"Please don't get in the way, don't get in the way, thank you, please cooperate......"

The emperor's bodyguards have been protecting Xie Tingfeng and Faye Wong as much as possible, but the swarming reporters and paparazzi still make it almost difficult for the two of them to move an inch.

There are questions about Zhou Yi thrown out one after another, and the company has explained that Zhou Yi should not be mentioned easily outside, even if he wants to mention it, Xie Tingfeng, who is talking about the scene, was in a good mood and was completely destroyed, and his face was blackened.

Damn, do these reporters understand anything?

"Don't you eleven have a holiday? Still squatting here looking for our news? ”

Xie Tingfeng's slightly milky voice when he spoke Mandarin made Faye Wong, who was walking side by side with him, couldn't help lowering her head and pursing her lips and laughing, glancing at the man who obviously didn't suppress the pride in her heart and refuted it, just grabbed his hand and didn't stop him.

"Afi, it is said that your new album that will be released in October will also be released in Japan, how high do you think the sales expectations for your album are? Can you beat Zhou Yi? ”

"First of all, I need to make it clear that neither I nor Zhou Yi have any competition for albums or singles released in Japan.

"On the contrary, if he can succeed in the Japanese music scene, it will be a good thing for the entire Chinese music scene."

Faye Wong, who has experienced strong winds and waves, is obviously calmer than her little boyfriend, and she leads the topic to the road of "everyone is Chinese" while talking and laughing.

The reporter, who didn't really want to eat this set, still wanted to ask for a big news, but the two men had already returned to the car escorted by bodyguards - the Ferrari's engine roared and rode away.

"Damn! This crowd is hitting the streets! ”

Glancing at the reporter who couldn't see anyone in the rearview mirror at all, Xie Tingfeng, who was interrupted from dating, couldn't help but curse.

Didn't you just post an English song, and you have to come to him.

Seeing this, Faye Wong couldn't help but smile and said, "What? Angry? Because of that Zhou Yi? ”

"No, it's his ability to go to Japan to sell it, I'm just angry that the group of people who can't find Zhou Yiren on the street will only come to the news of the two of us."

Although Xie Tingfeng, who was relieved by his girlfriend, was still hard-mouthed, he still had to admit that he was really convinced by Zhou Yi's music.

Reaching the top of the weekly ranking of the Japanese public trust list without any foundation is no longer something that marketing or luck can explain.

He also listened to the English song, and he couldn't speak with a clear conscience.

"I heard that this song was just written by him after chatting with the two male protagonists of "Rush Hour 2", I have to say that this person is really talented, and he knows the writing habits in the United States very well."

As a person who is very familiar with European and American music, when Faye Wong heard the song "The lazy song", if it weren't for Zhou Yi's reputation and style, the first thing in her mind was that it was a song written by an American singer.

Especially lyrics.

Due to the fact that the cultural inheritance of China has never been cut off or erased for thousands of years, the importance of word culture has become one of the reasons why many bigwig-level lyricists cannot write catchy English songs.

Even completely Westernized Hong Kong lyricists or ABCs can't do it, because their writing habits are still in the Chinese context, such as Wang Leehom, Lin Junjie, Tao Zhe.

However, Zhou Yi's song completely jumped out of the trouble of writing English songs in the Chinese context. Whether it is the habit of biting words or the splicing, sentence breaking and expression of English words, it is really an authentic English context.

This is incredible in Faye Wong's opinion.

What surprised her even more was that the use of reggae elements in this song was even more proficient than Luo Dayou's 1982 release of "Zhihu Ye".

One sentence evaluation: genius.

………………………………………

"Absolute genius."

Taiwan, the scene of a program.

When Li Zongsheng, who accompanied Zhou Huajian as a guest on the show, was asked about his evaluation of Zhou Yi's English single, he directly gave him the highest evaluation since his career, and he did not hesitate to praise: "When Hua Jian told me that Zhou Yi had a song that won the first place in Zhou in Japan, I didn't care too much.

But when I listened to this song, I immediately went to Luo Dayou and played this song to him.

"I told him that the kid only turned 20 in December this year, but he was already more proficient in the use of reggae than he was.

He wanted to refute me, but after listening to the song, he said with emotion that the afterlife was terrible.

"You may not know what the concept of Zhou Yi's song is.

"Let's put it this way, judging from this song alone, even in the United States, where the pop music industry is extremely developed, I think Zhou Yi's talent can be said to surpass 99% of musicians in the United States."

As soon as these words came out, the audience was in an uproar!

You must know that Li Zongsheng himself made a comment on the domestic music scene not long ago, and in that music review article, the only musicians who were more optimistic about Li Zongsheng and used as examples were Zhou Yi and Jay Chou-

"Whether it's Jay's "Lady" and "Nunchucks" or Zhou Yi's "Flower Field Wrong", "Susan Says", and "East Wind Breaks", these are all their masterpieces that combine Chinese and Western music elements."

Here's what he said about the two.

As a domestic R&B representative, Tao Zhe, Li Zongsheng's evaluation is pure R&B.

Pure and authentic.

To put it bluntly, there is a lack of localization elements, and it is not as good as Zhou Yi and Jay Chou in terms of the combination of Chinese and Western.

His famous quote in this music review article, "You can find a thousand more like Tao Zhe in Seattle", although the original intention was to praise Tao Zhe's production level for keeping up with the pace of the world music scene, but in fact, it also fully shows that he is actually very clear about the gap between the Chinese music scene and the world music scene -

Even top domestic musicians like Tao Zhe are not ranked in the United States.

But now, Li Zongsheng actually bluntly said that Zhou Yi can surpass 99% of American musicians?

This is converted, doesn't it mean that Zhou Yi is far more than Tao Zhe?

Originally, Tao Zhe's fans were very dissatisfied with Li Zongsheng's original article, and as soon as this remark came out, Li Zongsheng was even criticized by many Tao Zhe fans-

However, Lao Duan, who thought he was going to fight a public relations war, actually found that he didn't seem to have to do anything at all, and some noisy Tao Zhe fans were directly silenced by Zhou Yi's fans-

"What sales volume do you have?"

"How many Golden Melody Awards do you have?"

"Have you ever written a song that has ever been sold out of the Chinese-speaking market?"

The face is wide open, the most deadly.

For a number of reasons, Japan is actually more of a so-called holy place for some people in Taiwan.

But now, the holy land in their eyes has been exported by Zhou Yi, who is a countryman, riding his face - the first one who is bright and bright has to be silent when he sees it.

It's not that no one has ever doubted whether this song was ghostwritten, but at the moment of doubt, it was sprayed with blood by many parties-

One is because Zhou Yi's past two albums and one EP were all written by himself;

The second is because the lyric style of the song "The lazy song" is actually very thoughtful.

That kind of relaxed gesture and lyrics that are far more explicit and coquettish than the song "Hate Dream of Red Mansions" are written by Zhou Yi himself at first glance.

"Except for Zhou Yi, I don't think anyone should be able to write such coquettish lyrics, and sing them seriously."

"Chinese words do limit his play in this regard, English words are really stained with the light that many people don't understand but prefer to listen, I suggest Zhou Yi to come more!"

"One has such a riotous song about Dream of Red Mansions, but the second is gone. I have reason to suspect that the Chinese version of "The lazy song" was originally a song that Zhou Yi was going to put on the album at the beginning, but after being killed by the company, it was changed to English that many people can't read or understand......"

After finding the shadow of Zhou Yi who was once riotous and explicit on this English single, people in the early days of the Internet began to discuss whether they could make Zhou Yi write more energetic.

“…… In fact, the song "The lazy song" really has no Chinese version, and this song has nothing to do with my song "Hate Dream of Red Mansions". ”

On October 4th, when Zhou Yi walked out of the CCTV building, reporters who had been squatting outside for a long time surrounded him, and Sa Beining Station, who was suddenly squeezed to the side in the corner, was crying and laughing, and everything was faithfully recorded by cameras and cameras.

Zhou Yi, who was upright, laughed and joked: "Please don't spread rumors, otherwise be careful of my lawyer's letter warning, my senior is here, he is the host of a legal program, I think you shouldn't want to be on "Today's Statement" to become material, right?" ”

(End of chapter)