Lao Xu shook his head, Lao Xu has a temper, he cares about his children, but he never takes care of his children's jobs, let alone save his family for the night, as soon as he mentions this, Feng Jiao gets angry, she hates Fengtai, hates Fengtai for getting rid of her father, and hurts her father's heart.

Feng Jiao couldn't persuade her, so she followed Lao Xu, as usual, to the mill room to rest, usually in the heavy rain and snowstorm days, En Chang Liao boiled porridge and drank the fire and warm the kang, and did not see En Chang stay overnight until the last resort.

His son Fengtai threw him to a nursing home, and he regarded it as a holy decree, and he didn't want to break the rules as a heavenly rule. Thanks to the youngest daughter Feng Jiao, who kept an eye on her heart, she forced her father to leave a grinding room.

The mill house is the only remaining thought of the old man's land reform, thanks to the old girl Feng Jiao to leave her father to take a step back.

When Lao Xu divided the fruits of the land reform, not only divided the long-term factory mill house, but also divided the land reform house of the three owners, we all know that the eldest phoenix building, the eldest daughter's phoenix nest, Xiangjiu and the man's nameless children are married to the parent, Lao Xu treats them like a short child, but they make it, they should share the same sweetness and accommodation.

In the year when the eldest brother Fenglou got married, Lao Xu didn't listen to people's persuasion, and he gave the land reform house to Fenglou to make a new house.

The mill house is behind the old house of Xiangjiu, squatting in the middle of a small empty field of shade, looking up can see the back window sill of Xiangjiu's house through the short wall, there is a back garden under the back window, the short wall is half a person high thatched toilet, Xiangjiu stood up after untying his hand, and always loved to glance at the mill room.

The two brothers of the Ai family live in the front and back yards, and the owner of the long work Ai Shutian, in addition to the front yard of the street, there is a big car door outside the east wall mountain, and the yard raises a big cart and a few hard cattle, the east wing house is a forage house in addition to the livestock shed, and the three rooms in the north are warehouses.

Since there is a production team, Enchang lives in the breeding place as a breeder all the year round, and the remaining three milling houses are Enchang's family business, and the milling road room is a grinding disc and a milling road, and Enchang does not lock the door of the outhouse.

That day, Shi Qing easily persuaded Lao Xu to walk towards the grinding room, sincerely keeping Enchang away from the place where he was fighting and making trouble, but he was also afraid that Enchang would be sad and angry.

People stood on the water along the village and said some reassuring words, and their hearts were still hanging on the Weaver Girl Bridge, until they saw that the people on the bridge were scattered, and Enchang's heart fell to the ground.

Lao Xu is not solid in the milling house, and after a while, he went out to stand on the head of the village to look at the Weaver Girl Bridge, and look at the courtyard of Fengjiao's house in the west of the bridge where Xiang has lived for a long time.

Can't bear it? Eun Chang couldn't help but sigh and stomp his feet fiercely to think that he was redundant! Lao Xu stands in front of the mill house, opposite is the old house of Xiangjiu, now things are not people, people go to the house empty, people move away, everything is empty, only sparrows are pecking at the sunshine of this long grass, taking off and landing again.

At that time, Xiangjiu's house was the same as now, Xiangjiu's house was separated from the mill house by a short wall, and after the death of the nameless child, the lonely man and widow were still separated by that short wall.

On both sides of the wall are dry firewood, not to mention that in the fifteen gates and one street, the two of them have long been talking in a jar, and this dry wood fire can even ignite the stars.

There is no need to think about it, the painter who paints the wall, the flower ideas of the body, the rotten clothes that can't be washed and taken off, and others are waiting, watching the story of apricot blossoms, spring rain, peach red and willow green.

The children couldn't hold their faces, but it was still the old girl Ai Fengjiao, who took Xiangjiu to her own house on the other side of the river, which cleared the wind and rain in the city.

Although Enchang hated himself for being redundant, he was always reluctant, and he couldn't throw away the fragrance for a long time, and he was even more reluctant to give up the family affection that he had raised for a long time.

As the saying goes, the old man has three treasures: the old son, the eldest grandson, and the torn cotton jacket. This is true, in fact, people are more distressed, and they are worried: they are distressed and soft, and they are miserable.

If a child can't live a good life, the old man will be partial to whomever he wants, and this is not bad anywhere.

Lao Xu is more serious, and the good ones are all reluctant. If you mix well and have money, who knows where to go on a business trip?

They all know that now that people are thin, they forget their righteousness when they see profit, and even the birds in the sky can't find a clean branch to settle down.

Not to mention the foolish, Ai Fenglou, the eldest who is known as the little sinful, and Ai Fengchao, the second daughter nicknamed the big hornet, also want to have a good life, but the God of Wealth takes a detour, which makes Lao Xu sick again.

Enchang is a sincere person, since he stole the nameless woman, he felt even more guilty about the species left by the nameless.

For the little sin and the big hornet, these old Xu gave it his heart, and in exchange for a cold face and a cool ass.

The words are pinched in the palms of others, and the elder can't stand up for the waist for the rest of his life, and the love debt owed by the first half of his life is like the clouds wrapped around the mountains after the rain.

The three milling houses, although the roof tiles are covered with pine towers and dog's tails and wild grass, still seem to recognize Enchang, Enchang seems to be dodging and looking, and his eyes are confused and restrained, like a ashamed person who has returned to his hometown.

Although it was not put on the table, Shi Qing and Enchang are still in-laws, Feng Jiao and Shi Qing's son are relatives, Shi Qing and Enchang are nearby, so they intend to let Enchang live in the milling house, saving the old Xu Di and running errands at both ends.

Shi Qing, who had a heart, brought his luggage from home, and wanted to help him clean up and clean up, and the house was full of dust.

Enchang didn't let him, Enchang took out his saved futon from the old cabinet, and only then shook it, in addition to a rusty black wine suona, he also shook out a saved dry and deflated sauce flute.

When I was young, the water along the village festival Yangge, Enchang played suona, and Xiangjiu shook the dry boat, which were all memories of the past.

Later, when the children grew up and knew what was wrong, the sound of suona was locked in the memory of Shuiyanzhuang. How many lonely nights in the back of the road house, the sauce flute played by Enchang under the moonlight, I don't know how many women in Shuiyanzhuang have attracted tears.

Shi Qing looked at him out of the corner of his eye, and saw that Enchang was full of tears, so he hurriedly told a few words and dodged away, and when the roof rose firewood smoke, Shi Qing walked away with confidence.

It's summer, and the three steps and two bridges not far away have long been quiet. The crowd dispersed, listened to the lotus flowers under the bridge that were noisy in the world, and thought about the Qingfen of the lotus leaves, and spread to the three village townships that tasted the warmth and coldness of the world, and the dream-like milling house, and the heaven and earth returned to chaos and serenity.

Xu Enchang opened the roll of luggage wrapped in the fur, brushed off the dust, shook it off to dry, and the stitches of the bedding were quilted, and in Enchang's heart, the finger incense of the old days was swayed.

Shi Qing walked back to Yelaixiang, and recited to Mr. Lang, saying that Enchang was a little shorter, and he was a little hunchbacked.

Mr. Wolf also sighed: quite a hard person. Both of them are also looking forward to growing up. Shi Qing stood on the bridge, and Xu Enchang, who took care of the errand runners, couldn't scream on his lips, but he still regarded him as his in-law in his heart.

Not only this, but there is also a hidden situation here, in the fifteen gates and one street, Wu Chen, the pillar of the old Wu family, the Four Qing Movement made him disgraced, Shi Qing sang a red face and came to power as the village secretary, and the Cultural Revolution stood two factions to fight factions, pulling the big flag as a tiger skin, and the dog ate the dog with a mouthful of mud.

It is really called ten years in Hedong and ten years in Hexi, and the policy was implemented in the later period of the Cultural Revolution, and the old branch secretary Wu Chen sat in the world again.

Now Wu Bude has a dispute with Feng Chi, no matter where to fight, Shi Qing's ass is also sitting on Lao Xu's kang.

Shi Qing didn't care about Mr. Wolf, so he talked to himself, saying that people are old when they are old, and it has only been a few years! Shi Qing still has memories, thinking about when Lao Xu was young, how good his body was, handsome and burly, just like the spring mountains and autumn trees sprinkled with sunshine, the woman standing on the street of Manzhuang, in the fifteen gates and one street, in the whole three steps and two bridges, the woman saw that her legs were weak and she couldn't walk.

The timid, covering his mouth and peeking, blushing and watching people pull out the sticky saliva is bold, bold, laughing and shouting, having nothing to say, daring to pinch and twist on Enchang's body, but what he said is Enchang's clothes, shoes and hats, praising that good workmanship and good stitches.

Enchang didn't say anything about his daughter-in-law, she was wearing what she was wearing, everything was beautiful, and everything was decent, so it was rumored that Enchang had a good relationship.

Xu Enchang, who fled from the Huatai Mountains to three steps and two bridges, settled in Lao Ai's family from the age of fifteen to work as a long-term worker for the landlord Ai Shutian.

stayed up for two years, and witnessed the old Ai family blowing and beating to marry Xiangjiu into the family. At that time, although Enchang was two years younger than Xiangjiu and was still a finch, he saw that Liu Xiangjiu, a nineteen-year-old bride like a flower branch, had no smile on her face all day long, and she was not happy in her heart.

The groom Ai Rentian is the brother of the landlord Ai Shutian, the brothers inherited the ancestral business of their parents, and the brothers did not separate the family.

Brother Ai Rentian is a batter person, soft mud paste can't be picked up on the wall, farming is also a good girl, all day long love to talk about idle boards, often believe something, do not kill love incense and the big flower cow in the circle called brothers.

In the first three steps of that year, shadow puppetry was fashionable on the three steps and two bridges, and there were many singing and shadow shadows on the stage during the agricultural slack. Ai Rentian, who is married, doesn't love his wife and loves to sing, he can't play the strings and has no voice, but he can't sing but he is a shadow puppet fan.

As soon as I heard which village and which village set up a studio, sang shadow puppetry, chased out for a few days without being at home, for husband and wife, men and women, running a family life, not distracted, not worried, confused and smiling.

The elder generation of the Ai family died early, leaving the brothers with a very large crop yard, the front yard and the back garden, the north and south are long, the eldest Ai Shutian lives in the south of the five big main houses, the second lives in the backyard, and there are also five big north houses, all the way through the hall, out of the back garden facing the three mill houses.

Xu Enchang sells kung fu to the boss, sleeps in the road room at night, and throughout the year, the north and south pass through the hall and enter the room, I don't know how many times I walk, and the ground is trampled away.