is a kind of psychological literacy or professional accomplishment, and it is not a hard requirement.

Sun Yilin had heard many things in her casual chat with Gan Hengxu, but when she saw him sweating profusely and rehearsing, she still couldn't help but feel soft.

Learning drama is much more difficult than learning to sing, under normal circumstances, with a good voice and a little bit of vocal music, you can let go of your hands and feet to learn to sing, and the training process from singing on stage is relatively short.

But opera is obviously different, one minute on stage and ten years of work off the stage, and many times the short scene on stage is the result of everyone's long-term running-in.

Learning to sing is much more complicated, just having a good voice does not necessarily mean that you can sing well, you need to at least learn a certain amount of body performance skills, and the actor's five basic skills of "hands, eyes, body, law, and steps", not to mention mastering it proficiently, at least be able to pull a few strokes, otherwise, wearing a costume without an actor's appearance, stunned to stand in the center of the stage, I don't know if I am singing, or singing, it is nondescript, and it also hinders the perception.

Is the opera good-looking, the quintessence of the country is naturally good-looking, but looking at Gan Hengxu's sweaty and panting appearance, she suddenly felt a little distressed.

Learning opera naturally involves hardship, and the effort is not necessarily proportional to the reward, and sometimes the opera performers perform well, but the remuneration is really not much......

Sun Yilin's incomprehension is here, obviously the return that opera can bring is not much, and it is still very difficult to learn, but there is still an endless stream of people who are eager to learn.

When she asked about Gan Hengxu, the other party's answer was very simple.

"If it's small, it's interest, and if it's big, it's inheritance, there's no earth-shattering story, I just like it, that's all."

Yes, he embarked on the road of opera because he simply liked it, and he didn't have any strange ambitions.

Even, even his love for opera is inexplicable, just as he likes himself inexplicably......

Thinking of this, Sun Yilin suddenly blushed, she is a popular star, a rising star in the opera industry, how can she like such an ordinary little girl as her?

To this day, she still doesn't know why Gan Hengxu suddenly showed a good impression of her, how can she be?

But then again, you don't really need any reason to like this kind of thing, just like liking a piece of sky, there is no reason for it, just because the sky is the sky.

Sun Yilin looked at Gan Hengxu and the "husband" who was full of barrage on the screen, and his little face was very hot.

What others shouted was fake, but she could shout the real one later......

"Ahem, cough, ahem!"

She hurriedly coughed to hide her embarrassment, and solemnly opened the folder on the table, intending to do something serious.

The script assignment that Pu Tong arranged for her was called "Farewell My Concubine", and Sun Yilin couldn't understand the material information, but after watching Gan Hengxu's rehearsal, she seemed to suddenly grasp something.

She suddenly understood Cheng Dieyi, the protagonist in the movie, and she had a drama in her heart, and she was drunk without alcohol!

Singing, reading, doing, and playing, the four words constitute Peking Opera, and they also constitute Cheng Dieyi, that is, Xiaodouzi's life.

"Crazy" and "Drama Idiot" are Cheng Dieyi's own brother Duan Xiaolou's evaluation of him. But such a little bean who carved Peking Opera into his bone marrow was once soaked in water because of the master's scolding that beat the hand board to oozing blood - this may ruin the life of an actor.

And the little Laizi in the setting has a heart that wants to "become a corner", but it is difficult to endure the high-intensity training and corporal punishment of the troupe.

To some extent, Xiao Laizi is actually a portrayal of Xiao Douzi's heart, and it is also her previous thoughts......

Xiao Laizi wants to be a corner, why doesn't Xiaodouzi want to? It's just that he doesn't want to say it.

Xiao Laizi was unwilling to endure the harsh training of the drama troupe, and it was he who shook Xiaodouzi's heart and let Xiaodouzi escape with him. When Xiao Laizi saw Jiao'er's performance, he was touched by the scene, crying and shouting in his heart: How many beatings do they have to take to become a corner, when will I become a corner.

Xiao Douzi didn't say anything, just cried silently, but his inner voice had already been spoken by Xiao Lai Zi on his behalf.

Becoming a "Jiao'er" is the dream of many opera performers, and she saw the same obsession in Gan Hengxu.

Gan Hengxu loves opera as much as the "Little Bean" in the setting, but Sun Yilin doesn't want him to be the same as Little Bean......

Xiao Laizi finally escaped, but returned to the troupe because of Xiao Douzi. He watched Xiaodouzi being punished, on the one hand, he was distressed, and on the other hand, he was worried about his fate, and finally he ate the sugar gourd he had in his heart in despair, and finally committed suicide.

The "little laizi" in Xiaodouzi's heart disappeared together with the real Xiaolaizi, so that in Xiaodouzi's heart, there was only drama left in addition to drama.

But Gan Hengxu is different, there is not only drama in his life, but also her......

Sun Yilin blushed and teased himself.

When a literary girl talks sourly, it's really not an ordinary sour.

(End of chapter)