Lin Yu pondered this role carefully.

Why is the Infernal Affairs of that world filmed, the feeling of inner anxiety is not obvious enough, and it is more like a pure police movie?

There is no doubt that this cannot be a problem of the audience, it is purely a problem of shooting.

It's like the love of the overlord Farewell My Concubine, and the love of the butterfly clothes is indescribable.

When happiness came knocking on the door, Chris Garner was so embarrassed that he couldn't raise his head, too ashamed to speak, unable to tell his children about those endless, inexhaustible sorrows.

These are all things that the audience can see through at a glance.

So what's the problem? is to express the torture of the inner drama in this way, the tension required is too great, and the actors are all actors who are completely accustomed to the shooting method of old-fashioned Hong Kong films.

It's not surprising that it's made into a traditional police movie.

So let's peel this apart and think about it carefully, should Liu Jianming and Chen Yongren act?

Liu Jianming: What kind of character is this?

One, he has to have an almost disconnected sense of contrast.

Second, he is an absolute villain.

What is a sense of separation? The role of Liu Jianming, in front of outsiders, is flawless, the rising star in the police force, the right-hand man in the eyes of his boss, the rising star, and the child next door in the eyes of his colleagues.

It's a feeling of 'sacredness' as if you're walking on the road and your body is going to emit a circle of light.

Please use all the words to describe this image.

He represents the ultimate brilliance and perfection.

But inside he is ugly, dirty, and full of holes.

When the black boss makes a phone call, he must immediately lose all his glory and turn into a clown who is being punched by others.

That's the contrast, and the sense of separation.

Secondly, he is still an absolute villain.

Thinking about this character, shooting Ni Yongxiao's father led to the beginning of the second play.

The woman who repeatedly asked the boss Han Chen if she was willing to follow her, and after getting a negative answer, she directly reported it to the opponent and killed her sweetheart.

The inside and the outside should work together to kill their boss, Superintendent Huang.

Lead the enemy into the urn and be your own boss.

It's a person, and he almost killed them all!

Especially this person, a phone call, directly hit and killed his beloved woman, this kind of ruthlessness is terrifying.

So, this is a blackened character with a clear positioning and a bright appearance!

But the actor is used to the shooting method of traditional Hong Kong films, and he didn't figure out this kind of inner drama at all, so that most of the audience felt like a poor "half-good person" when they watched this role

At the very least, you can't afford to feel like a creepy final boss.

Imagine, an inner ghost, killing the boss, killing the boss, ruthless, black-faced and kind-hearted, and finally succeeded in hoeing everyone to the top, how can such a person not be a final boss?

If this person survives, it should be the most impactful.

However, no, it always makes people feel that Han Chen, the boss, is dead, and everything is over, which also makes it difficult to clarify the positioning of this villain.

In short, the lack of a sense of disconnection makes it impossible to refract the inner drama of the characters.

The lack of a ruthless part leads to the over-presentation of this character.

Especially that sense of contrast, for example, Liu Jianming's moving scene, he greeted his colleagues while turning his head, but he was talking to the boss on the phone and being a traitor.

This seems to be just a very ordinary bridge, but it is not, it is just an ordinary shot.

This is a typical contrasting play of light and dark.

In short, in the last second, as soon as he turned around, in the eyes of his subordinates, workers, he was good, a kind boss, a perfect police officer.

His subordinates were kind to him from the bottom of their hearts, and the workers treated him with respect.

The next second, as soon as he turned his head, it was his dark side, the ugly side of a clown who was held in his hand.

This sense of switching between light and shadow is missing.

The actors just went through the process according to the normal police movie, and it was precisely this lack of countless details that led to the color sense of Infernal Hell being completely worn out.

Isn't this a castrated version?

As for Chen Yongren, it is even more problematic, not only the problem of acting, but the casting itself is the biggest problem, because this is at least a ruthless ruffian role, but the invited Liang is too gentle.

This appearance can't support a hysterical start and beat people everywhere into seriously injured madman thugs.

Even when he sat facing that, the audience would be suspicious, does this guy have the combat power to fight hard? How did he get mixed up with Han Chen's men, the most powerful thug of No. 1's henchman.

It's like asking Zhuge Liang to play Zhang Fei, it is impossible for someone to play the daunting image of a thug madman.

Here is only one plot, the highest highlight of the whole play, and the rooftop scenes of countless classic sentences were born.

Here's a line, "Go and talk to the judge." ”

"Look at him and don't agree with you being a good person."

Why?

Roughly looking at it, these are two inner ghosts, both of them are to wash the road to the shore, pay everything for it, at any cost, and finally hold each other's lifeblood, and they have been entangled on the rooftop, such an ultimate showdown.

But why didn't Chen Yongren raise his hand, he really let him go, hello, hello, everyone, why bother to the end, he was killed, ruined, and got nothing?

The reason is, no!

People have conflicts!

He Ye, because these two characters are typical double-sided images, Liu Jianming is bright on the outside and cold on the inside, and Chen Yongren is a crazy man on the outside and righteous on the inside.

When he tore off his disguise, he was an absolutely righteous policeman.

And the police are to bring all the evils to justice!

How is it possible to talk about conditions?

The reason for such a weird feeling is precisely that this entire character should have ushered in the biggest subversive climax of character design here, but no!

Because before that, he was playing a 'gentle undercover agent' all the time

On the rooftop, he is still a 'gentle undercover agent'

And what should it actually look like? In Han Chenna, Chen Yongren is a ruthless person who fights first, and he goes crazy to make his colleagues afraid, and after going to the rooftop and tearing off all his disguises, the audience should finally see it.

Ah, what a perfect, upright cop this is.

He, like the dead Chief Huang, was carrying out his mission one after another, until he was killed!

It is precisely the lack of such a sense of reversal of the huge subversion before and after that makes the audience feel that at this moment, it seems to be "discussed"

You two inner ghosts, discuss it yourself, isn't it over?

In fact, there is no such possibility at all.

To put it simply, these two characters all have huge duality and separation, but the two of them only perform one side, just 'hiding information', but not Tibetan characters.

The lack of a sense of contrast and the lack of countless details directly led to this Infernal Affairs, which is enough to go down in history and sublimate the height of police and gangster films, has been downgraded to an ordinary police film.

Infernal Affairs!

Any actor's uneasiness is uneasy!

At this moment, this script has not yet been filmed, but his script has appeared in his hands.

Holding this page, Lin Yu couldn't help but take a deep breath slowly, raised his head, and there was a trace of vicissitudes in his eyes, dancing with a scorching light!