The professors smiled.

Don't say it.

This world has joy because of Ah San.

Think about the historical record of Wang Xuance's war.

Ah San dispatched the elephant corps! It's mighty!

Okay, our big brother Wang Xuance has found a herd of cows, what is he going to do?! Oh, my God! He actually lit the tail of the ox!

The ox charged, oh my God, in the evil smile of Brother Wang Xuance, the ox actually disturbed the elephant after falling into the elephant corps, the elephant stepped on the cow, the ox trampled on the Tianzhu soldiers, the elephant also stepped on the Tianzhu soldiers, the groove was messed up, they kept stepping on it! They're still stepping on it!

Okay, and then a wave of bulldozing was leveled, bringing a small wave of Datang shock to Tianzhu.

I can't hold back at all.

"Actually, there's more to the cultural integration than that."

Luo Shiyao, who had been listening, suddenly spoke.

"In the territorial dance, there are a lot of Persian elements, and the male dancers are like some shoulder shaking movements, or some postures, this kind of texture is similar to the Cossack dance that Maozi Big Brother loved to dance back then, and there will be some traces of mutual influence."

Listened to Luo Shiyao's words.

The crowd immediately stopped talking.

I looked at it with a curious face.

"The Cossack dance, on the other hand, originated from the nomadic peoples of Eastern Europe and northern Central Asia."

"Therefore, the culture and art of the territory is a very integrated culture and art, which is not only a part of the pluralistic integration of Chinese culture and art, but also pluralistic itself."

Listened to Luo Shiyao's words.

Li Jinglin nodded thoughtfully.

"Don't say it, when you say that, I suddenly feel that I have some ideas."

"What? Got an idea for your work? ”

"Really."

Li Jinglin was thinking.

Nowadays, when the music of some territories is played outside, many Chinese audiences will always feel subconsciously.

[Exotic].

They will say that it is a bit similar to Ah San music.

This is not to blame the audience, but only to blame the works and creations in this area are not in place.

So, if you want the domestic audience to hear a similar style of territorial music, the first reaction is not "exotic", but "this is my Chinese folk music".

In terms of creation, it is necessary to have certain ideas and various kinds of attempts.

"Actually, I have always felt that if you want to express the music of the Western Regions, Qiuzi music or Gaochang music, it is a good choice, and in the choice of musical instruments, I am also more inclined to the instruments here, or some unpopular instruments, for example. Baskets? ”

"However, I suddenly feel that it would be better to use the flute, an instrument that is more familiar to Chinese people, to express a strong territorial style."

"It is necessary to have the [exotic style] that everyone often says, but also to add some ancient rhyme such as the Western Regions in the Han and Tang dynasties?"

Li Jinglin's words immediately attracted Professor Chen's interest.

"So what else do you want? Hurry up, you've walked all the way, and you haven't felt it yet, it's really in vain. ”

Hurry, hurry.

Urge, urge, urge.

After all, not everyone can catch up with Li Jinglin's hottest fresh works.

"Ah, that's what I thought."

Li Jinglin was stunned.

"I haven't decided whether it's better to be a solo piece or a purely musical piece."

"Is there a difference? There is no difference! ”

"Professor Chen, don't talk about it, you are also engaged in music, don't fool people."

Listening to Professor Chen's urging, Li Jinglin rolled his eyes.

The solo piece can better express the loneliness and desolation of the Gobi Desert in the Western Regions along the way, and because it is a solo performance, it can show the artistic style more delicately from a microscopic perspective.

Pure music, on the other hand, can be used to describe the territory in a more general way from a macro perspective, and the whole will be more likely to be biased towards the atmosphere.

This Professor Chen, pure is urging.

"Can't you just mess with it?"

“？”

"Yes, adult, you have to learn to choose [I want to]."

Luo Shiyao also smiled and patted Li Jinglin's shoulder.

"However, in the solo repertoire, if the instrument is chosen violin, will it be easy to lose the Chinese style?"

Professor Liu smiled, but talked about the key issues seriously.

Unexpectedly, Li Jinglin was directly stunned.

"Huh?!"

"Huh? I really didn't think of a violin?! ”

"Huh? When composers write solo music, don't they think of the instrument they are best at for the first time?! ”

Professor Liu was also stunned.

Professor Liu has always felt that musicians should choose the instruments they are most familiar with when they are good at composing solo repertoire.

How does this feel different?

"Isn't it? Isn't it time to think of some instruments that are best suited for the expression of the content? ”

Li Jinglin and Professor Liu stared wide-eyed.

Immediately, they all scratched their heads, and subconsciously looked at the only two music backgrounds, Professor Chen.

"What do you see me doing? I don't know, he Li Jinglin is an accident, an accident for the entire music industry. ”

Feeling the gaze of the two, Professor Chen suddenly rolled his eyes.

"How can I know, Brother Lin's thoughts, we don't dare to guess, if I could know his thoughts, I would have been as fierce as him."

"Hahahaha!"

Burst into laughter.

Li Jinglin couldn't help but smile and patted the old guy's back.

After laughing, his eyes lit up slightly.

"Don't say it, just like that, I suddenly have a new idea."

Professor Ma couldn't hold back.

Hearing Li Jinglin say this, he blurted out immediately.

"Le, you have new ideas every day."

"Don't talk, wait."

Li Jinglin snorted, which immediately caused bursts of laughter.

Time passes slowly.

After the visit, the group returned to the county seat from the ruins.

After settling down, Li Jinglin's creation also began.

Not to mention, chatting with several professors really made Li Jinglin make up his mind.

What's the use of making a tune?

To do it, then the whole portfolio.

It's called "Li Jinglin's Journey to the Territory. Forget it, this name is too ugly, I'll talk about it then.

It's pretty good to make a whole series.

Moreover, if there are enough repertoire, it can really have a certain significance from the influence of culture.

For example, starting from Chang'an, what is the texture of court music, and after arriving at the Hexi Corridor, what is the musical integration of the Dunhuang generation, and what is the style of the Western Regions countries from the Hexi Corridor?

You can feel this kind of integration and change from the slow progression of musical styles.

And these, in modern times, nowadays.

It is all Chinese music, and they all belong to a part of the Chinese cultural context of pluralism and integration.

It's well worth some promotion.

Before.

Through the promotion and popularization of the music culture of southern Yunnan and some music culture in Northeast China, on the Internet.

The stereotypical "Chinese style" has long been slowly faded.

When mentioning the Chinese style, the impression of many netizens and viewers is not limited to the "pentatonic scale", "pipa erhu flute" and the like.

The seeds of pluralism and unity are gradually entering the audience's cognition.

As creators from all over the world continue to explore the culture and music styles of their hometowns, more and more different folk music has entered the public eye.

Stop.

Nowadays, I want to make the audience's perception of territorial music more three-dimensional. It's really the best environment.

The foreshadowing in front of me is too good.

Now it's just the right thing to do.

And in the style of territorial music, that cumin flavor.

In fact, it is its unique scale.

A musical scale system influenced by Persian music.

b7，#1，#2，#4，#5。

Intangible cultural heritage can be applied for jointly, and it can also have the same name.

Therefore, Huaxia applied for the world intangible cultural heritage of the famous Kamum in the territory music.

Those who applied together, who are also Kamum music, and the old YLK brothers.

Although it has the same name, the repertoire of the repertoire is different, and the other people's are more local, while the territory of Kamu has its own slightly different characteristics, which are counted as two independent intangible cultural heritage of the same name.

As for the kinship between each other's music and instruments, develop a relationship

If you really want to study, that sentence can describe it.

[One musical instrument is equal to half of the history of Eurasia.] 】

This cumin-flavored scale is outside.

If you add some more microtones, and a lot of portamento.

It's going to have a little more curry flavor.

That is, Ah San music, or ZD music, which many people feel very like.

Glissandos are also very common in territorial music, but they are generally very delicate, and they will not be like Ah San's crotch diapers dragging muddy and sticky.

This difference in treatment is also one of the very important differences between them.

Of course.

At the same time, it also needs to be very elastic with jumping rhythms and rhythms.

You can sing and dance.

Territory music is very rhythmic and will always make you shake your shoulders and shake your head.

And the instrument chosen by Li Jinglin.

It's not a violin, and it's not an instrument that has anything to do with the music of the territory.

On the contrary, it is an instrument that the vast majority of people cannot imagine at all.

"Zheng"

Yes, it's actually a guzheng.

The guzheng is currently the most accepted statement in the academic community.

It originated in Daqin.

Nowadays, among the guzheng genres, the most noteworthy is the Qin Zheng of the Shaanxi generation.

What about the other genres?

Hakka Zheng, Chaozhou Zheng, all over the river and beyond, north and south, the style is very different.

However, take the guzheng to engage in Western Regions music.

This is really rare.

I even always feel that this style is a bit out of place.

But from Li Jinglin's personal point of view.

It's a matter of pure imagination.

Many people think of the guzheng, that is, sitting very dignified, and then playing it down and flowing water.

Maybe it's like the gentle flow of water in the southern zheng, the gentleness of the small jasper, or the murderous and rough spirit of the Qin Zheng?

But as everyone knows, this thing can be jumped up happily like the music of the territory.

Create, don't be afraid of failure, be bold.

Thereupon.

Novel attempts with a bit of "etiquette and happiness" began to appear on the beatmap.

That mark even made Professor Chen, who read the music score, feel that his eyes were not dazzled.

"You use the guzheng as a percussion instrument?"

"Huh? Isn't it possible? ”

(End of chapter)