Well, I'll look at everyone's comments when I have time.

Newcomers and new books, there are many shortcomings, and I hope you will forgive me.

In some places, there are indeed some problems, and I am also thinking about how to change them.

As for what I personally think is okay, I reserve my opinion.

Seeking common ground while reserving differences.,After all, the same people are derivative creations made on the original work.,And for the original work, there are a thousand Hamlets in the eyes of a thousand people.,There will naturally be different opinions.,There's no way to satisfy everyone's ideas.。

So, since I'm writing the book, let's follow my ideas.

Okay, here's the time to answer the questions.

In general, the three places are more controversial.

First, the doorman's sarcasm.

I have thought about it carefully, it is reasonable for the guards to look down on the innate level, the whole academy is a soul master, similar to Yu Xiaogang's half-level is a special case, there should not be much, so 1~10 levels, level 1 is almost at the bottom, the talent of the students in Notting City is not high, it should be mostly 1~3 levels, it is estimated that no matter how high it is, it will be 4 levels, Tang San Xiaowu's full soul power is a special case.

1~3,1 is also the lowest level, plus the "Mutant Martial Soul: Black Pupil" written by the martial soul identification, the ontological martial soul only came out of the Ontology Sect after 10,000 years and was well known to others.

There is no unprecedented ontology mutation martial soul + worst soul power, ordinary people know that at most a dozen level soul masters in a lifetime, if the mutation is a poor mutation, like Yu Xiaogang, it is not impossible to get stuck at level 9 and not move.

At least on the surface, it is a lot worse than the rest of the academy.

Therefore, it is normal for the doorman who has seen a lot to look down on the protagonist, and the doorman of the unit has seen a lot of big leaders, how can he look down on a small clerk? (I don't think there's anything wrong with this state of mind, there are many people whose hearts are higher than the sky and whose lives are thinner than paper and whose nostrils are facing the sky.) The fact that I can't make money doesn't stop me from despising the stupidity of a big guy who has failed to start a business. ）

Of course, it may be that the direct use of "whispering muttering" is a bit too excessive, exaggerated, and easy to offend people.

I thought about it for a long time, and finally it was more appropriate to change it to "belly slander". I didn't say it, but I didn't think I could afford it in my heart. I don't think it's a big deal.

Second, about Zhu Zhuqing's attention to the protagonist, and, the issue of martial soul fusion skills.

Before holding hands, Zhu Zhuqing paid attention to the protagonist, but in the end, it was not a martial soul fusion technique, and some people thought it was unreasonable.

In fact, I have pondered the character of Zhu Zhuqing, in a relatively depressing environment, he has become lifeless and cold, and naturally he will not get close to people.

But it does not mean that they will be completely cut off from the outside world, this kind of person will constantly observe people on the side, like a bystander, coldly watching others happy and others sad, as if they are out of place with everything around them.

This is my speculation on Zhu Zhuqing's character.

Therefore, Zhu Zhuqing's attention before "holding hands" was just watching a stranger.

But the protagonist tells a lot of lies, for fear of being exposed, hiding treachery in his heart, not being open, and being looked at for a long time is easy to doubt himself.

I wanted to write about the protagonist similar to Cao Cao's psychological state when he asked Cao Pi to guard Cao Chong's spirit. Because he hides a traitor in his heart, the slightest glance of others seems to mean to strip himself naked from head to toe.

Therefore, the protagonist "misunderstood" Zhu Zhuqing's eyes.

After holding hands, I didn't need to explain much, I wrote it in the text with a voice-over.

This is Zhu Zhuqing's "misunderstanding" of the protagonist in turn.

These are the thoughts I had when I was writing, and many people may not understand this feeling when they read the book, or maybe my pen power is limited and I can't describe this kind of plot in place.

I'm really ashamed, forgive me. I'm just new to writing novels, less than many people.

Third, about the protagonist's fight against the Soul Emperor, his strength has improved too quickly, and he suspects that his combat power has collapsed.

The protagonist's defeat of the Soul Emperor and the Soul King is controversial.

Let's post a paragraph of the second part of the original text: [Soul beasts will have a qualitative leap when they reach 10,000 years, generally speaking, if humans want to deal with 10,000-year level soul beasts alone, they need at least six rings of strength to be possible. To deal with soul beasts that are more than 30,000 years old, you need at least seven rings or more, and you can only try it after you have a martial soul. 】

I replied: [The dreadclaw bear is equivalent to 10,000 years, and the shadow strength has been cut, but it is only a small part, as mentioned above. Because you are not afraid of death, there will be a part of the "madness" bonus. Plus it can be resurrected constantly, and it can be a war of attrition.

As for the soul power consumption of resurrection, I did write above that I can't support too many resurrections, but after all, I didn't write a system, and there was no way to write the number of resurrections too specifically in data, and it was easy to have the brainless bug of "hydrogen man" in the original book. It can only be written intuitively.

1 pseudo-10,000 years + 1 pseudo-5k years + 13 3k years, relying on a limited number of resurrections, there is still a chance to kill a soul emperor, if you fight the king, no matter how strong you are at level 15, you can't beat the five level 13 heroes who are resurrected without interruption on the opposite side, right? 】

The reader asks: [You are more gamified like this, and the battle is not like you punching me with one punch.

1. You yourself said that the benchmark is 10,000 years, not really 10,000 years, there has not been a qualitative change, and there are people who are not fools, and they will run away if they can't beat him.

2. You let the protagonist be hidden, it all makes sense, a twenty-level soul master, can you withstand a general attack by the Soul Emperor, this Soul Emperor still has a few soul kings, in the moment of despair, how can you pull a cushion.

3. You go directly, the protagonist was taken to the sky by a bird soul beast, and I can still accept it if the shadow is besieged, what you wrote, that group of people are like fools, the six rings of the soul emperor are directly cleared, and a soul king can arrest the protagonist. 】

1. It makes sense, I have negligence, the dreadclaw bear is only a benchmark for 10,000 years, not a real 10,000 years. Even if there is an immortal "madness", it is still unknown whether it can be compared to the Soul Emperor. So mark it here and talk about it last.

But if you can't beat the other party, you will run, which I don't agree with. I haven't written that I can't fight.,Both of them think there's a chance to drag the protagonist to death or break in directly to kill the protagonist.,There's a psychological advantage.,If you don't have the advantage, of course you'll run.,But what if the other party thought they could kill the protagonist? Will it run?

2. I can't block the attack of the Soul Emperor, but I haven't considered the basic attack, only the soul skill.

At the beginning, the two wanted to take the protagonist directly, and released the soul skill, but the defense of the dreadclaw bear is very strong, and it is appropriate to use him as a meat shield to protect the protagonist, if it is ordinary, you have to get close first.

But after getting close, it hits the protagonist's arms.

I still remember that when I was playing League of Legends, the first time I encountered a male gun, and after being deprived of vision, I panicked and exported all my skills, but no one hit, and I was finally killed. The unexpected panic is still fresh in my memory.

Therefore, the soul skill set up is to deprive the vision by relying on the dark nature of the shadow when the ball is broken.

Personally, I think deprivation of vision is a very buggy skill.

My original intention is: The protagonist has always known that his second skill is very buggy, so he plans to rely on the moment when the second soul skill is broken, depriving him of vision and taking him by surprise.

I wrote out the surprise of the Soul Emperor breaking the ball, the feeling of depriving the vision under the great joy, the sense of gap, is a good opportunity. The dreadclaw bear took the opportunity to kill a blind man, not without this opportunity.

This kind of psychological game is actually difficult to talk about, and it is precisely because the Soul Emperor feels that he can beat it, so he will not escape. And the protagonist is weak.,So you can lure the enemy to attack.,Relying on the suddenness of the soul technique.,Seize the only opportunity to kill the enemy in the moment of surprise.。

How can it blow itself up in the case of a one-hit kill?

Only the inferior will blow themselves up in despair. How could the advantaged think of self-destruction? The dominant person has never considered this option, and has not given him time to think, self-detonation does not exist.

On the contrary, if the protagonist has overwhelming power, he will blow himself up after a little delay, right?

3. Fly into the sky, unlikely. You also said that you questioned the number of resurrections, the shadow can't be resurrected too many times, it's just enough to rely on the soul beast to be tough, and if you drag it down, the soul power will be gone, and it's the protagonist who loses.

The result of "the Soul Emperor clears the field, and the Soul King arrests people" is essentially the same, if you catch people closely, you will be deprived of your vision, and the Soul King may hang up by surprise.

Of course, if you deal with the Soul Emperor later, the protagonist will be in trouble, and if you don't have a surprise effect, you will lose if you don't do well, there is no doubt about it.

But then again, when the two sides fight, it was originally to anticipate the enemy, find the opportunity, and make a choice in an instant.

Of course, there are countless ways to kill the protagonist of the Soul Emperor, the Soul King! The protagonist also has countless options to lose his strengths, such as flying into the sky as mentioned above and not having enough soul power to support it.

The protagonist is naturally not without opportunities, the weak can only rely on "surprise" and "opponent mistakes" when facing the strong, seize these two points, do not let go of an opportunity, is there really no chance of winning at all?

In the battle of life and death, if you don't have enough information, you may be set a trap by others, and if you hesitate for a moment, you may never have a chance to make a choice, and if you make a mistake, you may die.

The protagonist has an intelligence advantage (soul skill bug), waiting for a moment of hesitation when the opponent has no vision, this is the opponent's mistake, and if you catch it, you can turn defeat into victory.

emmmm, the Soul Emperor Soul King is indeed not a fool. But you can't write everything in a book, right? Do you have to add a narrator, if the Soul Emperor Soul King did something at a certain moment, the result would be very different, and the protagonist would inevitably be killed by him, Balabala.

Writing a book must let the protagonist win, otherwise how can you call the protagonist? There are thousands of possibilities for fighting, and I can't choose the one that is most unfavorable to the protagonist to write, right? How unlucky should the protagonist be that he always can't meet the slightest opportunity? If you want to write about an enemy that is extremely difficult to deal with, and the protagonist is frequently frustrated, then I'm afraid readers don't like to read it, it's too abusive.

Unless the protagonist is much stronger than the enemy, there is no need to play tricks at all, just crush it all the way.

But crushing will cause a consequence, back to the first point, the opponent can't beat, will run, can't run, will blow up.

So how to deal with it?

There are thousands of possibilities, and there is no way to cover them all.

Back to the mark of point 1, the strength of the Soul Emperor is too high, and the Dreadclaw Bear is not really ten thousand years, can it resist. I've considered changing the Soul Emperor to the Soul King, but I'm still hesitant, because after the change, can they have the psychological advantage of killing the protagonist? Give me some time, I'll think about whether I can change it or not.

That's it for that.

My Broken Thoughts:

My ability is limited, and my writing may not be very good, but I am doing my best, and I hope you will understand.

Writing a doujin is a thankless task.,I thought writing a doujin to follow the timeline of the original book.、It's easier to go through it.,You can practice writing.。

After writing it, I realized that it was difficult to write a fandom, more difficult than original.

Because it is based on the original work, the original work has already been set, and many people have different opinions, so there are many different criticisms and suggestions for the same works.

It's not easy to take care of all opinions.

If it is original, there will be no so many problems, and all the right of interpretation belongs to the author.

And greedy for the flow of the same people.,And want to have the freedom of originality and the right to interpret.。 It's hard......

Good night, everyone.

Next volume: See the dragon in the field.

See you in Heaven Dou City.