Zhang Li was temporarily caught by the editor-in-chief to participate in the premiere of the movie "Those Years" a few years ago, originally meant to go through the motions and deal with errands, but he didn't expect the finished film to surprise him.

Since then, he has paid some attention to Sun Yi, a new generation of directors.

There is no way, the current directors in the Chinese film and television industry are indeed young.

The fifth-generation directors who rushed Chinese films across the country to the world are visible to the naked eye that they are old, they are no longer high-spirited, no longer pointing out the country, and passionate about words, but they are drawing circles again and again, and they can't find an outlet that can break through themselves.

And the sixth-generation directors are obviously not taking the mainstream path, and they have also fallen behind today when Chinese films have started to be commercialized.

In Zhang Li's view, this is the limitation of the times.

Director is a highly subjective profession, and he needs to show the audience the story in his heart through one picture after another.

There are many ways to express the movie, and the specific choice is completely up to the director.

Once it comes to the individual, then his life experience and growth environment will have a deep impact on him.

For example, youth.

The youth of the fifth generation of directors is to go to the mountains and go to the countryside, and their youth is buried in the golden wheat field, hidden in the shy eyes on the other side of the stream.

The youth of the sixth generation of directors is the reform and opening up, and new trends of thought are coming in chaos, and their youth is floating in the corners of the city, surging in breaking the traditional taboo.

At the moment of the new century, Zhang Li is sure that the young man who was just 20 years old on the stage just now will become a representative figure of the seventh generation of directors.

How will he tell the story of his heart?

This is the answer Zhang Li wants to find today.

"Nobody" is a multi-line narrative, so far, the movie has passed 20 minutes, basically the main characters have appeared, and the whole story has gradually become clear.

It is the story of the male protagonist Ma Xianyong looking for a gun.

From the beginning of the movie, the comedy effect arranged by Sun Yi began to progress, stimulating the audience's emotions little by little.

"Does this hurt?"

"It doesn't hurt."

"Ah~~~~"

The combination of robbers paired by Sun Yi and Zhang Yi has a lot of chemistry, and the two of them have become funny characters in the movie.

Especially the glasses played by Sun Yi are simply a serious joke to the fullest.

"Spider-Man, Batman, Condor Hero, long without a mask, in the future, our brothers will walk the rivers and lakes, and the combination will be called. Helmetman. ”

"Hahaha, goose, goose, goose."

Many of the audience members were amused and laughed.

After a while, the movie was put on a classic scene.

Sun Yi stood at the dining table and swore to Zhang Yi to plan the future of the two brothers.

"People go high, and water flows low."

"To put it bluntly, to enter the city is to change the way of living, and to work hard."

"Lao Tzu will make a whole AK, and then get you a blessing, you will be strangled, bigger and stronger, and create brilliance."

"Damn. Hahaha."" Cowhide."" Bigger and stronger."

This classic line caused the audience to burst into laughter.

Even Liu Yifei forgot about Comrade Zhang Qin beside her, covering her small mouth, and the "clucking" music kept coming.

"Goose goose goose goose this line was written by him, so talented."

Su Chang said to Liu Yifei while laughing.

Hearing this, Liu Yifei felt a little proud inexplicably.

But this pride has not been maintained for a while, and the movie has begun to turn because of the plot of Zhou Xun.

Liu Yifei looked at the weekly news on the screen, and she was inevitably a little lost.

Almost.

Just a little bit closer, she can play the role.

Ma Jiaqi, played by Zhou Xun, was completely unable to take care of herself because of high paraplegia, and was incontinent in front of the robbers "glasses" and "big head".

Ma Jiaqi, who has been scolding, hurting, and scolding people since her appearance, spoke for the first time in a cautious and even pleading tone.

"Let's go, let's go."

"You don't, don't come here, don't look at me."

"What are you doing, don't touch me, don't come over if you hear it."

"I beg you, don't touch me, you horse."

From cautious pleading, to the shame and anxiety of incontinence in front of two strange men, and finally realizing that the last vestige of dignity in his life has also been ruthlessly shattered, hysterical scolding, until the fragile crying of the loss of voice.

Zhou Xun used this performance of less than a minute to resonate with the audience.

It's like joy and sorrow.

How happy you were smiling just now, how sad it will be.

There were even bursts of whimpering at the scene.

Good actors have this kind of magic, their smiles, their joys, sorrows and sorrows can arouse the audience's sense of substitution.

Liu Yifei's experience at the moment is deeper, her eyes are red, and tears are already rolling in her eyes.

You know, she originally had a complete script for the character of Ma Jiaqi, and she tried for a long time to substitute herself into this role, although she didn't succeed in the end, but she was very familiar with this role, and she was so familiar that she could empathize with Ma Jiaqi on the screen at this moment.

Sun Yi sat with several leading actors, and he couldn't help but give Zhou Xun a thumbs up from the bottom of his heart.

Rao has seen the finished film before, but in the atmosphere of so many audiences at the scene, Sun Yi has to admit that the double golden queen is really not in vain.

Zhang Li, who was sitting among the film critics, also nodded incessantly, and sighed in his heart.

There are so many good actors in Huaxia, which is really a great blessing.

The warmth at the end of the movie is that "glasses" and "big head" help Ma Jiaqi fulfill their last wish to take pictures on the rooftop.

Although she was paralyzed, she was once a young girl, and she also wanted to save her best moments before leaving.

Ma Jiaqi was lying on the rooftop, smiling from the bottom of her heart for the first time, posing in cute poses with the help of "glasses" and "big head".

She used to be such an optimistic and cheerful girl, but fate was so impermanent, depriving her of all the beauty of the rest of her life.

Obviously, Ma Jiaqi was laughing in the movie, but the audience in the audience had sad red eyes.

Everyone seems to realize that Ma Jiaqi is about to end her short life.

At this moment, the sky in the background was overcast.

From this moment on, the style of the movie begins to change abruptly, and a torrential rain pours down.

"Glasses" and "Big Head" have a dispute because of the truth.

"Lao Tzu doesn't care what she did in the past, Lao Tzu only cares what she will do in the future."

The two brothers parted ways in the rainstorm.

Originally, Ma Jiaqi wanted "glasses" to push her off the rooftop, creating the illusion of suicide by falling from the building, but "glasses" couldn't get off her hands and didn't agree.

Subsequently, Ma Jiaqi wanted "glasses" to help her turn on the gas and committed suicide by poisoning, but this time he hesitated for a moment and finally nodded.

Just at the moment when the "glasses" got up.

Ma Jiaqi's sentence "Hug it." Once again, it became a tear point in the whole film.

The next chapter is a little later.

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(End of chapter)